School of Culture and Communication - Research Publications

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    Cultural policy in an Australian setting
    Caust, J ; Barry, N ; Chen, P ; Haigh, Y ; Motta, SC ; Perche, D (Sydney University Press, 2023)
    The first open source and open access textbook on Australian politics, Australian Politics and Policy provides a unique, holistic coverage of politics and public topics for use in university courses. This 2023 edition includes 53 chapters, an unparalleled resource for instructors. With contributions from Australia’s leading politics and public policy scholars, the textbook includes material on Australian political history and philosophy, key political institutions and jurisdictions, Australian political sociology, public policy-making, and specialised chapters on a diverse range of policy topics. Each chapter was subject to anonymous and rigorous peer review to ensure the highest standards. The textbook comes with additional teaching resources including review questions and lecture slides. This third edition contains content updates and new chapters. This edition includes a new eight-chapter section on public policy and public sector management, covering areas such as public participation, intergovernmental coordination, policy implementation and resource management. The senior edition is aimed at later-year undergraduate and postgraduate students.
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    Shared Leadership and the Evolution of Festivals: What Can Be Learned?
    Caust, J ; Goodwin, K ; Jung, Y ; Vecco, M (Oxford University Press, 2023)
    Arts leadership can have various meanings and associations, both in the context of arts practice as well as in the challenges of running an arts organization. This chapter focuses on the leadership of arts festivals. The two common models of leadership within arts festivals are individuals and duos (where one member of the duo is the general manager/executive director and the other is the artistic director). When it is an individual leader, the festival’s organization is usually built around their skills and needs. In the duo model, either organizational leadership is shared between the role of executive leader and artistic leader, who both report to the board, or one is given the overall role of organizational leader. Recently, though, in arts festivals this duo model has evolved into more complex collaborative leadership approaches. This chapter explores two such examples: Rising, where three individuals share the CEO role, and Next Wave, which has created an eight-person artistic directorate.
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    UNESCO Cultural Heritage Sites and Tourism: A paradoxical relationship
    Vecco, M ; Caust, J ; Pechlaner, H ; Innerhofer, E ; Erschbamer, G (Routledge, 2020)
    Conservation and management of cultural heritage sites are characterised by several paradoxes, which also affect the tourism activities related to these sites. The World Monument Fund monitors damage to heritage buildings and sites. It identifies three major threats facing heritage sites: political conflict, climate change and tourism. The tourist is thus seen to be as damaging as war or rising sea levels. In the World Monument Fund’s (2018) list of the most endangered 25 monuments in the world, approximately one-third were diagnosed as being ‘in danger’, mainly from tourists.
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    Arts, Culture and Country
    Caust, J ; Meyrick, J ; Parsons, H ; Brisbane, K (Currency House, 2022)
    The past two years have been a particularly dark time for the arts in Australia. Not only are we living through a pandemic, but the federal government has shown little interest in—or understanding of—the plight of the sector and its artists. The pandemic comes on the back of seven years of continuous erosion of public assistance to the arts at the national level, with more than ninety arts organisations defunded, while funding to individual artists has been significantly reduced. Many are struggling to survive in the face of repeated lockdowns and border closures to control the pandemic. For years the arts sector has provided evidence of its economic benefits, as well as its intrinsic value to society. Yet politicians remain impervious to these arguments. Increasingly, it is ideology rather than evidence that determines government policy. In other words, support for the arts is not primarily a question of economics. It is a question of values. The pandemic has made people realise the seminal importance of the arts and culture to our national well-being, but politicians do not see them as a central part of policymaking. Arts and culture are intertwined. We need to change how we view the relationship between the two within the political framework. This monograph presents some ideas on how to do it.
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    Apathy: Disaffection, Enthusiasm, Fanaticism
    Gook, B (C. Hurst and Co., 2023)
    Charity, community, duty, and struggle are good – not only sanctified and rewarding but also good in themselves. And yet the evidence is that society at large is losing and devaluing commitment to others: we live in times diagnosed as consisting of social pathologies and a-pathologies – where, curiously, apathy is taken as a variant of, rather than existing in opposition to, pathology. Fascinated, for obvious reasons, with their diminishing share of trust, older print and broadcast news media have exhaustively analysed the rise of social media bubbles and echo chambers, trolls, and splenetic outbursts, discovering that the profitability of these emergent media forums depends on the speed and energy of their communications, and that unsurprisingly, anger sells. Aggrieved fury would appear to be a dominant emotional state of our times. More reflective commentators, including William Davies in the UK and Joseph Vogl in Germany – both acknowledging the same condition where ‘knowledge becomes more valued for its speed and impact than for its cold objectivity, and emotive falsehood often travels faster than fact’ – observe that it can generate an emotional state in which ‘otherwise peaceful situations can come to feel dangerous, until eventually they really are’.
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    [Review of the book Making Entomologists: How Periodicals Shaped Scientific Communities in Nineteenth-Century Britain, by Matthew Wale]
    Coleman, D (The University of Chicago Press, 2023-09)
    Rich in detailed archival research, Matthew Wale’s important book conducts a lively survey of a wide selection of very dissimilar periodicals, all devoted to the single science of entomology.
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    White Literary Taste Production in Contemporary Book Culture
    Dane, A (Cambridge University Press, 2023-03-31)
    Despite initiatives to 'diversify' the publishing sector, there has been almost no transformation to the historic racial inequality that defines the field. This Element argues that contemporary book culture is structured by practice that operates according to a White taste logic. By applying the notion of this logic to an analysis of both traditional and new media tastemaking practices, White Literary Taste Production in Contemporary Book Culture examines the influence of Whiteness on the cultural practice, and how the long-standing racial inequities that characterize Anglophone book publishing are supported by systems, institutions and platforms. These themes will be explored through two distinct but interrelated case studies-women's literary prizes and anti-racist reading lists on Instagram-which demonstrate the dominance of Whiteness, and in particular White feminism, in the contemporary literary discourse.
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    Understanding gendered transnational education mobility: Interview with Fran Martin
    Martin, F ; Song, L (SAGE Publications, 2023-12-01)
    In this interview, Fran Martin discusses gendered transnational education mobility in relation to research methodology, the contradictions of neoliberal ideology, and the social implications of ethnographic research. Challenging stereotypical and often biased portrayals of Chinese international students in the Anglosphere, Martin argues for the importance of attending to the irreducible details of individual life experiences and explains how to employ affective methods to convey these details to readers. Calling for attention to gender as a key perspective in understanding education mobility, she discusses how the global neoliberal discourse underpinning this form of mobility can be restricting and empowering at the same time. She also reflects on the ways in which researchers could engage with social and policy realities and contribute to improving international students’ well-being.
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    Securing the Narrative: How the Ausgrid Deal was a Tipping Point for Australian Media
    Smy, L ; Jaivin, L (Centre for China in the World, The Australian National University, 2023-10-16)
    Welcome, caution, or outright hostility – Chinese foreign direct investment has inspired a range of different reactions from politicians and businesses in Australia. this research looks back at key moments in a decade of Chinese FDI to pinpoint moments when media views toward China changed, and attempts to determine the factors behind such changes.
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    To Catch a Djinn: A ghazal for my Dadi and her sisters
    Niaz, N (Usawa Literary Review, 2020)
    This poem takes a family story originally told in Urdu and tells it in English, but as a ghazal. In this way the form reflects the relationship between narrator and story even though the language has been changed. The form, with its strict use of rhyme and rhythm, injects a playfulness to the narrative that reflects the age of the characters and the fantastical elements of the story. This is a new use of the ghazal, which is often a more serious, romantic form in English.