School of Culture and Communication - Research Publications
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ItemIs UNESCO World Heritage recognition a blessing or burden? Evidence from developing Asian countries(ELSEVIER FRANCE-EDITIONS SCIENTIFIQUES MEDICALES ELSEVIER, 2017-10)To both acknowledge and protect many cultural heritage expressions, sites and practices, UNESCO has instituted three conventions; Tangible Heritage, Intangible Heritage and Diversity of Cultural Expression. If a site/practice receives this UNESCO badge, it is an acknowledgment of its universal cultural and/or natural value as well as recognition of the need to protect it from harm. However, the UNESCO badge is an important marketing tool in world tourism and its presence ensures many more visitors to a site/practice that is UNESCO recognised. With increasing wealth and mobility, many more people are travelling than was possible even a decade ago. Increasing numbers of visitors can negatively impact on a site/practice as well as affect the local culture and integrity of a region, particularly in developing countries. So, is the UNESCO recognition a blessing or burden? This paper addresses the challenges that ensue from the UNESCO conventions by considering three UNESCO World Heritage case study sites in Asian developing countries. In particular, it seeks to understand the extent to which UNESCO's World Heritage approach protects or further undermines the cultural heritage sustainability of these sites.
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ItemOpen Access Arts Festivals and Artists: Who Benefits?(Taylor and Francis Group, 2019)Arts festivals are of interest to researchers, but the research focus is usually on the festival's economic or social impact. This approach does not usually reflect the engagement and experience of the artists involved. There has been controversy recently around the experiences of participating artists in open access arts festivals. Open access arts festivals are significant players in the festival landscape. They enable anyone to participate in a festival, if they pay a registration fee. This research, using a case study methodology, examines an open access festival from different perspectives with a focus on the experience of the participating artists.
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ItemFunding the arts : by Andrew Pinnock, Abingdon, UK, Routledge, 2024, 1–280 pp., £39.99 (paperback), ISBN 978-0-367-07665-8(Taylor and Francis Group, 2024)This book raises several important issues. It considers essentially the rationale behind decision-making in government arts funding and suggests that there are several flaws embedded in the process, as well as in the philosophy behind the decisions.
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ItemInfluence of emotions on coping behaviors in crisis: a computational analysis of the COVID-19 outbreak(Springer, 2024)Widespread public crises often give rise to the proliferation of sensationalized rumors and conspiracy theories, which can evoke a variety of public emotions. Despite the growing importance of research on the relationship between emotions and coping behaviors in crisis, a dearth of natural observation-based investigation has been limiting theory development. To address this gap, this study conducted computational research to study the U.S. public’s discrete emotions and coping behaviors during the COVID-19 outbreak crisis, analyzing Twitter data, Google Trends data, and Google Community Mobility data. The results revealed that anger and fear were relatively more prominent emotions experienced by the public than other discrete emotions. Regarding the impacts of emotions on coping behaviors, it was found that the prevalence of low-certainty and retreat emotions was related to increased information-seeking and information-transmitting behaviors. Also, the prevalence of both high-certainty and low-certainty emotions during the COVID-19 outbreak was positively related to the public’s compliance with public health recommendations.
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ItemApathy: Disaffection, Enthusiasm, Fanaticism(C. Hurst and Co., 2023)Charity, community, duty, and struggle are good – not only sanctified and rewarding but also good in themselves. And yet the evidence is that society at large is losing and devaluing commitment to others: we live in times diagnosed as consisting of social pathologies and a-pathologies – where, curiously, apathy is taken as a variant of, rather than existing in opposition to, pathology. Fascinated, for obvious reasons, with their diminishing share of trust, older print and broadcast news media have exhaustively analysed the rise of social media bubbles and echo chambers, trolls, and splenetic outbursts, discovering that the profitability of these emergent media forums depends on the speed and energy of their communications, and that unsurprisingly, anger sells. Aggrieved fury would appear to be a dominant emotional state of our times. More reflective commentators, including William Davies in the UK and Joseph Vogl in Germany – both acknowledging the same condition where ‘knowledge becomes more valued for its speed and impact than for its cold objectivity, and emotive falsehood often travels faster than fact’ – observe that it can generate an emotional state in which ‘otherwise peaceful situations can come to feel dangerous, until eventually they really are’.
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ItemCult of the Archaic: The Swindle of Fascist Fulfilment [Review of the book Late Fascism: Race, capitalism and the politics of crisis, by Alberto Toscano](Australian Book Review, 2024-03)Already it has been a big year for fascists. On Australia Day, a handful of neo-Nazis from across Australia assembled in Sydney. Dwarfed by tens of thousands of protesters at Invasion Day rallies, the fascist stunt still generated the desired confrontation with the state and response from journalists drawn into the spectacle. Two weeks earlier, German investigative journalists published details of a late-2023 meeting in Potsdam, outside Berlin. At a neo-baroque lakeside hotel, an assortment of old money, political chancers, and neo-fascist intellectuals discussed a proposal for ‘remigration’. Among the retired dentists, bakery franchisers, and parliamentary staffers was Martin Sellner, the one-time, hot-young-Austrian-face of the 212 pp European identitarian movement – a man so reactionary that even post-Brexit Britain denied him a visa.
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ItemPosthumous Sound and the General Imagination(Duke University Press, 2024-03-01)The 1997 discovery of a fifty-thousand-year-old flute made from the femur of a cave bear, with its intimation of reanimating nonhumans, and the 1977 launch of the Voyager spacecraft carrying an eclectic set of sound recordings intended to be heard in the distant future by nonhuman others: two sonic events that frame the possible meanings of posthumous. Together these examples and others question whether everything audible is already over—the bear's lost life, electronic recording procedures—or indefinitely deferred until an act of listening that may never occur. An ecological address to the problems of making sonic culture at a historical turning point at or beyond terminal risk prompts a politics of the commons grounded in a general imagination (modeled on Marx's general intellect). Against earlier modernist claims for both rationality and its failure, sound cultures enact a drama of melancholy and hope in the ecological continuity of body and world at the moment of their end.
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ItemRecent Research on the Azuchi Screens(Kyushu University, 2024)The Azuchi screens, a pair of folding screens depicting Oda Nobunaga’s (1534–1582) newly constructed Azuchi Castle and gifted by Nobunaga to Pope Gregory XIII (1502–1585) via Jesuit missionaries, were the first major diplomatic gifts exchanged between Japanese and Western leaders. Although lost only a few years after their arrival in Rome, the traces of these unique objects in the European record reveal much about evolving attitudes on Japan in Europe around the turn of the seventeenth century. This paper argues that in their placement within the Vatican as well as their afterlife as a reference on Japanese culture in international scholarly circles, the Azuchi screens reveal a sophisticated and dualistic understanding of Japan as proving the righteousness of the Catholic Church’s message as well as a locus for interrogating Europe’s unique Christian history.
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ItemChildren’s reading and screen media use before, during and after the pandemic: Australian parent perspectives(Taylor and Francis Group, 2024)This study investigates the impact of the COVID-19 pandemic on children’s mediascape through a repeated cross-sectional study involving primary caregivers of children aged 7–13 in Australia. Survey 1 was conducted as COVID-19 lockdowns ended in 2021, to examine how extended lockdowns had affected children’s reading habits and screen media usage and how parents had adapted their media supervision and guidance strategies. Survey 2 was carried out one year later to gain insights from the post-pandemic period. The data revealed that the pandemic and lockdowns had led to a substantial increase in children’s ownership and usage of digital devices. In contrast, children’s personal ownership of traditional books and e-book readers had declined, and digital books were less popular than other digital content. Parents, who expanded their involvement in active mediation and media co-use during the pandemic, largely reverted to monitoring and restricting their children’s media activities after it.
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ItemRobert Louis Stevenson and German Sāmoa(Taylor & Francis, 2024)This study revisits the writings of Robert Louis Stevenson on German Sāmoa as a valuable archive for understanding the impact of Western colonialism on the Pacific. It examines Stevenson’s anti-colonial perspectives in writings such as A Footnote to History: Eight Years of Trouble in Samoa (1892), his series of letters to The Times in London (1889–1894), and his private correspondence. Stevenson’s analysis of the impact of the Germans’ militarism and meddlesome officialdom, together with their extensive plantation system and use of unfree labour, also provides an important context for reading contemporary Oceanian writers and artists. The varied creative practices of recovery and remediation deployed by Albert Wendt, Sia Figiel, Yuki Kihara, Michel Tuffery and Tony Brunt, are often inspired by cultural memories of German Sāmoa.