- School of Culture and Communication - Research Publications
School of Culture and Communication - Research Publications
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ItemThe Fold in Diasporic Intimacy and Cultural HybridityPAPASTERGIADIS, N ; Trimboli, D ; Ahn, S ; Khouri, K ; Supriyanto, E ; Yung, A (Sharjah Art Foundation, 2016)
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ItemThe Journeys and on Kawara: In Motion there is the encounter with time and spacePAPASTERGIADIS, N ; Makhoul, B ; Mitha, A (HOME Manchester, 2016)
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ItemArts and Cultural Precincts in the Age of ParticipationPAPASTERGIADIS, N ; Carter, P ; McQuire, S ; Yue, A ; Wee, K ; Chia, J (Asian Urban Lab, 2016)
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ItemHiding in the CosmosPAPASTERGIADIS, N ; Elias, A ; Harley, R ; Tsoutas, N (Sydney University Press, 2015)
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ItemAmbient Aesthetics: Altered Subjectivities in the New MuseumRadywyl, N ; Barikin, A ; Papastergiadis, N ; McQuire, S ; Message, K ; Witcomb, A (John Wiley & Sons, 2015-07-20)This chapter focuses on the Australian Centre for the Moving Image (ACMI) as a case study for the emergence of hybrid subjectivities within the new museum. Fueled by an optimistic idealism about how technology might transform everyday life, ACMI was conceived as a catalyst for new forms of cultural consciousness. The chapter casts ACMI's initial willingness to experiment with innovative representational technology as a strategic attempt to position itself as a pioneering new media institution, and to engage in alternative forms of cultural citizenship. Its early public exhibitions, for example, often eschewed chronological histories of the moving image in favor of phenomenological displays of visual knowledge and embodied new media “experiences.” In tracking ACMI's changing curatorial, architectural, and experiential directives, this chapter foregrounds the significance of the museum as a producer rather than distributor of stories, experiences, and objects. The argument proceeds with close reference to empirical audience experience research data collected from ACMI visitors, and is situated in relation to historical transformations of pedagogy as a driver for museological display. The concept of “ambient aesthetics” is, finally, proposed as a key conceptual framework for evaluating how contemporary museums might articulate a new kind of “flexible” citizenship in a transnational public sphere.
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ItemAmbient Perspective and the Citizen's Moving EyesBarikin, A ; Papastergiadis, N ; Hlavajova, M ; Hoskote, R (Valiz, 2015)
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ItemArt from Asia: Aesthetic Cosmopolitanism and the World in ArtPAPASTERGIADIS, N ; Moslund, S ; Petersen, A ; Schramm, M (I. B. Tauris, 2015)And they are all, to some degree, connected to the experience of migration or the contemporary consequences of earlier ... As a starting point we wish to delimit the vast field of 'studies in migration and culture' by highlighting three – mutually ...
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ItemThe Provincial Cosmopolitan: Emily Jacir and the Mediterranean SeaPAPASTERGIADIS, N ; Jacir, E ; Kholeif, O (Prestel, 2015-10-25)This book offers one of the largest surveys of the work of artist Emily Jacir, known for her reflective works of art that are both extremely personal and acutely political.
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ItemPlanning for Urban Media: Large Public Screens and Urban CommunicationMcQuire, S ; PAPASTERGIADIS, N ; Vetere, F ; Gibbs, M ; Downs, J ; Pedell, S ; Silva, CN (IGI Global, 2015-02-28)At the same time, these changes created new challenges for city governments, citizens, and other stakeholders, namely risks associated with the digital divide, which tended to reinforce social exclusion along other social divides. As several ...