Victorian College of the Arts - Research Publications

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2011 - 2019 77
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Start date: 2010 × End date: 2019 × Type: Visual Artwork ×

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Now showing 1 - 10 of 77
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    Lightfilmbody
    Morgan, A (The National Portrait Gallery, 2016)
    Lightfilmbody was a moving image work that animated the façade of The National Portrait Gallery Canberra. The work ran for 2 weeks during Enlighten on a loop and was made as an assemblage of film strips of moving image, with each frame animating in replication of a filmstrip. The notion of the portraiture and light in painting was reiterated as an ethereal bodying of water, a fallen painting out of place and falling against the toxic concrete building. The work was montaged with immaterial animations hand painted with bold colour under camouflage and highlighted the organic and built materials of the grounds.
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    Colour Field Painting
    Morgan, A (Collingwood Football Stadium, 2017)
    Colour Field Painting was a permanent film projected onto the station side-facing wall of Collingwood Football Stadium. The work ran for six months on a loop and then again as a later work for three months. The work was made as an assemblage of the moving image, photography and a painted field of colour. The old disused building exterior was under bold camouflage. It highlighted the organic and built materials of the ground. The photography was deliberately taken on the ground, the surroundings, and the site on the anniversary day of the referendum.
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    If They Build a Wall
    Morgan, A (GSPF, 2017)
    If They Build a Wall, was an assemblage of moving image, photography and painting on the decaying Gold-Rush building exterior under bold camouflage. The artwork continues experimentations in the moving image with painting, photography, and compositions on climate. This assemblage is with an ongoing interest in climate devised as camouflage to alert from the street as a platform to accentuate the division of organic materials and the immaterial realms of the projected film. The organically animating lines of the artwork montaging with the decaying Gold Rush building. It alerted to celebrating the lived outdoor environment and was with support from City of Yarra.
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    Falling Water as Space Event Movement
    Morgan, A (RMIT library exterior, 2016)
    Space Event Movement was an assemblage of moving image, photography and painting on the RMIT library exterior under bold camouflage. The artwork continues experimentations in the moving image with painting, photography, compositions on climate.
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    Landscaping Architecture
    Morgan, A (The State Library of Victoria, 2016)
    Landscaping Architecture was an assemblage of the sonic and the moving image, and photography and painting with the site. Situated on the gardens and façade of the State and under bold camouflage, the work was with sound composition. The artwork continues experimentations in the moving image with painting, photography, sonic and written compositions on climate.
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    Architectures of Light
    Morgan, A (Yarra Trams, 2016)
    Architectures of Light: was a photographic assemblage on a B Class tram of Melbourne’s inner residential housing estate under bold camouflage to alert to the environment. The artwork continues experimentations in the moving image with painting, photography, sonic and written compositions on climate.
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    Organic Architecture
    Morgan, A (Bakehouse Studios, 2016)
    Organic Architecture: A photographic installation of a residential housing estate under bold camouflage not to disguise but to alert to the environment. The artworks continue experimentations in the moving image with painting, photography, sonic and written compositions.
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    Genius Loci (beneath the street)
    Morgan, A (NAB Melbourne, 2017)
    Genius Loci (beneath the street): Experimentations in the moving image, painting and photographic compositions.
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    If They Build a Bridge
    Morgan, A (Bentleigh Station, 2018)
    If They Build a Bridge: Experiments in photography and moving image compositions form details of deteriorating materials and city debris across a Melbourne bridge alongside research of climate and the sublime. This multi-disciplinary assemblage of sculptural form and photography is a 28 x 3-metre permanent assemblage on Centre Road Bentleigh with LXPR. The work montages decaying materials and city debris. The ocular porthole details the monumentality of the bridge's construction, a damaging concrete emission material, surface runoff, erosion and water pollution.
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    Fluid Architecture
    Morgan, A (Centre for Contemporary Photography, 2016-09)
    Fluid Architecture: Experimentations in photography, the moving image, painting and sonic compositions on the built environment's impact on climate and the sublime.