Victorian College of the Arts - Research Publications

Permanent URI for this collection

Search Results

Now showing 1 - 6 of 6
  • Item
    Thumbnail Image
    The Butch Monologues: Performance as a Bridge from “Border Wars” to “Playground”
    Campbell, A ; Rosenberg, T ; D'Urso, S ; Winget, AR (Palgrave Macmillan, 2021)
    In this chapter Alyson Campbell looks at The Butch Monologues (TBM) by Libro Levi (Doc) Bridgeman, directed by JulieMc McNamara (Mack) (2013–present). Based mainly on an interview with the writer and director, and Campbell’s own multiple viewings of the work, the chapter examines how the collection and, more precisely, the productions of it, make an intervention into this very painful contemporary context, and history, of ‘“border wars’ between butch lesbians and trans men” (Mackay in J Lesbian Stud 23:399, 2019b; and see Halberstam, 1998). It is suggested that TBM manage to blur these borders, or at least niggle this negative framing, and Campbell argues that the stories it tells are more relevant than ever, given this current tension.
  • Item
    Thumbnail Image
    Oh wow! He's queer! Queering Panto in Belfast: An Interview with Ross Anderson-Doherty
    Campbell, A ; McTighe, T ; Edwards, M ; Farrier, S (Bloomsbury, 2021-01-14)
    In this chapter, based on interview with performer Ross Anderson-Doherty, the authors examine the ways in which the panto form might be queered – an especially charged project in the particular locality of Belfast, North of Ireland.4 The chapter focuses on how Anderson-Doherty works to queer panto, largely in the role of the dame, through casting, rehearsal processes and in performance. In the Cabaret Supper Club and in panto, Anderson-Doherty is performing to largely heterosexual audiences, and he highlights some of the challenges he has faced, but also the sorts of queer interventions he has been able to make through performance. His approach to gender and his lived experience, coupled with the range of his work, have often clashed with the culture he works within, leading him to identify and adopt a set of strategies we might see as queering the spaces and artforms he engages with.
  • Item
    Thumbnail Image
    Introductions to Parts 1,2,3
    CAMPBELL, A ; Farrier, S ; Campbell, A ; Farrier, S (Palgrave Macmillan, 2015-11-10)
    International Perspectives on Where Performance Leads Queer Alyson Campbell , Stephen Farrier. Contemporary Performance InterActions Series Editors: Elaine Aston, Lancaster University, and Brian Singleton, Trinity College Dublin ...
  • Item
    Thumbnail Image
    Crip/Queer Performance: A Dialogue with Margrit Shildrick and Robert McRuer
    Campbell, A ; Farrier, S ; Campbell, A ; Farrier, S (Palgrave Macmillan UK, 2016)
  • Item
    Thumbnail Image
    Introduction: Queer Dramaturgies
    CAMPBELL, A ; Farrier, S ; Campbell, A ; Farrier, S (Palgrave Macmillan, 2015)
    This international collection of essays forms a vibrant picture of the scope and diversity of contemporary queer performance.
  • Item
    Thumbnail Image
    Taking an Affective Approach to 'Doing' Queer Histories in Performance: queer Dramaturgy as a Reparative Practice of Erotohistoriography
    CAMPBELL, A ; Campbell, A ; Farrier, S (Palgrave Macmillan, 2015)
    This international collection of essays forms a vibrant picture of the scope and diversity of contemporary queer performance.