School of Culture and Communication - Research Publications
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ItemExplorations in creative writing(Melbourne University Press, 2003)
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ItemPutting the “art” back into arts policy making: how arts policy has been “captured” by the economists and the marketers(Informa UK Limited, 2003-03-01)
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ItemImpact aesthetics: Back to the future in digital cinema? Millennial fantasies(SAGE Publications, 2000-12-01)This article engages recent debates about the future of cinema in the digital age. Firstly, it seeks to broaden the rather narrow terms in which the transition to digital cinema is often understood in film theory. Secondly, it tries to assess claims about the 'demise of narrative' frequently associated with the digital threshold. On one level, it is argued that a dialectical understanding of the relation between terms such as 'narrative' and 'spectacle' is needed to advance current debates. On another level, it is suggested that digital technology should not be wholly defined by the current dominance of 'blockbuster' films. In place of technological determinism, an understanding based on the politics of spectacle and distracted spectatorship is advanced.
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ItemNo Preview AvailableCyberspace Romance: The Psychology of Online Relationships(Macmillan Education UK, 2006)This book focuses on online relationships and specifically cyber-flirting; the authors examine how flirting offline can be transferred to an Internet setting, through their own empirical and theoretical research.
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ItemNo Preview AvailableOnline Matchmaking(Springer, 2007-03-14)Brian H. Spitzberg and William R. Cupach Online technologies, such as online matchmaking services, are increasingly becoming a normal and normative medium through which relationships are initiated, developed, maintained, and ended.
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ItemErrata(WILEY, 2005-06)
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ItemGenevieve Grieves(un Projects Inc., 2006)
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ItemHaywood’s re-appropriation of the amatory heroine in Betsy Thoughtless(University of Iowa, 2006)Eliza Haywood’s domestic fiction, epitomized by The History of Miss Betsy Thoughtless (1751), does not reject the modes of her earlier amatory fiction work (such as her 1724 Fantomina), but instead dialectically incorporates it. By considering both Pamela and Betsy Thoughtless in the context of Haywood’s amatory fiction of the 1720s, this paper argues that the struggle to appropriate the narrative of the sexually experienced woman highlights the dialogic complexities of the relationships between amatory and domestic fiction in the mid-eighteenth century. The perseverance of amatory modes of writing in later eighteenth-century domestic novels gestures toward alternate ideological possibilities for female subjectivity through both the exercise of virtue and the exploration of sexual desire.
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ItemMaster Class, by David Pownall(Coghill, 1987)