School of Culture and Communication - Research Publications
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ItemIs This How Participation Goes?(The Department of Visual Arts, University of California, 2019)If the neoliberal regime is a constitutive force in a decentered and globalizing world, then what is the starting point for determining its flows, and what is its impact on art and culture? Conversely, have we not also seen art swell and expand through new kinds of transnational collaborations that are giving aesthetic form to cosmopolitan ideals? Are artists at the vanguard of the resistance against the gaping inequalities threatening to rip apart the social fabric or are they, despite their democratising intentions, an extension of an invidious system? These contradictory forces are played out on many fronts and with divergent inflections. In this brief essay we sketch out the hydraulic tensions between the corporate global culture and mass cultural participation by focusing on recent events in Melbourne. As a second-tier global city, celebrated for its livability and cultural vitality, the development of Melbourne’s cultural scene over the last fifteen years exemplifies the various spatial formations around which aesthetic experience is being organized and redistributed.
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ItemSpace/Time: Matter and Motion in On Kawara(UNIV CHICAGO PRESS, 2016-03-01)
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ItemFacing the Fall: Humanism after Nihilism in Christos Tsiolkas's Writing(PENN STATE UNIV PRESS, 2016)Abstract The novels of Christos Tsiolkas provide a powerful portrayal of the hollowing out of radical political ideologies and the disaggregation of cultural bonds. The struggle of living in a world where both Marxism and multiculturalism are seen as failures has been expressed through a narrative form that at first resulted in nihilism and more recently led to an evocation of a form of embodied solidarity with the other. In this article, I contrast the ambivalent resort to nihilism in Tsiolkas’s work with the theoretical commentary by Sloterdijk and Žižek.
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ItemLa geo-politica del arte contemporaneo(Bogota Humana, Cultura, Recreacion y Deporte, Instituto Distrital de las Artes, 2015)
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ItemThe Cultures of the South as Cosmos(The Nordic Society of Aesthetics, 2016)As the Global South is increasingly interpenetrated by neo-liberal and authoritarian regimes the idea of the South as a site of emancipatory resistance and exotic cultural difference has ended. This article offers an alternative route into the cultures of the South. It focuses on the shifting forms of the South in contemporary visual art and outlines the possibilities of non-coercive forms of cultural exchange and the cartographies of a cosmopolitanism from below. This perspective on the South is most evident in the stories of embodied solidarity that stand in contrast to top down visions of socio-economic development and cultural homogenization.
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ItemAmbient Perspective and Endless Art(Helen Hughes, 2015)
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ItemNo Preview AvailableSpatial Aesthetics: Art, Space and the Everyday(http://theoryandpractice.ru/, 2015)
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ItemWars of Mobility(SAGE PUBLICATIONS LTD, 2010-08)In the aftermath of 9/11, world leaders addressed the nation as a body under threat and hastened in new policies to bolster border protection and ‘securitize’ immigration. While the terrorist attacks cast new forms of public attention on the risks posed by mobile agents, the link between national security and regulating migration has always been at the forefront of the constitution of the nation state. Despite this persistent anxiety towards the social impact of migration and the status of people on the move, a more general understanding of mobility is not only missing in public debates, but has been a lacunae in the social sciences. What is mobility — a state, a force, a set of shifting co-ordinates? How does the definition of mobility shape social attitudes and personal experiences? This article examines the use of organic and mechanistic metaphors that have underpinned the classical paradigm for understanding of mobility in the social sciences. It argues that the global patterns of migration and the contemporary forms of hybrid subjectivity do not fit well with this paradigm. The limits and kinetophobic associations generated by the classical paradigm are examined through Harald Kleinschmidt’s theory of residentialism. The final part of this article outlines an alternative conceptual frame that is based on key terms from complexity theory.
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ItemWhat Is the South?(SAGE Publications, 2010-02)The idea of the South has a long history. In the recent past it has been revived as a possible frame for representing the cultural context of not just regions that are geographically located in the South, but also those that share a common post-colonial heritage. In this essay I explore the affinities and tensions between the South and parallel terms such as Third World and Antipodes. I argue that the South can extend the existing debates on cross-cultural exchange, and provide a useful perspective for representing what I call a ‘spherical consciousness’ in contemporary art.
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ItemVulture and its ...( 2010)