School of Historical and Philosophical Studies - Theses
Permanent URI for this collection
Search Results
1 - 4 of 4
-
ItemSaturn and the Seeds of Evil: Spaceflight, Envirotechnical Thought, and Progress in 1960s and 1970s America( 2023)During the 1960s and the 1970s, inspired by a growing awareness of the effects unbridled technological progress was having on themselves and their environment, a politically disparate group of Americans searched for new relationships with technology, the environment, and the notion of national progress. “Saturn and the Seeds of Evil” explores the differing conceptions of technological progress that were projected on to spaceflight during this period of contestation over the course of America’s, and often the whole Earth’s, future. Some, including the patriotically minded editors of Life magazine and the chemical-industrialist Robert White-Stevens, turned to spaceflight as a glittering example of technological progress to convince doubters that the nation’s course was safe. Others, including pioneering aviator Charles Lindbergh, his wife, Anne Morrow Lindbergh, physicist Gerard K. O’Neill, and alternative technology guru Stewart Brand, believed that space technology presented a path towards environmental salvation. “Saturn and the Seeds of Evil” uses three case studies to argue that at each stage of the 1960s, 1970s, and into the 1980s, spaceflight reinforced narratives of technological utopianism—the notion that technological progress is equivalent to societal progress—regardless of whether the visions of technological progress projected on to it were utopian or dystopian.
-
ItemNo Preview AvailableDress in Australia: The materiality of a colonial society in the making( 2023-08)The study of surviving items of dress offers a vital material source for historians that is commonly ignored. Dress sits at the intersections between necessity and self-representation, the assertion of social standing and cultural, economic and technological aspects of society. Yet writings on dress in the Australian colonial context have largely overlooked the extant items, focusing instead on images and text. “Dress in Australia: the materiality of a colonial society in the making” takes a material culture approach to the history of colonial era dress from the arrival of the First Fleet in 1788 to the late-nineteenth century. It pays particular attention to the early years of colonisation and development of colonial society in the years up to the early-1870s. The research methodology, which uses the study of a selection of garments in public and private collections which are known to have been either made or worn in Australia, places surviving items of dress and their materiality to the fore in discussions of European colonisation and Australian settler culture. The close examination of surviving items of dress, coupled with contextual interpretation of objects based on archival research using letters, journals and correspondence, as well as visual material, demonstrates how such an approach enables historical interpretations that would not have been possible from a narrower methodological base. Through the detailed analysis and contextual interpretation of objects, this thesis shows how their materiality prompts new directions and expanded ways of thinking about the significance of dress within a rapidly changing settler society.
-
ItemCountryminded Conforming Femininity: A Cultural History of Rural Womanhood in Australia, 1920 – 1997( 2021)This thesis explores the cultural and political history of Australian rural women between 1920 and 1997. Using a diverse range of archival collections this research finds that for rural women cultural constructions of idealised rural womanhood had real impacts on their lived experiences and political fortunes. By tracing shifting constructions of this ideal, this thesis explores a history of Australian rural womanhood, and in turn, centres rural women in Australian political and cultural history. For rural women, an expectation that they should embody the cultural ideals of rural Australia — hardiness, diligence, conservatism and unpretentiousness — was mediated through contemporary ideas of what constituted conforming femininity. This thesis describes this dynamic as countryminded conforming femininity. In this respect, this research is taking a feminist approach to political historian Don Aitkin’s characterisation of the Country Party as driven by an ideology of countrymindedness. This thesis uses countryminded conforming femininity as a lens through which cultural constructions of rural womanhood may be critically interrogated, and changes in these constructions may be traced. This thesis represents the first consideration of Australian rural womanhood as a category across time that is both culturally constructed and central to Australian political and cultural life, drawing together histories of rural women’s experience, representations and activism. It theorises what ideals of Australian rural womanhood have meant across the twentieth century and finds that they have had an under-considered role in Australian political life, and on constructions of Australian national identity.
-
ItemThe Mischief Wrought by the Master of the Skerryvore: Victoria at the Philadelphia Centennial Exhibition of 1876( 2021)This thesis is a study of the colony of Victoria’s involvement in the 1876 Philadelphia Centennial Exhibition. The chance to send a display to Philadelphia provided an exciting opportunity for the colony to foster a sense of racial and cultural belonging with the Exhibition’s fairgoers with the aim of consolidating economic, cultural, scientific and social networks between Victoria, the United States and the world. Of the Australian colonies, Victoria sent the largest exhibition contingent to Philadelphia. However, restrictive trade laws, parliamentary disunity, and doubts regarding the usefulness of sending exhibits to the Philadelphia Centennial Exhibition negatively impacted its planning and staging. These problems ultimately led to the attempted scuttling of the Skerryvore, the ship tasked with transporting the Victorian exhibits to the United States, and the subsequent damage to many of the items sent to represent the colony at the Philadelphia Centennial Exhibition. This thesis uses Victoria’s involvement in the Philadelphia Centennial Exhibition as a lens through which to consider how competing visions of the colony’s future, as well as economic and political factors, impacted the colony’s representation at Philadelphia. By re-embedding this event in the complex economic, political, and cultural context within which it took place, this thesis sheds light on the broader role played by these influences in affecting the representation of colonies, dependencies and nations at nineteenth-century exhibitions.