- School of Culture and Communication - Research Publications
School of Culture and Communication - Research Publications
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ItemDoes the art end when the management begins? The challenges of making ‘art’ for both artists and arts managersCaust, J (Arts & Cultural Management Program, University of South Australia, School of Management, 2010)
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ItemArts and business: The impact of business models on the activities of major performing arts organisations in AustraliaCaust, J (University of Queensland, School of Languages and Comparative Cultural Studies, 2010)Managerial business models were first introduced to Australian subsidised performing arts organisations by the then Howard Coalition government in 2000. Until the early 1990s, Australian arts organisations were contextualised as 'not for profit' entities, with an overall objective of producing good art. Over the past decade, however, major Australian performing arts organisations have been viewed more frequently as part of an 'industry' and, within this industry construct, framed as 'business entities', with a need to prove positive financial outcomes as a first priority. This article explores what is meant by business models in the context of Australian major performing arts organisations and looks at the impact of this approach.
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ItemU.S. Arts and Cultural Diplomacy Post-Cold War Decline and the Twenty-First Century DebateGRINCHEVA, N (Taylor and Francis Online, 2010)
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ItemNo Preview AvailableRepresenting Somali Resettlement In Italy: The Writing Of Ubax Cristina Ali Farah And Igiaba ScegoGerrand, V (African Journals Online (AJOL), 2009-07-02)
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ItemNo Preview Available‘Past, Present, Future Perfect: Paradigms of History in Medievalism Studies’, Parergon: Journal of the Australian and New Zealand Association for Medieval and Early Modern Studies, 25.2 (2008): 58-79.DELL, H ; Lynch, AE (ANZAMEMS (Australian and New Zealand Association for Medieval and Early Modern Studies), 2008)
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ItemFrom Neo-Baroque to Neo-Baroques?NDALIANIS, A (Canadian Association of Hispanists, 2008)El presente artículo argumenta que el "barroco" puede ser entendido como un estado transhistórico que se extiende más allá del siglo XVII enfocándose no solo en escritores e intelectuales que asi lo han entendido, sino tomando ejemplos provenientes del campo de la literatura, la pintura, la arquitectura o el cine, tales como zoótropos y linternas mágicas, el arte de la revolución vanguardista de inicios del siglo XX, el estilo barroco presente en los inicios de la industria de Hollywood o la abierta aplicación política y crítica de estrategias barrocas adoptadas por escritores españoles y latinoamericanos. El artículo culmina en nuestro propio tiempo, sosteniendo que el contexto urbano y de entretenimiento contemporáneo combina lo visual, lo audible y lo textual en formas que se asemejan al dinamismo de las formas barrocas del siglo XVII, pero expresadas de manera tecnológica y culturalmente diferente que, ya sean a través de películas o series de televisión, exposiciones o movimientos musicales, son resultudo de trasformaciones culturales y sistémicas asociadas con la posmodernidad.
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ItemNo Preview Available
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ItemGenevieve GrievesLOWISH, S (un Projects Inc., 2006)
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Item'Writing/righting a history of Australian Aboriginal art'LOWISH, S ( 2009)
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ItemReview of the books Stuart women playwrights, 1613-1713 and Teaching British women playwrights of the restoration and eighteenth centuryHultquist, Aleksondra (Valdosta State University, 2010)Hultquist reviews Bonnie Nelson and Catherine Burroughs, eds. "Teaching British Women Playwrights of the Restoration and Eighteenth Century." (MLA, 2010) and Pilar Cuder-Dominguez. "Stuart Women Playwrights, 1613-1713." (Ashgate, 2011)