School of Earth Sciences - Research Publications

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    Through the Looking Blast: Geopolitics and Visual Culture
    Hughes, R (WILEY, 2007-09)
    Abstract It is often argued that the most commonly assumed visual mode in geopolitics is the objective and disembodied gaze of the master geopolitical tactician. This is a charge that has been levelled at both geopolitical figures such as national leaders, and at academics who write about historical and present‐day geopolitics. However, recent work has diversified the way in which formal, practical and popular geopolitical visions may be examined in critical geopolitical studies. Such work calls for greater attention to be paid to popular visual cultures and to geopolitical practice as a way of envisioning global space that is embodied and subjective.
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    Nationalism and memory at the Tuol Sleng Museum of genocide crimes, Phnom Penh, Cambodia
    Hughes, R ; Hodgkin, K ; Radstone, S (Routledge, 2003-03-06)
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    The abject artefacts of memory: photographs from Cambodia's genocide
    Hughes, R (SAGE PUBLICATIONS LTD, 2003-01)
    This article examines the politics of representation around a 1997 exhibition of Cambodian atrocity photographs that were produced by Khmer Rouge perpetrators during the period 1975-9. I discuss the role of the Tuol Sleng archive in Cambodia, and the work of a private group in the preservation and publication of the prisoner portrait photographs. It is argued that responses of visitors and curators to the photographs, displayed at the Museum of Modern Art, New York, provide significant insights into a contemporary propensity to memorialize, rather than specify and politicize, the past violence of ‘peripheral’ states and peoples.