Engineering and Information Technology Collected Works - Research Publications

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Author: Sandberg, Claudia × Start date: 2020 × End date: 2023 ×

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Now showing 1 - 10 of 15
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    Peter Lilienthal. Von Koffern und Tätern
    Sandberg, C ; Haselberg, L ; Praetorius-Rhein, J ; Riedel, E (Carl Hanser Verlag, 2023)
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    Teatro Lautaro in Deutschland gestern und heute. Körperlichkeit, Rhythmus und Farbe
    Sandberg, C (Theater der Zeit, 2023)
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    Actress, Ballerina... Engineer?
    Sandberg, C ( 2023)
    Engineering needs more diversity, but there are almost no role models for women engineers in popular culture.
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    La jaula de oro: The Border Crossing Journey as Dream and Reality
    Sandberg, C ; Mejía, G (Project MUSE, 2022)
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    Die frühen Fernseharbeiten von Peter Lilienthal. Ein jüdischer Remigrant im Westdeutschland der Nachkriegszeit
    Sandberg, C ; Wohl von Haselberg, L ; Pizaña Pérez, LA (Edition Text + Kritik, 2022)
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    Patagonien und die Filme von Narcisa Hirsch
    Sandberg, C (HATiKVA, Centre for the Education of Jewish History and Culture in Saxony, 2021)
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    Peter Lilienthal: A cinema of exile and resistance
    Sandberg, C (Berghahn Books, 2021-07-16)
    Peter Lilienthal is the first comprehensive study of Lilienthal’s life and career, highlighting the distinctively cross-cultural and transnational dimensions of his oeuvre, and exploring his role as an early exemplar of a more vibrant, ...
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    AI in Film History. Fantasies, Power and Humanity
    Sandberg, C (Goethe Universitat, 2020)
    Artificial intelligence has been depicted in film for decades. It embodies the tension in our societies between interest, enthusiasm, scepticism and anxiety about the technologies we have created and which surround us every day. Hollywood imagery exists alongside productions in all types of genres, from sci-fi to melodrama, that depict machines controlling the most intimate aspects of our lives.
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    An East German Chile in Bulgaria: Notions of Longing and Displacement
    Sandberg, C (Routledge, 2021)
    The long-lasting relationship of the East German production company DEFA with Eastern European cinemas is documented by the great number of co-productions undertaken over the years of its existence. In a canon of DEFA films shot on location in Bulgaria, the ‘Chile films’ appear as interesting example of cultural hybridity and transnational filmmaking, which have yet to receive scholarly attention. The features Der Übergang/The Passage (1978), Die Spur des Vermiβten/Trace of the Disappeared (1980) and Blonder Tango/Blond Tango (1985), presenting East German views about human rights violations that occurred in Chile during the Pinochet regime, were made with Bulgarian, German and Chilean casts and crews. This paper examines the Eastern European physiognomies in these films and their meaning as conflation between East and South in the Cold War dynamics of the late 1970s to mid-1980s. While the films propagate notions of Third World solidarity and fascist denunciation in narrative terms, Eastern European natural and urban landscapes produce feelings of displacement and yearning for an intact place remote from East German reality.