- School of Culture and Communication - Research Publications
School of Culture and Communication - Research Publications
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ItemA festival in disarray: the 2002 Adelaide festival: A debacle or another model of arts organization and leadership?Caust, J (HELDREF PUBLICATIONS, 2004-01-01)
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ItemPrivilege or problem: The distinct role of government in arts development in South AustraliaCaust, J (ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD, 2005-01-01)
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ItemPutting the “art” back into arts policy making: how arts policy has been “captured” by the economists and the marketersCaust, J (Taylor and Francis Group, 2003-03-01)This paper explores the current discourse about arts policy and funding and its placement within an economic paradigm. The models of “cultural industry” and “creative industry” are explored and how they affect arts funding discourse. Similarly the impact of the introduction of the language of industry and business to the arts sector is considered. If bottom-line arguments are used by funders, governments and critics to argue the merits or otherwise of arts activity, how does this affect arts practice? In recent times arts funding agencies have been restructured to reflect a market-driven agenda rather than an arts-driven agenda. The impact of all these issues is considered in the context of Australian arts' models in particular, but with reference to examples in the United Kingdom and the United States of America. The paper concludes with suggestions for a reassertion of core cultural values in future discourse.
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ItemErrataMosquera, G ; Papastergiadis, N ; Belting, H ; Gardner, A ; Weng Choy, L ; Medina, C ; Hoskote, R ; Bal, M ; Amorales, C ; Kallat, RS ; Lucas, C ; Ong, S ; Kane, A ; Suberi, T ; Basbaum, R ; PAPASTERGIADIS, N ; Mosequera, G (WILEY, 2005-06)
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ItemNo Preview AvailableRepresenting Somali Resettlement In Italy: The Writing Of Ubax Cristina Ali Farah And Igiaba ScegoGerrand, V (African Journals Online (AJOL), 2009-07-02)
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ItemNo Preview Available‘Past, Present, Future Perfect: Paradigms of History in Medievalism Studies’, Parergon: Journal of the Australian and New Zealand Association for Medieval and Early Modern Studies, 25.2 (2008): 58-79.DELL, H ; Lynch, AE (ANZAMEMS (Australian and New Zealand Association for Medieval and Early Modern Studies), 2008)
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ItemFrom Neo-Baroque to Neo-Baroques?NDALIANIS, A (Canadian Association of Hispanists, 2008)El presente artículo argumenta que el "barroco" puede ser entendido como un estado transhistórico que se extiende más allá del siglo XVII enfocándose no solo en escritores e intelectuales que asi lo han entendido, sino tomando ejemplos provenientes del campo de la literatura, la pintura, la arquitectura o el cine, tales como zoótropos y linternas mágicas, el arte de la revolución vanguardista de inicios del siglo XX, el estilo barroco presente en los inicios de la industria de Hollywood o la abierta aplicación política y crítica de estrategias barrocas adoptadas por escritores españoles y latinoamericanos. El artículo culmina en nuestro propio tiempo, sosteniendo que el contexto urbano y de entretenimiento contemporáneo combina lo visual, lo audible y lo textual en formas que se asemejan al dinamismo de las formas barrocas del siglo XVII, pero expresadas de manera tecnológica y culturalmente diferente que, ya sean a través de películas o series de televisión, exposiciones o movimientos musicales, son resultudo de trasformaciones culturales y sistémicas asociadas con la posmodernidad.
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ItemNo Preview Available
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ItemGenevieve GrievesLOWISH, S (un Projects Inc., 2006)
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Item'Writing/righting a history of Australian Aboriginal art'LOWISH, S ( 2009)