School of Culture and Communication - Research Publications

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Now showing 1 - 9 of 9
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    The Fold in Diasporic Intimacy and Cultural Hybridity
    PAPASTERGIADIS, N ; Trimboli, D ; Ahn, S ; Khouri, K ; Supriyanto, E ; Yung, A (Sharjah Art Foundation, 2016)
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    The Journeys and on Kawara: In Motion there is the encounter with time and space
    PAPASTERGIADIS, N ; Makhoul, B ; Mitha, A (HOME Manchester, 2016)
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    Arts and Cultural Precincts in the Age of Participation
    PAPASTERGIADIS, N ; Carter, P ; McQuire, S ; Yue, A ; Wee, K ; Chia, J (Asian Urban Lab, 2016)
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    Hiding in the Cosmos
    PAPASTERGIADIS, N ; Elias, A ; Harley, R ; Tsoutas, N (Sydney University Press, 2015)
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    Ambient Aesthetics: Altered Subjectivities in the New Museum
    Radywyl, N ; Barikin, A ; Papastergiadis, N ; McQuire, S ; Message, K ; Witcomb, A (John Wiley & Sons, 2015-07-20)
    This chapter focuses on the Australian Centre for the Moving Image (ACMI) as a case study for the emergence of hybrid subjectivities within the new museum. Fueled by an optimistic idealism about how technology might transform everyday life, ACMI was conceived as a catalyst for new forms of cultural consciousness. The chapter casts ACMI's initial willingness to experiment with innovative representational technology as a strategic attempt to position itself as a pioneering new media institution, and to engage in alternative forms of cultural citizenship. Its early public exhibitions, for example, often eschewed chronological histories of the moving image in favor of phenomenological displays of visual knowledge and embodied new media “experiences.” In tracking ACMI's changing curatorial, architectural, and experiential directives, this chapter foregrounds the significance of the museum as a producer rather than distributor of stories, experiences, and objects. The argument proceeds with close reference to empirical audience experience research data collected from ACMI visitors, and is situated in relation to historical transformations of pedagogy as a driver for museological display. The concept of “ambient aesthetics” is, finally, proposed as a key conceptual framework for evaluating how contemporary museums might articulate a new kind of “flexible” citizenship in a transnational public sphere.
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    Ambient Perspective and the Citizen's Moving Eyes
    Barikin, A ; Papastergiadis, N ; Hlavajova, M ; Hoskote, R (Valiz, 2015)
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    Art from Asia: Aesthetic Cosmopolitanism and the World in Art
    PAPASTERGIADIS, N ; Moslund, S ; Petersen, A ; Schramm, M (I. B. Tauris, 2015)
    And they are all, to some degree, connected to the experience of migration or the contemporary consequences of earlier ... As a starting point we wish to delimit the vast field of 'studies in migration and culture' by highlighting three – mutually ...
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    The Provincial Cosmopolitan: Emily Jacir and the Mediterranean Sea
    PAPASTERGIADIS, N ; Jacir, E ; Kholeif, O (Prestel, 2015-10-25)
    This book offers one of the largest surveys of the work of artist Emily Jacir, known for her reflective works of art that are both extremely personal and acutely political.
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    Planning for Urban Media: Large Public Screens and Urban Communication
    McQuire, S ; PAPASTERGIADIS, N ; Vetere, F ; Gibbs, M ; Downs, J ; Pedell, S ; Silva, CN (IGI Global, 2015-02-28)
    At the same time, these changes created new challenges for city governments, citizens, and other stakeholders, namely risks associated with the digital divide, which tended to reinforce social exclusion along other social divides. As several  ...