Engineering and Information Technology Collected Works - Research Publications

Permanent URI for this collection

Search Results

Now showing 1 - 2 of 2
  • Item
    Thumbnail Image
    Christian Petzold's Cinema of Haunted Figures
    Sandberg, C ( 2019)
    Betrayed lovers, unfulfilled desires and second chances are ingredients in Petzold’s thoughtful cinema that comments on the human condition in the political calamities which have destroyed, divided and reunited German society in more than half a century. Over the course of a career that started with his graduation film at the German Film and Television Academy Berlin, Pilotinnen (Pilots, 1995), Christian Petzold (born in 1960) has emerged as one of the most critical voices of German film. To date, he has made sixteen films for television and cinema that have garnered important national and international prizes. Petzold’s feature films deal with the afterlife of terrorism (Die innere Sicherheit/The State I am in, 2000), East Germany and post-reunification issues (Yella 2007, Jerichow 2008; Barbara, 2012), and lately, the heritage of WWII and the Holocaust (Phoenix, 2014, Transit 2018). The collaboratively made thriller trilogy Dreileben (Three Lives) was the TV highlight of the year 2011. Where fellow German directors reanimate life in the Weimar Republic and continue to mystify the East in ever more opulent pictures, Petzold’s films stimulate spectators to look for meaning in the symbolic world of his concentrated images and otherworldly soundscapes. Films such as Yella or Wolfsburg (2003) undo the rationalities of fast-paced life in urban settings, expose the tricks of tastefully dressed venture capitalists, and examine the facets of a materialistic society. Petzold’s characters are often caught in ‘dead’ spaces and haunted by choices made earlier in their lives.
  • Item
    Thumbnail Image
    The Art Installation Beyond the Wall – Looking into the Eyes of the GDR Border Regime
    Sandberg, C (Third Generation East Initiative Website, 2018)