Victorian College of the Arts - Research Publications
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ItemEnhancing gesture quality in young singers(ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD, 2016-09)
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ItemNo Preview AvailableThe effects of gesture and movement training on the intonation of children's singing in vocal warm-up sessions(SAGE PUBLICATIONS LTD, 2016-02)The main purpose of the current study was to examine the effects of gesture and movement training for beginning children’s choirs with regard to improving intonation. It was a between-subjects design with one independent variable Training Technique (TT). One dependent variable was measured: intonation in the singing of vocal pattern warm-up exercises. Fifty-three fifth grade students (10–11 years old) participated in the empirical investigation. They were randomly assigned into three training groups: (1) Group 1— students who received no gesture and movement training; (2) Group 2— students who received gesture training; and (3) Group 3— students who received gesture and movement training. The instructional unit, consisting of two 40-minute sessions per week for 24 sessions, focused on vocal development. Each individual was pretested and posttested on singing 5 vocal patterns, selected from some 20 learned in the sessions. Three experts were asked to judge the children’s individual singing of these patterns, assessing intonation. Results showed that the children who received gesture and/or movement training sang significantly more in tune than those who did not. It was concluded that gesture training has a positive effect on improving children’s intonation. Furthermore, the combination of gesture and movement training could be a powerful teaching strategy in choral rehearsals.
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ItemThe Modern Composer: Technology and the Creative Personality(Music and Arts Publications, 2015)
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ItemMotivation to study music in Australian schools: the impact of music learning, gender, and socio-economic status(SAGE Publications, 2015)This study extends an eight-country mapping exercise undertaken (McPherson & O’Neill, 2010; see RSME issues 2010-2011) to now include students’ motivation to study music within the Australian context. It sought to determine whether music learners (students learning an instrument or voice), might be more motivated to study academic subjects at school, and whether gender and socio-economic status (SES) affected student motivation to learn music at school. A total of 2,742 students from grades 5 to 12 completed a questionnaire based on Eccles’ and Wigfield’s expectancy-value framework. Data collected included ratings of competence beliefs, interest, importance, usefulness and difficulty for four subjects music, English, maths and science, and indications of whether the students were currently learning a musical instrument or voice (music learners) or whether they would like to if given the opportunity. There was an overall significant decline in competence beliefs, interest, importance, and usefulness across the school years, in contrast with increased task difficulty ratings across the school years. Music learners reported significantly higher competence beliefs, interest, importance, usefulness, and significantly less task difficulty than non-music learners. This advantage applied across all school grades for music, competence beliefs for English in upper primary and lower secondary school grades, and for maths in lower secondary grades. Although females reported music as more important and useful than males, their competence beliefs and task difficulty ratings were equivalent. Music was considered slightly less interesting for females than for males. The value of music as a subject declined significantly for upper SES students from upper primary to lower secondary schools. The greatest number of participants (40.8%) who expressed a desire to learn a musical instrument came from the lower SES category in upper primary school. This result for the Australian context is significant, indicating that this may be a positive time to recruit learners. This study provides new information regarding the relationship between motivation and desire to learn a musical instrument across school grades, gender, and socio-economic factors.