Engineering and Information Technology Collected Works - Research Publications

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    Peter Lilienthal. Von Koffern und Tätern
    Sandberg, C ; Haselberg, L ; Praetorius-Rhein, J ; Riedel, E (Carl Hanser Verlag, 2023)
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    Die frühen Fernseharbeiten von Peter Lilienthal. Ein jüdischer Remigrant im Westdeutschland der Nachkriegszeit
    Sandberg, C ; Wohl von Haselberg, L ; Pizaña Pérez, LA (Edition Text + Kritik, 2022)
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    DEFA - Desires, Possibilities, and Limitations
    Sandberg, C ; Bergfelder, T ; Carter, E ; Göktürk, D ; Sandberg, C (British F, 2020-02-04)
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    Feminism and Women's Cinema
    Carter, E ; Sandberg, C ; Bergfelder, T ; Carter, E ; Göktürk, D ; Sandberg, C (British Film Institute, 2020-02-04)
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    Das kleine Fernsehspiel: Model of a TV Avantgarde
    Sandberg, C ; Bergfelder, T ; Carter, E ; Göktürk, D ; Sandberg, C (British Film Institute, 2020-02-04)
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    Authorship: Introduction
    Sandberg, C ; Carter, E ; Bergfelder, T ; Carter, E ; Göktürk, D ; Sandberg, C (British Film Institute, 2020)
    This comprehensively revised, updated and significantly extended edition introduces German film history from its beginnings to the present day, covering key periods and movements including early and silent cinema, Weimar cinema, Nazi cinema, the New German Cinema, the Berlin School, the cinema of migration, and moving images in the digital era. Contributions by leading international scholars are grouped into sections that focus on genre; stars; authorship; film production, distribution and exhibition; theory and politics, including women's and queer cinema; and transnational connections. Spotlight articles within each section offer key case studies, including of individual films that illuminate larger histories (Heimat, Downfall, The Lives of Others, The Edge of Heaven and many more); stars from Ossi Oswalda and Hans Albers, to Hanna Schygulla and Nina Hoss; directors including F.W. Murnau, Walter Ruttmann, Wim Wenders and Helke Sander; and film theorists including Siegfried Kracauer and Béla Balázs.
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    German Film and the Literary Genre
    SANDBERG, C (Intellect Books, 2014-01-17)
    This is complemented by a focus on film adaptations of several German literary classics and the treatment of history as a cinematic spectacle in costume dramas.
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    Maximiliano Schonfeld’s Films of the Volga Germans in Entre Ríos: About the Neoliberal Devil in Argentine Cinema
    Sandberg, C ; Sandberg, C ; Rocha, C (Palgrave Macmillan, 2018-07-21)
    This chapter deals with Maximiliano Schonfeld’s work with and about the rurally-based Volga German community in the Argentine province, Entre Ríos. The films of the young Argentine director interlink themes of social marginality, rural setting and neoliberal critique. Utilising documentary and fictional modes, open narrative structures and enticing visuals, they draw pictures of a community in crisis. Consumer culture has begun shaping the desires of younger Volga Germans, while a concentration of capital and business in the agricultural sector threatens the existence of small-scale businesses. With reference to the shorts Esnorquel (2006), Entreluces (2006) and the feature film Germania (2012), the author argues that Schonfeld’s filmmaking is an act of resistance to the loss of community-based living and working structures in rural environments.
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    Contemporary Latin American Cinema and Resistance to Neoliberalism: Mapping the Field
    Sandberg, C ; Sandberg, C ; Rocha, C (Palgrave Macmillan, 2018)
    This chapter investigates the relationship between neoliberalism and Latin America filmmaking from the 1990s onwards. Which impact did the privatizing of state-owned companies have on distribution and exhibition arrangements? How did narrative and aesthetic formats reflect these changes? In which way does contemporary Latin American cinema criticize but also benefit from neoliberal advancements? The author argues that there are loopholes within spaces of commodification that invite criticism and resistance. Initiatives on national, regional and pan-regional level support Latin American film and the ever-expanding funding scape offer opportunities to get film projects off the ground. Filmmakers use the subversive potential of genres to capture specifically Latin American experiences and sensibilities, reflecting on neoliberal ideology, its middle-class conventions and moral regimes.
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    Zwischen Revolutionsromantik und mangelnder Leidenschaft für den Sozialismus. Die Rezeption von Peter Lilienthals Es herrscht Ruhe im Land in Ost- und Westdeutschland
    SANDBERG, C ; Wedel, M ; Byg, B ; Räder, A ; Arndt-Briggs, S ; Torner, E (Springer-Verlag, 2013-11-18)
    Grenzüberschreitende Filmbeziehungen vor und nach dem Mauerbau Michael Wedel, Barton Byg, Andy Räder, Skyler Arndt-Briggs, Evan Torner. Transnationale Distribution und Rezeption M. Wedel et al. (Hrsg.), DEFA international, Film, ...