- School of Culture and Communication - Research Publications
School of Culture and Communication - Research Publications
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ItemRevisioning Australia’s War Art: Four Painters as Citizens of the ‘Global South’Brown, L ; Green, C ; Cattapan, J ; Gough, P (MDPI AG, 2018)This essay discusses the recent artistic depictions of contemporary war by four artist-academics based in Australia. The families of all four have served in some of the twentieth century’s major conflicts and, more recently, each has been commissioned in Australia or the UK to serve as war artists. Collaboratively and individually they produce artwork (placed in national collections) and then, as academics, have come to reflect deeply on the heritage of conflict and war by interrogating contemporary art’s representations of war, conflict and terror. This essay reflects on their collaborations and suggests how Australia’s war-aware, even war-like heritage, might now be re-interpreted not simply as a struggle to safeguard our shores, but as part of a complex, deeply connected global discourse where painters must re-cast themselves as citizens of the ‘global South’.
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ItemAfterstorm: Gardens, Art and ConflictGreen, C ; Cattapan, J ; Green, C ; Cattapan, J (Art + Australia, 2021-06-01)
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ItemRemediationGreen, C ; Green, C ; Cattapan, J (Art + Australia, 2021-06-01)
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ItemNo Preview AvailableOkwui Enwezor in South Africa: Worldly Curating and Its DiscontentsGreen, C ; Gardner, A (Documenta Institute, 2020-03-01)In Trade Routes: History and Geography: 2nd Johannesburg Biennale (1997), the first large biennial that he would direct in the course of an extraordinary career of curatorial experimentation, curator Okwui Enwezor presciently selected art that explored themes of migration, cultural traffic, and sites of crisis. This essay by Anthony Gardner and Charles Green explains that his biennial occurred at precisely such a moment of crisis in postapartheid South Africa, when attention from the restlessly moving international art world biennial circuit meant little to local audiences, who were struggling with ongoing inequalities, economic hardships, financial uncertainties and constant change in their municipal power structures. This eventually led to a shut-down of the Biennale before its scheduled end.
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ItemThe Exhibitions that Created Contemporary ArtGreen, C ; Gardner, A (Discipline, 2017-09-13)The Exhibitions that Created Contemporary Art
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Item"Lesson Plan 2: Lyndell Brown/Charles Green and Jon Cattapan"GREEN, C ; Green, L ; Cattapan, J (Dominik, 2016-11-03)
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Item"Transformer: Lyndell Brown and Charles Green"GREEN, C ; Green, L (ARC One Gallery, 2016-04-12)
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ItemSTORM IN A TEACUPGREEN, L ; CATTAPAN, J ; GREEN, C (MORNINGTON PENINSULA, 2015-07-24)
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ItemLesson Plan: A CollaborationGREEN, C ; CATTAPAN, J ; GREEN, L (BRUCE HEISER GALLERY, 2015-07-07)
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ItemBenglis 73/74GREEN, C (Artforum, 2015-01-01)