Architecture, Building and Planning - Theses

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    Encountering Architecture Architecture, Audience, Communication and the Public Realm
    Davidge, Tania, Louise ( 2021)
    What new forms of communication can be developed to communicate architecture, city making and city shaping to public audiences? This thesis advocates for the urban spatial encounter as a communicative strategy that uses the medium of the public realm to engage audiences with architecture, the city and the built environment. Situated at the intersection of architecture, urbanism and public art, the urban spatial encounters are creative works that take the form of installations and events. They are designed to catalyse active conversations between architectural practitioners and public audiences; conversations that engage people with architecture and the built environment and the issues that shape them. The encounters traverse a broad range of sites and scales—from small-scale guerrilla spatial interventions into public space to a grassroots community activist campaign that took on one of the world’s largest corporations, Apple. Drawing on the fields of public art and play scholarship, this thesis argues that the urban spatial encounter is an effective medium for communicating architectural and spatial knowledge and practices, for increasing city-making literacy in public audiences and a means for affording citizens a place in shaping the urban environment. Through practice based research, this thesis aims to raise public awareness and catalyse discussion within the architectural profession on the value of scholarship and research into the public communication of architecture and the built environment.
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    Making Civic Space: A Comparative Study of Civic Space Design in the Contemporary Settler Societies of Australia and New Zealand
    Johnson, Fiona Claire ( 2019)
    Designers in settler colonial cities around the world are being asked to respond to the demands of decolonisation as nations increasingly acknowledge their ethical obligations to redress colonialism. This thesis explores the state of decolonising practice in design through the lens of civic space in Australia and Aotearoa New Zealand, as compared through two exemplary projects - Adelaide’s Victoria Square/Tarndanyangga and Wellington’s Waterfront. The politics of settler nations are intrinsically spatial, as legislative and symbolic processes of sovereignty negotiate territory. Traversing conflicting layers of history in the spatial present is very complex, as physical ecologies and topographies both disrupt and support the legacy of colonialism. This research examines the textual, conceptual, spatial and architectural modes of practice which together collectively ‘make’ civic space. Civic space offers the opportunity to explore shared histories, experiences and practices, between indigenous and settler subjectivities However, the very notion of ‘civic’ is problematic within the settler context, where space and politics are inherently ‘unsettled’. The study considers the approaches to the design of civic space from placemaking and planning through to the scales of landscape architecture and architecture. This study found that despite progress and good-will on the part of design practitioners and stakeholders, the position of designers in Australia continues to be compromised by the arrested development of reconciliation in terms of legislation, governance and the redress of history. In the absence of meaningful change, designers are reliant on creative placemaking practices of acknowledgment, applied through techniques of interpretation and curation. When viewed in contrast, the constructs established by the legislative and policy redress of New Zealand have provided designers with a stronger footing from which to explore finer grade spatial design responses to decolonisation. When viewed together these two spaces offer a revealing collision of design, policy and indigenous reconciliation.
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    Constructing publicness: politics and the role of design in Melbourne's grid since the 1990s
    Davis, Michael ; © 2016 Michael Davis ( 2016)
    During the 1990s the developmental trajectory of inner Melbourne shifted dramatically and the city became the site of an entrepreneurial strategy of urban development. Within the inner grid, spatial interventions grounded this redirection, and a number of the city's open spaces became of utility in catalysing growth. This thesis explores the role of the design of public open spaces within the development of Melbourne's inner grid since the 1990s and investigates the implications on public life within these spaces. Focusing on City Square and Federation Square, analysis draws Upson ideas from contemporary political philosophy in order to understand the political capacities of these spaces and the forms of citizenship they produce. Influenced by numerous factors, Melbourne's inner grid evolved with a scarcity public open spaces and a strong economic focus. This has continually prevented the securing of such spaces and consistently privileged economic concerns over social utility in the creation of new spaces. This focus on the financial aspects of public spaces was heightened during the entrepreneurial shift of the 1990s and design became of importance in satisfying the emerging imperatives of development. Theories of design dominant in the 1990s, particularity deconstructivist methodologies of design and the urban design approach of Jan Gehl, found expression in spaces created and operated well within the broader entrepreneurial paradigm. Both approaches relied heavily on the use of architectural program to catalyse the animation of urban space, and within the resultant spaces there exists a conflation of civicness with programmed activities and consumptive practices. Within spaces analysed, design has proven instrumental in producing forms of citizenship and transforming notions of publicness in space.