School of Historical and Philosophical Studies - Research Publications
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ItemNo Preview AvailableA Re-Evaluation of the Iconography of the Etruscan Bronze Lamp of Cortona(De Gruyter, 2024)This paper addresses unresolved issues in the study of the enigmatic iconography of the Etruscan bronze lamp of Cortona. Drawing upon literary sources and additional iconographic evidence, issues with previous interpretations of the lamp will be discussed. Subsequently, new identities are proposed for the key figures on the lamp, concluding that its iconography is a manifestation of Dionysian thiasus and that the lamp was a cult object associated with the mystery cult of Dionysus. This paper will also contribute to the refutation of the concept of “Dionysism without Dionysus” in Archaic Etruria.
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ItemNo Preview AvailablePreliminary Report on the 2018-2019 Survey(Presses universitaires de Louvain, 2022-01-19)This volume, in two parts, is the fifth and last preliminary report on the excavations conducted at the Bronze Age site of Kephali tou Agiou Antoniou at Sissi in the nomos of Lasithi, Crete.
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ItemLaw and Order Under La Trobe: The First Prisons of Port Phillip(The La Trobe Society, 2023)
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ItemTracing Breton footprints from Fleury to Reims: the codicological evidence for the exegetical compilation in Orléans 182 and Reims 395(CNRS Éditions, 2023)The focus of this article is a compilation of biblical exegesis, here entitled Glossae Floriacenses in Vetus et Nouum Testamentum, that ranges from short explanatory glosses to more extensive passages of interpretation, and also incorporates two independent works in their entirety: Adrevald of Fleury’s De benedictionibus patriarcharum and the Venerable Bede’s Nomina regionum atque locorum de Actibus apostolorum. The Glossae Floriacenses also preserve multiple layers of Old Breton glosses (main text, interlinear, marginal additions), as well as several Old English glosses. This dynamic work survives in two codices, Orléans, Médiathèque, MS 183, and Reims, Bibliothèque municipale, MS 395. The methodology employed here involves a detailed survey of these codicological contexts in order to expand our understanding of the transmission and use of the Glossae Floriacenses. In the case of Orléans 182, there is strong evidence for Fleury as the provenance of the codex as a whole, but this analysis also evidences substantial interactions with nearby regions, particularly Brittany and Auxerre. In the case of Reims 395, several manuscript in the codex date to the eleventh century, and include the Glossae Floriacenses, Odo of Cluny’s Sermo de sancto Benedicto, and a range of works dedicated to the celebration of Mary Magdalene. This grouping indicates links of transmission between a number of Loire Valley and Burgundy regions, particularly Brittany, Fleury, Cluny, Auxerre, and Vézelay.
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ItemSearching for the potters behind the pots: re-examining the Tell Ahmar Neo-Assyrian ceramic assemblage(The Australian Institute of Archaeology, 2023)Ceramic studies have been crucial to the development of archaeology. This paper is concerned with a re-examination of the pottery, and the potters, of Tell Ahmar (ancient Til Barsib), Syria. It focuses on the ceramics from the Australian excavations in the Middle City (Area C), especially the more than 250,000 items from the 7th-century BCE Neo-Assyrian Stratum 2. The Stratum 2 assemblage was readily grouped into seventeen ware types. The various wares reflect different production systems: some hand-made products were manufactured locally, possibly by individual households; other wares, characterised by high rates of uniformity, were probably produced by large-scale, centralised pottery industries; another ware group exhibits considerable investment in the application of different surface treatments, indicating specific uses. The Area C assemblage provides a rare opportunity to examine a large and relatively complete well-dated corpus. Observations and explanations relating to the technology of preparing, forming, decorating, and firing these ceramic vessels casts light on the circumstances of their manufacture and, in turn, on the potters behind the pots of the Neo-Assyrian Empire.
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ItemNo Preview AvailableSaint Catherine and the Clock: Possible Histories of Sound and Time in Fourteenth-and Fifteenth-Century France(University of Chicago Press, 2023-10-01)
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Item‘I Don’t Want Bullumwaal to be Forgotten’: How the Community Led the Conservation of a 1897 Stage Curtain in Bullumwaal (East Gippsland, Australia)(Taylor & Francis, 2024)Conservation practice increasingly seeks to include community participation. This article reflects on such a collaborative process, through the case study of the community-driven conservation of a stage curtain painted in 1897 for the Mechanics Hall of Bullumwaal, a remote township in the state of Victoria (Australia). From fundraising efforts and navigating grant applications to managing the conservation project, the challenges faced by the local community in order to conserve their curtain and keep it in situ are examined in light of current heritage preservation policies and practices. Close collaboration with the conservators and flexibility with all preconceived plans resulted in a successful negotiated outcome that respected both community values and ethics of preservation. Social events are now planned to advertise the curtain’s presence and attract people to the township. The conservation treatment also triggered more research by local historians, expanding knowledge about the place and its people and opening the Bullumwaal community to new connections with other parts of Victoria. This case illustrates the importance of living cultural heritage within a community and conservation’s contribution to strengthen identity, social cohesion and sense of place through the preservation process.
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ItemNo Preview AvailableEsteban Villanueva’sThe Basi Revolt paintings of Ilocos: Unlocking their material evidence(National Museum of the Philippines, 2020-11-01)The series of fourteen works that comprise Esteban Villanueva’s The Basi Revolt is examined historically and physically to have a clear idea of the paintings’ material authenticity, particularly necessary for conservation treatment. Among the questions dealt with involved the production and authorship, the extent of variation of the surface and paint layers, as well as the pigment types across all fourteen works. As The Basi Revolt is a series that depicts an important historical event in the Philippines, the course of conservation needs to be assessed as a whole, to reinstate a unified visual narrative. Methods used to attempt to answer these involved the examination of available historical records and the use of reflected raking and ultra-violet lights, microscopic magnification, and elemental analysis. To have a much stronger evidence-based understanding of The Basi Revolt, as well as of other early 19th century paintings by Filipino artists, setting up a database of the range of materials available and used during that time is essential for their conservation.
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ItemNo Preview AvailableEditorial [AICCM Bulletin, vol.43 no.2](Taylor & Francis, 2022)Dialogues around universal ‘best’ practices in conservation are challenging as are demarkations between the East and West, Europe and Asia, and the global north and south. Institutions, networks of care and materials conservation professionals have thereby struggled with ‘a long-standing epistemological debate about the nature of knowledge and expertise between dominant positivist and alternative non-positivist approaches’ (Beebeejaun et al. Citation2013, p. 2). What works in various geographical contexts is poised against an inherent tension between object centred and scientific processes, to those that are value based and socially situated alongside differences in institutional cultures, developmental histories and disciplinary leader’s foci.
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ItemEditorial [AICCM Bulletin, 41(2)](Taylor & Francis, 2020-04-02)Papers in this volume focus on geographic locations drawn from Indonesia, Singapore, Taiwan, and the Eastern borders of Australia. In these parts of the world, we all know that there is a long record of active use and conservation of material culture through traditional systems, while the professionalised practice of conservation engendered by its existence, has a relatively recent history.