- School of Languages and Linguistics - Research Publications
School of Languages and Linguistics - Research Publications
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ItemNo Preview AvailableJournal of the Lute Society of AmericaGriffiths, J (Lute Society of America, 2019)
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ItemNo Preview AvailableJournal of the Lute Society of AmericaGriffiths, J (Lute Society of America, 2018)
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ItemIntroducción a "Los seys libros del Delphin"Griffiths, J ; Nieto, J (Sociedad de la Vihuela, 2019)
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ItemEarly Vihuelas, Iconography, Organology, Theory and PracticeGriffiths, J ; Balmer, Y ; Framboisier, A ; Guilloux, F ; Massip, C (Brepols, 2019)
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ItemThe Making of an Imaginary SongbookGriffiths, J (Arcana, 2019)
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ItemOraciónGriffiths, J (Contrastes Records, 2019)
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ItemLudovico Roncalli, Works for Guitar. Capricci Armonici, Bergamo 1692Griffiths, J (Lute So, 2016-08-31)Review of CD recording Ludovico Roncalli, Works for Guitar. Capricci Armonici, Bergamo 1692 by Hideki Yamaya, baroque guitar and published in Italy on the Mediolanum label
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ItemImaginary realities, Imaginary tablaturesGriffiths, J (Outhere Music, 2017)An exposition of the process of creating instrumental works from vocal polyphony in the sixteenth century and the process required today to emulate the centuries-old practice.
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ItemThe Renaissance of AnonymityRizzi, A ; Griffiths, J (CAMBRIDGE UNIV PRESS, 2016)
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ItemLa vihuela desde mi ordenador: la musicología y las humanidades digitalesGriffiths, J ; Lolo, B ; Presas, A (Sociedad, 2018)From the viewpoint of my own research, this paper explores one of the largest challenges of the musicology of the future, namely, the possibilities that result from harnessing computing to musicology. The possibilities that arise from the storage of large quantities of data, of creating tools that will permit a limitless number of associative, reconstructive, analytical and cataloguing operations are already starting to change indelibly the face of musicology, together with the ways in which we communicate the fruit of our research. Using my own work to create a digital habitat for everything that pertains to the vihuela, this paper presents a vision of the future by menas of a platform created to gather and assemble all that is known about the renaissance instrument, it music, its players, instrument builders, and consumers, together with a complete collection of documentary information, bibliography and discography. Within this panorama, the paper also reflects on the way in which this projects represents the triangulations of the traditional, linear relationship that separates the historian from his or her readers. It also contextualises the project among the international trends of today’s musicology.
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