School of Culture and Communication - Research Publications
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ItemDream cities: the uncanny powers of electric light( 2004)In his famous 1919 essay, Freud (1955: 219-252) defines the uncanny to include experiences in which inanimate objects seem to come to life. In early modernity, this sense of the uncanny accompanied the spread of electric light, itself a manifestation of the near-miraculous powers of electricity. From the moment of its initial recognition as an independent phenomenon, electricity has been a source of profound wonder. Romantics rapidly identified it with a universal life force, dramatised in the archetypal modern creation scene of Mary Shelley’s 1818 novel and distilled by Goethe into ‘the soul of the world’. A century later, the prospect of widespread electrification literally dazzled the world, inspiring entrepreneurs, artists and revolutionaries alike with visions of an irresistible electrical future. At the same time, electricity has always led a double life. Beneath the Promethean narrative of limitless possibilities lies a more utilitarian tale of practical development. Counterpointing the arcane myth of electricity’s magical properties — force without muscle or steam, light without flame — is the profane physical reality of its often cumbersome technical infrastructure. Supporting the spark of the incandescent lamp which shines brighter than any jewel are unsightly poles and criss-crossing wires, not to mention ferocious patent wars and internecine struggles to form some of industrial capitalism’s most powerful corporations.