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ItemThe Irish conceit: Ireland and the new Australian nationalism(Crossing Press, 2000)Michael’s narrative provides an example of the deployment of Ireland in the new narratives of nation generated by Australia’s new nationalist movements, especially as characterised in the One Nation Party of Pauline Hanson. In the various versions of this narrative I have recorded, we find similar structural elements. Firstly, a claim is made on Irish ancestry. Secondly, a story is told of a lost farm and the attempt to retrieve this farm through a land claim made on the Irish government. Thirdly, the narrative arrives at its denouement by condensing the Aboriginal history of dispossession and subsequent attempts to reclaim land within the greater history of Irish suffering, dispossession and the tragic impossibility of any form of redress for the Australian victims of the Irish diaspora. The mythologised history of Ireland, heavy with emotive and dramatic character, but deprived of any real historical actuality, is drawn into analogy with a compressed narrative of Aboriginal dispossession, colonisation and genocide drained of both historical and emotional content and registering only as a sub-plot, an ancillary tale of lesser suffering. The Irish narrative subsumes that of the ‘lesser’ story of Aboriginal dispossession, reforging a new narrative in which Irish dispossession assumes many of the features of Aboriginal dispossession. The Irish subjects of this narrative suffer the aggression of a British colonisation coloured by landmark features of Aboriginal dispossession. Real historical elements such as the taking of Aboriginal children from their families by the white Australian state, for example, enter the story as the experience of Irish Australians. Irish children, not Aboriginal children, are stolen and institutionalised by the British ‘so that they can lose their Irish accent’. The two narratives are condensed and reframed in order to resituate the Irish Australian as the victim of colonisation. In this process, a series of inversions occur. In the Irish-Australian narrative suffering is brought into the present. Massacres happen in living memory, and are witnessed by and perpetrated on the narrator’s immediate family. In the Aboriginal narrative a disembodied suffering occurs at the limit of Australian history, outside human memory and human experience. In the Irish-Australian narrative suffering is perpetrated on the innocent victims of British aggression; in the Aboriginal narrative such acts are the result of the indigence, violence and barbarity of the Aborigines. Michael’s narrative is actually very unusual in that he names both his father and his father’s mates as responsible for the taking of children, but this act floats out of real time in its ‘all the time’ location.
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ItemIntroduction(Cambridge University Press, 1997)As a collection of British colonies and then a nation, Australia came into existence as a product of both colonialism and modernity; proud of its fancied youth and eager for the fruits of civilisation, enamoured with progress yet yearning for tradition. Historical accounts of Australia have equally been products of colonialism and modernity. More often than not, the mission of history has been to remember the triumph of colonising a continent and forming a modern nation state with destiny on its side. While the historical legacies of colonialism and modernity remain palpable, many of the dreams of colonialism and modernity lie in ruins. This is a book from these 'ruins' in the sense that it discusses both the colonial past of former colonies and the colonising of indigenous people in Australia. But ruins are never simply gone or in the past; ruins are enduring traces; spaces of romantic fancies and forgetfulness where social memories imagine the persistence of time in records of destruction. Thus this book is about the past in the present, it is written from within contemporary cultures of history. It moves from Aboriginal and non-Aboriginal accounts of Captain Cook, jumps to the installation of history in museums and school curricula, glides through the historiography of archetypal historical events. This is a book with strong hopes for history and social memory. My interest is not in hammering home the constructedness of history, nor in the important task of diversifying and proliferating accounts of neglected historical actors but in thinking historically about existing social memory. It is a gesture towards learning to inhabit landscapes of memory which are, in part, landscapes littered with ruins; some archaic and others nightmarish, some quaint simulations and others desperate echoes. I imagine such a landscape of memories not as homeless place for lost souls but a ground from which new flights of historical imagination might depart and to which they might return, differently.
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ItemThe flapper's ontological ambivalence: prosthetic visualities, the feminine and modernity(Department of History, University of Melbourne, 1997)In this article, I want to discuss modernity's particular scopic conditions through the concept of prosthetic visualities – or vision extended through industrialised and popularised communication technologies – and their cultural attachment to the feminine. While these visual forms were characteristic of the shared experiences of modernity throughout Western nations, through both its modes of production and modes of self-representation, I focus on the particular meanings these assumed in Australia – for example with its anxieties about national boundaries projected onto the feminine – while retaining a view of modernity's common perceptual field. I hope to set out the possible relationship of women to the visual conditions as mobile spectacles and as subjects who acted through appearing. My argument is that appearing was constructed as a subject position for some women, particularly young, white women, through the conditions of their visibility in modernity.
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ItemThis is a true story: Rabbit-proof fence, 'Mr. Devil' and the Desire to forget( 2002)In February this year I attended a premiere of Rabbit-Proof Fence, a film directed by Phillip Noyce. The story deals with a journey, made in 1931, by three Aboriginal girls, sisters Molly (Everlyn Sampi) and Daisy Craig (Tianna Sansbury), and a cousin, Gracie Fields (Laura Monaghan). The girls escaped from the Moore River Aboriginal Settlement in the south of Western Australia and walked home, to their own community at Jigalong, some 1600 kilometres to the north, by following of the state’s three rabbit-proof fences. In telling the story of the children’s journey, Rabbit-Proof Fence addresses the history of the stolen generations, the historical experience of the removal of indigenous children from their families and communities, a history often subject to ridicule by those in white Australia unable to accept and own their story of oppression. The film also gives some attention to A.O. Neville (or ‘Mr Devil’ as he is referred to by one of the female inmates at Moore River), the Chief Protector of Aborigines in Western Australia from 1915 until 1940, a man obsessed with issues of miscegenation and the (literal) purity of skin.
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ItemHistories and collecting: museums, objects and memories(Oxford University Press, 1994)I want to explore the question of how we might understand the museum in relation to collection and memory. This is one approach to much more general issues around the rules, modes and rhythms of social memory. The capacity of institutions like the museum have, in general, been radically undervalued in thinking about memory.
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Item'The first white man born': contesting the 'stolen generations' narrative in Australia(Harvard University Committee on Australian Studies, 2004)The Australian political landscape from the mid-1980s into the 1990s was periodically dominated by issues relating to contested versions of its colonial past in conjunction with a discussion on the legal and human rights of indigenous communities within the nation-state. Key moments within this discourse included the Royal Commission into Aboriginal Deaths in Custody (established in 1987), the Bicentennial “celebrations” of 1988, the High Court’s Mabo land rights decision of 1992 (and subsequent Native Title amendments), and the reception of the Human Rights and Equal Opportunity Commission’s (HREOC) Bringing Them Home report of 1997, which was the published outcome of a HREOC inquiry into the history of removing indigenous children from their families and communities during the twentieth century.
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ItemReturning to country(Scribe Publications, 2001)As this history began - with journeys - so it will end. In February 2001 Tony Birch, writer, historian and former senior curator with Museum Victoria, rode into Melbourne from the north west. His tram wound along a route once familiar to Wurundjeri people travelling to Mt William - traversing the plain just to the east of the Moonee Ponds Creek and Coonan’s Hill, before veering away towards the central city. Along the way, in Royal Park, still stand a few eucalypts old enough to bear witness to all these comings and goings.
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ItemThe last refuge of the 'un-Australian'( 2001)In 1860, with the establishment of the Board for the Protection of the Aborigines (BPA), the Victorian colonial government formalised, through the legislative process, the alienation of Aboriginal people from our country. To ensure that we would become non-citizens in our own land the government incorporated the independently established Christian missions with existing and proposed government stations into a system of centrally administered Aboriginal reserves.
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ItemThe romance of exchange: Sir Gawain and the Green Knight(Brepols Publishers, 1991)