School of Culture and Communication - Research Publications

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Author: Eckersall, Peter ×

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Now showing 1 - 10 of 38
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    Solid and Liquid Modernities in Regional Australia
    Varney, D ; Eckersall, P ; Hudson, C ; Hatley, B ; Reinelt, J ; Singleton, B (PALGRAVE, 2013-01-01)
    This chapter focuses on mobile and fluid identities in performance in Arnhem Land in the Northern Territory and in the Kimberley region of Western Australia: territories and regions with unique geographical and cultural features; that are closer to Asia than the large population centres of the nation; are both ancient and modern; and connected to local and global flows of culture, trade, technology and finance. Solid and liquid modernity cohabit in these regions in the form of iron ore, copper and gold and in the stocks and shares that circulate ‘free of fences, barriers, fortified borders and checkpoints’ in the global marketplace (Bauman, 2000: 14).
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    Introduction: Regional Modernities in the Global Era
    Varney, D ; Eckersall, P ; Hudson, C ; Hatley, B ; Reinelt, J ; Singleton, B (Palgrave Macmillan, 2013)
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    Toshiki Okada's Ecological Theatre
    Eckersall, P (MIT Press - Journals, 2021-01)
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    Curating Dramaturgies
    Eckersall, P ; Ferdman, B ; Ekersall, P ; Ferdman, B (Routledge, 2021-04-27)
    This is further elaborated in the interviews with 15 diversely placed arts professionals who are at the forefront of rethinking and consolidatingthe ever-evolving field of the visual arts and performance.
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    Performance Community in an Age of Reenactment: Takao Kawaguchi’s About Kazuo Ohno and the Conversation with Ghosts
    Eckersall, P ; Fischer-Lichte, E ; Jost,, T (Routledge, 2021)
    Dramaturgies of Interweaving explores present-day dramaturgies that interweave performance cultures in the fields of theater, performance, dance, and other arts.
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    Machine Made Silence The Art of Kris Verdonck
    Eckersall, P ; Baarle, KV (Performance Research Books, 2020)
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    Curating Dramaturgies How Dramaturgy and Curatorial Practices are Intersecting in the Contemporary Arts
    Eckersall, P ; Ferdman, B (Routledge, 2021-04-27)
    This is further elaborated in the interviews with 15 diversely placed arts professionals who are at the forefront of rethinking and consolidatingthe ever-evolving field of the visual arts and performance.
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    Okada Toshiki’s Dramaturgy in the Post-global condition
    Eckersall, P ; Eckersall, P ; Regelsberger, A (Performance Research Books, 2021)
    In Okada Toshiki and Japanese Theatre, Okada’s work and its importance to the development of contemporary performance in Japan and around the world is explored. Gathered here for the first time in English is a comprehensive selection of essays, interviews and translations of three of Okada’s plays by leading scholars and translators. Okada’s writing on theatre is also included, accompanied by an extensive array of images from his performances.
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    Okada Toshiki & Japanese Theatre
    Eckersall, P ; Geilhorn, B ; Regelsberger, A ; Poulton, MC ( 2021)
    Playwright, novelist and theatre director Okada Toshiki is one of the most important voices of the current generation of Japanese contemporary theatre makers.
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    Intercultural performance in the context of cultural pluralism
    ECKERSALL, PETER (Circus Oz and Monash University, Centre for Drama and Theatre Studies, 2001)
    In this paper I will provisionally argue for the possibility of localised intercultural relationships in the live performing arts as an effective and pluralist site of resistance to totalising forces associated with globalisation. There will be four themes to my argument and I apologise in advance that I will only briefly touch on each of them. They are: i.Defining globalisation ii.Cultural pluralism iii.Australia and Japan (the two sites of performance culture that I have expertise in and have been asked to address) iv.Live performing arts: the Gekidan Kaitaisha-NYID project.