- Engineering and Information Technology Collected Works - Research Publications
Engineering and Information Technology Collected Works - Research Publications
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ItemPeter Lilienthal. Von Koffern und TäternSandberg, C ; Haselberg, L ; Praetorius-Rhein, J ; Riedel, E (Carl Hanser Verlag, 2023)
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ItemNo Preview AvailableTeatro Lautaro in Deutschland gestern und heute. Körperlichkeit, Rhythmus und FarbeSandberg, C (Theater der Zeit, 2023)
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ItemActress, Ballerina... Engineer?Sandberg, C ( 2023)Engineering needs more diversity, but there are almost no role models for women engineers in popular culture.
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ItemNo Preview AvailableLa jaula de oro: The Border Crossing Journey as Dream and RealitySandberg, C ; Mejía, G (Project MUSE, 2022)
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ItemNo Preview AvailableDie frühen Fernseharbeiten von Peter Lilienthal. Ein jüdischer Remigrant im Westdeutschland der NachkriegszeitSandberg, C ; Wohl von Haselberg, L ; Pizaña Pérez, LA (Edition Text + Kritik, 2022)
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ItemPatagonien und die Filme von Narcisa HirschSandberg, C (HATiKVA, Centre for the Education of Jewish History and Culture in Saxony, 2021)
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ItemCompeting Germanies: Nazi, Antifascist, and Jewish Theater in German Argentina, 1933-1965Sandberg, C (CAMBRIDGE UNIV PRESS, 2021-09)
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ItemPeter Lilienthal: A cinema of exile and resistanceSandberg, C (Berghahn Books, 2021-07-16)Peter Lilienthal is the first comprehensive study of Lilienthal’s life and career, highlighting the distinctively cross-cultural and transnational dimensions of his oeuvre, and exploring his role as an early exemplar of a more vibrant, ...
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ItemAI in Film History. Fantasies, Power and HumanitySandberg, C (Goethe Universitat, 2020)Artificial intelligence has been depicted in film for decades. It embodies the tension in our societies between interest, enthusiasm, scepticism and anxiety about the technologies we have created and which surround us every day. Hollywood imagery exists alongside productions in all types of genres, from sci-fi to melodrama, that depict machines controlling the most intimate aspects of our lives.
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ItemAn East German Chile in Bulgaria: Notions of Longing and DisplacementSandberg, C (Routledge, 2021)The long-lasting relationship of the East German production company DEFA with Eastern European cinemas is documented by the great number of co-productions undertaken over the years of its existence. In a canon of DEFA films shot on location in Bulgaria, the ‘Chile films’ appear as interesting example of cultural hybridity and transnational filmmaking, which have yet to receive scholarly attention. The features Der Übergang/The Passage (1978), Die Spur des Vermiβten/Trace of the Disappeared (1980) and Blonder Tango/Blond Tango (1985), presenting East German views about human rights violations that occurred in Chile during the Pinochet regime, were made with Bulgarian, German and Chilean casts and crews. This paper examines the Eastern European physiognomies in these films and their meaning as conflation between East and South in the Cold War dynamics of the late 1970s to mid-1980s. While the films propagate notions of Third World solidarity and fascist denunciation in narrative terms, Eastern European natural and urban landscapes produce feelings of displacement and yearning for an intact place remote from East German reality.