Victorian College of the Arts - Research Publications

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Author: Collett, Emily × Type: Performance ×

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Now showing 1 - 10 of 11
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    The Yellow Wave
    Collett, E (Butterfly Club, 2015)
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    Cuckoo
    Collett, E (Unknown Union; Meat Market Stables, 2017)
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    Merrily We Roll Along
    Collett, E (Lawler Theatre, 2017)
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    Niche
    Collett, E (Northcote Town Hall, 2017)
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    Undercoat: A Parafoxical Tale
    Collett, E (La Mama Theatre, 2017)
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    A Little Night Music
    Collett, E (Geelong Performing Arts Centre; National Theatre; Whitehorse Centre, 2018)
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    Just a Boy, Standing in Front of a Girl
    Collett, E (La Mama Courthouse, 2018)
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    Cock
    Collett, E ; Oh, B ; CONNELL, M ; Gooding, S ; Goss, S ; O'Reilly, M ; Turner, A ; Steer, T (45 Downstairs, 2019)
    John has a boyfriend but he’s just met the girl of his dreams and he’s going to have to choose. Hearts are on the line and everyone’s ready for a fight in Mike Bartlett’s razor-sharp comic drama. Winner of a 2010 Olivier Award, Bartlett’s play on the ruthless pursuit of happiness has been an international sensation and is the break-through work from the writer of Doctor Foster, King Charles III and Love, Love, Love among many others. First seen in 2018, Beng Oh’s critically acclaimed production is back with the original cast for a new season at fortyfivedownstairs. Originally produced by Baker’s Dozen Theatre at The Stables, Meat Market. https://www.emilycollett.com/#/cock/
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    Control
    Collett, E ; Warner, K ; MEYRICK, J ; Wykes, S ; O'Neill, C ; Philips, D ; Rowe, S ; Rukavina, N ; Mibus, L ; Gardam, J ; Watt, A ; Palmerson, M (Red Stitch Actor's Theatre, 2019)
    “We keep your memories safe, so you don’t have to.” A heavily pregnant ex-ballerina, a child detective, a bitter puppeteer and a feminist pop princess hurtle towards Mars. The world is watching. Isn’t it? On the eve of a revolution, Nicki and Caroline attempt to gain control over their lives as their A.I. superior, Alex, dances the night away. And on New Earth, Esta & Isabelle forge hope through a new kind of relationship. Told across several decades, from Melbourne to Mars, Keziah Warner’s startling, provocative and funny new play explores humanity’s desire to dictate how we’re perceived by others. Control delves deep into our relationship with technology: the moral ambiguities, the dependencies, the possibilities… https://www.emilycollett.com/#/control/
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    Whale
    Collett, E ; Kilpatrick, F ; Cornwell, K ; Suares, S ; Walker, S ; Macri, C ; Mibus, L ; Slavin, R ; Gardam, J ; Gilbert, L ; Portek, C ; Oades, R (Northcote Town Hall, and Monash University Sound Gallery, 2019)
    Here’s what you need to know: The ocean is rising. We caused it. We’re going to fix it but someone has to die. Can you imagine a world where political inaction and climate change has brought the earth to the point of catastrophe? How did we let it get this bad? Could anything have been done about it? Or was it inevitable? Whale is a participatory new work where the personal must become the political. The scientists and politicians can’t save us but don’t worry: we are the ones we’ve been waiting for. We can save the world, provided we are ready to make the sacrifice. Winner of the 2018 Max Afford Playwright’s Award. “It’s rare to find a piece of theatre that explores climate change with such a compelling mix of playfulness and authority… it is brimming with imagination and ingenuity.” https://www.emilycollett.com/#/whale/