Victorian College of the Arts - Research Publications

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    Playing an Instrument
    MCPHERSON, G ; Davidson, J ; Evans, P ; McPherson, G (Oxford University Press, 2016)
    Learning to play a musical instrument is one of the most widespread musical activities for children. While much research in the past century has focused on the assessment of musical abilities and the content of their lessons, more recent research has focused on children’s interactions with their social environments and how these interactions impact their ongoing ability and motivation to learn and play music. This chapter explores these social and cognitive developments starting with how children and their parents select an instrument and negotiate the commencement of formal music learning, through to the task related cognitive strategies children use to overcome the difficulties associated with learning and practice, and the ways they may eventually become able to integrate an identity as a musician with their own sense of self. Aspects of self-regulation and self-determination theory are discussed.
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    Group Singing and Social Identity
    Davidson, JW ; Faulkner, R ; Welch, GF ; Howard, DM ; Nix, J (Oxford University Press, 2019-04-11)

    Group singing practices interact with socio-cultural context, and this relationship depends on predominant social trends. Furthermore, ability to act in the world is expressed through Self-Identity, whereby we constitute ourselves as agents, authors of our actions, and generate our identities. There are three principal components of Self: the Material Self (the body; the physical world); the Social Self (expressed in relationships); and the Spiritual Self (found in religious/ spiritual experience). These elements interact in a web of individual and cultural circumstance, the overall becoming labeled The Created Self. In this chapter Selfhood is acknowledged as developing within a social and cultural milieu and is shaped by the specific roles we enact. Identity is primarily developed in relation to others, comprising many elements that are not fixed, but changing. Case studies are used to explore how social musical identities are developed in the social activity of group singing.

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