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    Writing Identity onto the Screen
    Maree, C (International Institute for Asian, 2017)
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    Weddings and white dresses: Media and sexual citizenship in Japan
    MAREE, C (SAGE, 2017)
    Representations of gender and sexuality in mainstream media operate to both shape the contours of, and contest the limits to, sexual citizenship. The ‘citational practices’ of media representations mould contemporary understandings of these limits. In this article, the author examines mainstream and social media reports of two separate same-sex wedding ceremonies in Japan; the first at a queer community event in 2007 and the second at a major theme park in 2013. Through citations and quotations, a multitude of voices are embedded in the media texts. In the 2007 case, increased media visibility is mitigated by citational practices that clearly mark the same-sex wedding as devoid of legal standing. Whereas media reports situate the 2013 ceremony in the context of marriage equality trends internationally, an instance of possible discrimination is emphasised as being a ‘misunderstanding’. Similarly, a microanalysis of a light news documentary of the ceremony uncovers citational practices that highlight the importance of ‘forgiveness’ or ‘tolerance’ for ‘mutual coexistence’ in society. Furthermore, the reporting confines the ceremony to a ‘fairytale’-like ‘foreign’ domain. The process of ‘othering’ issues of sexual citizenship is linked to a cyclical process since the 1950s wherein representations of queerness are posited as ‘new’ forms of being in Japan. Discourse surrounding sexual citizenship is thereby projected into a non-domestic, non-specific future time.
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    Australia’s ‘Asian Century’: Time, Space and Public Culture
    Martin, F ; Healy, C ; Iwabuchi, K ; Khoo, O ; Maree, C ; Yi, K ; Yue, A (Japan Focus, 2015-02-10)
    In this essay we consider ongoing public-cultural discussions about Australia’s situation in ‘the Asian century’ as symptomatic of a conjunctural moment in Australian social life: a historical phase that is given distinctive shape by the convergence of the discourses of paranoid nationalism and free-market (inter)nationalism. We argue that the co-existence of these two (deeply contradictory) imaginaries as the dominant available rubrics for configuring ‘Australia’ and ‘Asia’ in relation to each other results in a profoundly impoverished understanding of current conditions. We propose that an account of some very differently configured relationships between ‘Asia’ and ‘Australia,’ drawn from people’s material experiences of everyday cultural life, can provide resources for those interested in thinking beyond the hyperbole of economic opportunism and the paralysis of paranoid nationalism. We begin by briefly considering ostensibly progressive innovations in governmental and public-cultural framings of the Asia-Australia relationship since the late twentieth century–– ‘Asia as market’ and ‘Asia literacy’––before turning to some stories that we argue offer much richer resources. These stories include our remembered experiences of late 20th-century Australian children’s media––always-already infused with a certain Japanese flavor. We also consider the contemporary translocal experiences of Asian Australians, Chinese international students in Australian cities, and Asian-Australian media and research collaborations. Such phenomena, we argue, constitute Australian social life as translocal and inter-cultural, thereby fundamentally challenging the presumed radical separateness of ‘Australia’ from ‘Asia’ on which currently dominant framings of Australia’s situation in the ‘Asian century’ are founded.