Minerva Elements Records
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ItemTracing The Drop: composing with an ethics of affirmation( 2023-10)This portfolio showcases works that reflect my compositional processes, which are informed by my practice as a contrabass guitarist and improviser, my regional and working-class origins, as well as my technical, conceptual, and philosophical grounding(s).
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ItemNo Preview AvailableFolio of Compositions( 2023-04)Master of Music Composition - Folio of Compositions Four original compositions composed between 2021 and 2022 comprising of: - [looped square symbol], for orchestra. Recording duration 11 minutes and 28 seconds - You Can Call Me CV01, for contrabassoon. Recording duration 8 minutes and 50 seconds - 8 Preludes to the Deepsea Metro, for piano. Recording durations of each movement: 1 minute and 4 seconds, 1 minute and 35 seconds, 2 minutes and 28 seconds, 1 minute and 13 seconds, 1 minute and 8 seconds, 1 minute and 28 seconds, 2 minutes and 33 seconds, 1 minute and 17 seconds - The Second Sound of the Future (Overture and Act 1), for triple chamber ocarina in C, double bell bass trombone, Hatsune Miku and electronics. Recording duration 29 minutes and 17 seconds.
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ItemNo Preview AvailableFinding space: expanded scores as compositional tools for interdisciplinary practice( 2022)This research considers the expanded musical score as a framework through which to develop a compositional practice as a form of post conceptual art. Drawing on extramusical ideas such as cultural dislocation and spatial experience, this project seeks to represent non-musical objects as score, instrument and musical vehicle. Through a series of studio-based experiments, this development of compositional practice also produces a secondary framework through which to better understand the artist’s parallel practices as composer and interdisciplinary artist.
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ItemCreating an interactive music diffusion system( 2019)In this study I take a phenomenological approach to music composition, improvisation and sound system design. I apply the writing of author Shoshana Zuboff’s The Age of Surveillance Capitalism to formulate an approach to composition and interactive design. I test whether it is possible to convert themes of Zuboff’s book into an interactive work of art which is relevant. I apply my research to the creation of an interactive sound installation based upon a Behavioural Value Reinvestment Cycle model. I explain my personal epoche, an interactive camera system, electro-acoustic music diffusion designs, audio software, and detail the development of the interactive music diffusion system design. I include descriptions of my compositions with accompanying sound recordings. A total of twelve compositions have been created for the purposes of this research. The music creation applies two approaches termed as either surveillance or conscious music. Surveillance music is composed by incorporating a camera for interactive outcomes. Conscious music compositions are works created in response to researching surveillance capitalism. To conclude I review and summarise my phenomenological experience and findings.
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ItemFolio of Compositions( 2020)Monsoon Folio 1. Metal Downpour for large brass and percussion ensembles 10.00 2. Cloud Journey for Orchestra 8.00 3. The Wind Above the Ocean for alto flute and cello 7.00 4. Samudra Manthan for saxophone quartet, piano and three percussion 18.18 5. After the Rain piano solo 7.58 The folio works reflect a process of exploration across cultures, and through layers of subjectivity. As an entirety, the folio represents the trajectory of monsoon winds across the Indian Ocean towards Australia.
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ItemFolio of Compositions( 2020)A Folio of Compositions for the Master of Music (Composition), by Chris Pickering, completed between 2018-2020. List of compositions: 1. The Straightened Arrow - For Orchestra (11:49) 2. Ceiling of Clouds - For Alto Saxophone, Acoustic Guitar, and Harmonium (5:30) 3. Sous Le Tourbillon - Suite for Piano (24:52) 4. Splinters of Diamond Light - For Orchestra (11:26) 5. Lesser Heroes - For Flugelhorn/Trumpet in C, Trombone, and Electric Guitar (8:31) The initial creative concept behind the folio was to investigate how the composer’s background as a songwriter with a contemporary pop influence could be explored within the expanded palette of contemporary classical composition techniques. The intention in undertaking larger-scale and more adventurous compositions was to explore how the composer’s sense of form and structure through pop songwriting – and the prominence of melody – could be applied within the extended durations and timbral textures of writing for larger groups, in more nuanced pieces of chamber music, and the challenges in additionally mastering scoring and orchestration techniques for various instruments.
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ItemFolio of works( 2019)Master of Music Composition - Folio of Compositions Six original compositions, written from 2016 to 2019, comprising of: - 'On the Inside' for flute, clarinet, cello, and piano. Recording duration of 9 minutes 34 seconds - 'Ode to Damascus' for flute, clarinet, violin, cello, and piano. Recording duration of 9 minutes 15 seconds - 'The Fate of Phaethon' for soprano, horn, and string quartet. Recording duration of 15 minutes 51 seconds - 'Echo' for soprano and horn. Video recording duration of 4 minutes three seconds - 'Phosphorus' for solo percussion. Video recording duration of 10 minutes 26 seconds - 'Ignition' for orchestra. Recording duration of 9 minutes 47 seconds
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ItemFolio of compositions( 2018)Folio of 6 compositions including orchestral, choral and chamber music. The works traverse a stylistic spectrum, moving freely between the simple and the complex, synthesising liturgical choral traditions with instrumental modernism, resulting in a unique approach to harmonic and rhythmic materials.
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ItemFolio of compositions( 2018)The works within this portfolio represent the culmination of my Master of Music candidature at the University of Melbourne. Commencing in February 2016, my two years of study have allowed for a meticulous examination of my compositional practice, resulting in a widening of how I approach writing and a greater focus upon my chosen musical language.
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Itemmaster of music composition folio( 2017)A folio of compositions by Caerwen Martin with short written introduction.