Architecture, Building and Planning - Research Publications

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Start date: 2020 × End date: 2022 × Type: Dataset ×

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Now showing 1 - 10 of 11
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    Contested States and the Architecture of the In-Between: 3d Scan of the Salamis Ruins, Nicosia, Cyprus.
    Mitcheltree, H ; Ransome, M ( 2020)
    This 3D scan is part of a series of works that document and create a digital archive of the architecture within the United Nations Buffer Zone in Cyprus. Over the years, much of the heritage architecture within the zone has gradually deteriorated and is being overrun by vegetation. Having been granted access to the buffer zone in Cyprus by the UN, we have been examining the ways in which emergent 3D digital scanning technology can be utilized to document and create an enduring record of architectural and urban heritage within spaces of contestation. In addition to the digital archive, as part of our research we have been exploring how these scans can be utilised to create installations and affective encounters with contested spaces, the ephemerality of memory, trauma, and the architecture of the in-between. Within spaces of ongoing conflict and division, these 3D digital scans and resultant audio-visual installations created from the scans, create a potential to reframe how we engage with mechanisms of spatial control, and the dialectics of conflict and division.
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    Contested States and the Architecture of the In-Between: 3D Scan of Ledra Palace Stairs, Nicosia, Cyprus.
    Ransome, M ; Mitcheltree, H ( 2020)
    This 3D scan is part of a series of works that document and create a digital archive of the architecture within the United Nations Buffer Zone in Cyprus. Over the years, much of the heritage architecture within the zone has gradually deteriorated, and is being overrun by vegetation. Having been granted access to the buffer zone in Cyprus by the UN, we have been examining the ways in which emergent 3D digital scanning technology can be utilized to document and create an enduring record of architectural and urban heritage within spaces of contestation. In addition to the digital archive, as part of our research we have been exploring how these scans can be utilised to create installations and affective encounters with contested spaces, the ephemerality of memory, trauma, and the architecture of the in-between. Within spaces of ongoing conflict and division, these 3D digital scans and resultant audio-visual installations created from the scans, create a potential to reframe how we engage with mechanisms of spatial control, and the dialectics of conflict and division.
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    Contested States and the Architecture of the In-Between: 3D Scan of the Armenian Church, Nicosia, Cyprus.
    Ransome, M ; Mitcheltree, H ( 2020)
    This 3D scan is part of a series of works that document and create a digital archive of the architecture within the United Nations Buffer Zone in Cyprus. Over the years, much of the heritage architecture within the zone has gradually deteriorated, and is being overrun by vegetation. Having been granted access to the buffer zone in Cyprus by the UN, we have been examining the ways in which emergent 3D digital scanning technology can be utilized to document and create an enduring record of architectural and urban heritage within spaces of contestation. In addition to the digital archive, as part of our research we have been exploring how these scans can be utilised to create installations and affective encounters with contested spaces, the ephemerality of memory, trauma, and the architecture of the in-between. Within spaces of ongoing conflict and division, these 3D digital scans and resultant audio-visual installations created from the scans, create a potential to reframe how we engage with mechanisms of spatial control, and the dialectics of conflict and division.
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    Contested States and the Architecture of the In-Between: 3D Scan of Ariadnis Street, Nicosia, Cyprus.
    Ransome, M ; Mitcheltree, H ( 2020)
    This 3D scan is part of a series of works that document and create a digital archive of the architecture within the United Nations Buffer Zone in Cyprus. Over the years, much of the heritage architecture within the zone has gradually deteriorated, and is being overrun by vegetation. Having been granted access to the buffer zone in Cyprus by the UN, we have been examining the ways in which emergent 3D digital scanning technology can be utilized to document and create an enduring record of architectural and urban heritage within spaces of contestation. In addition to the digital archive, as part of our research we have been exploring how these scans can be utilised to create installations and affective encounters with contested spaces, the ephemerality of memory, trauma, and the architecture of the in-between. Within spaces of ongoing conflict and division, these 3D digital scans and resultant audio-visual installations created from the scans, create a potential to reframe how we engage with mechanisms of spatial control, and the dialectics of conflict and division.
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    Contested States and the Architecture of the In-Between: 3D Scan of UN House 14, Nicosia, Cyprus.
    Ransome, M ; Mitcheltree, H ( 2020)
    This 3D scan is part of a series of works that document and create a digital archive of the architecture within the United Nations Buffer Zone in Cyprus. Over the years, much of the heritage architecture within the zone has gradually deteriorated, and is being overrun by vegetation. Having been granted access to the buffer zone in Cyprus by the UN, we have been examining the ways in which emergent 3D digital scanning technology can be utilized to document and create an enduring record of architectural and urban heritage within spaces of contestation. In addition to the digital archive, as part of our research we have been exploring how these scans can be utilised to create installations and affective encounters with contested spaces, the ephemerality of memory, trauma, and the architecture of the in-between. Within spaces of ongoing conflict and division, these 3D digital scans and resultant audio-visual installations created from the scans, create a potential to reframe how we engage with mechanisms of spatial control, and the dialectics of conflict and division.
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    Contested States and the Architecture of the In-Between: 3d Scan of the US Embassy, Nicosia, Cyprus.
    Mitcheltree, H ; Ransome, M ( 2020)
    This 3D scan is part of a series of works that document and create a digital archive of the architecture within the United Nations Buffer Zone in Cyprus. Over the years, much of the heritage architecture within the zone has gradually deteriorated, and is being overrun by vegetation. Having been granted access to the buffer zone in Cyprus by the UN, we have been examining the ways in which emergent 3D digital scanning technology can be utilized to document and create an enduring record of architectural and urban heritage within spaces of contestation. In addition to the digital archive, as part of our research we have been exploring how these scans can be utilised to create installations and affective encounters with contested spaces, the ephemerality of memory, trauma, and the architecture of the in-between. Within spaces of ongoing conflict and division, these 3D digital scans and resultant audio-visual installations created from the scans, create a potential to reframe how we engage with mechanisms of spatial control, and the dialectics of conflict and division.
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    Contested States and the Architecture of the In-Between: 3D Scan of Paphos Gate, Nicosia, Cyprus.
    Mitcheltree, H ; Ransome, M (The University of Melbourne, 2020)
    This 3D scan is part of a series of works that document and create a digital archive of the architecture within the United Nations Buffer Zone in Cyprus. Over the years, much of the heritage architecture within the zone has gradually deteriorated, and is being overrun by vegetation. Having been granted access to the buffer zone in Cyprus by the UN, we have been examining the ways in which emergent 3D digital scanning technology can be utilized to document and create an enduring record of architectural and urban heritage within spaces of contestation. In addition to the digital archive, as part of our research we have been exploring how these scans can be utilised to create installations and affective encounters with contested spaces, the ephemerality of memory, trauma, and the architecture of the in-between. Within spaces of ongoing conflict and division, these 3D digital scans and resultant audio-visual installations created from the scans, create a potential to reframe how we engage with mechanisms of spatial control, and the dialectics of conflict and division.
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    No Preview Available
    Contested States and the Architecture of the In-Between: 3D Scan of the French Embassy, Nicosia, Cyprus.
    Ransome, M ; Mitcheltree, H (The University of Melbourne, 2020)
    This 3D scan is part of a series of works that document and create a digital archive of the architecture within the United Nations Buffer Zone in Cyprus. Over the years, much of the heritage architecture within the zone has gradually deteriorated, and is being overrun by vegetation. Having been granted access to the buffer zone in Cyprus by the UN, we have been examining the ways in which emergent 3D digital scanning technology can be utilized to document and create an enduring record of architectural and urban heritage within spaces of contestation. In addition to the digital archive, as part of our research we have been exploring how these scans can be utilised to create installations and affective encounters with contested spaces, the ephemerality of memory, trauma, and the architecture of the in-between. Within spaces of ongoing conflict and division, these 3D digital scans and resultant audio-visual installations created from the scans, create a potential to reframe how we engage with mechanisms of spatial control, and the dialectics of conflict and division.
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    No Preview Available
    Contested States and the Architecture of the In-Between: 3D Scan of the Nicosia International Airport, Nicosia, Cyprus.
    Mitcheltree, H ; Ransome, M (The University of Melbourne, 2020)
    This 3D scan is part of a series of works that document and create a digital archive of the architecture within the United Nations Buffer Zone in Cyprus. Over the years, much of the heritage architecture within the zone has gradually deteriorated, and is being overrun by vegetation. Having been granted access to the buffer zone in Cyprus by the UN, we have been examining the ways in which emergent 3D digital scanning technology can be utilized to document and create an enduring record of architectural and urban heritage within spaces of contestation. In addition to the digital archive, as part of our research we have been exploring how these scans can be utilised to create installations and affective encounters with contested spaces, the ephemerality of memory, trauma, and the architecture of the in-between. Within spaces of ongoing conflict and division, these 3D digital scans and resultant audio-visual installations created from the scans, create a potential to reframe how we engage with mechanisms of spatial control, and the dialectics of conflict and division.
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    No Preview Available
    Contested States and the Architecture of the In-Between: 3D Scan of the Multicultural Innovation Centre, Nicosia, Cyprus.
    Ransome, M ; Mitcheltree, H (The University of Melbourne, 2020)
    This 3D scan is part of a series of works that document and create a digital archive of the architecture within the United Nations Buffer Zone in Cyprus. Over the years, much of the heritage architecture within the zone has gradually deteriorated, and is being overrun by vegetation. Having been granted access to the buffer zone in Cyprus by the UN, we have been examining the ways in which emergent 3D digital scanning technology can be utilized to document and create an enduring record of architectural and urban heritage within spaces of contestation. In addition to the digital archive, as part of our research we have been exploring how these scans can be utilised to create installations and affective encounters with contested spaces, the ephemerality of memory, trauma, and the architecture of the in-between. Within spaces of ongoing conflict and division, these 3D digital scans and resultant audio-visual installations created from the scans, create a potential to reframe how we engage with mechanisms of spatial control, and the dialectics of conflict and division.