School of Culture and Communication - Research Publications

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    Dead Europe and the Coming of Age in Australian Literature: Globalisation, Cosmopolitanism and Perversity
    Ng, L (Australian National University, 2013)
    This essay uses Christos Tsiolkas’ 2005 novel, Dead Europe, to re-examine the traditional binary established between old Europe and new Australia. The definition of cosmopolitanism put forward by Tsiolkas takes into account charges of Eurocentricity laid against the concept itself, as well as reflecting on the ways in which cosmopolitanism changes given the accelerated processes of twenty-first century globalisation. In Dead Europe, Tsiolkas links Australia to a pan-European history, bringing national borders into question and broadening notions of Australian identity. I argue that Tsiolkas’ novel is a key example of a recent coming of age in Australian literature - the shift away from Australian national identity as inward-facing, naïve and rural-based, towards a more mature, urban, outward-facing understanding of Australians as culpable participants in global culture.
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    Plagued: TB and Me
    Chandler, J (Digital Global Mail, 2013-06-12)
    The greatest infectious killer in human history is making a comeback, morphing into new drug-resistant forms. While it is largely forgotten in wealthy nations, millions of people a year get sick from tuberculosis. Jo Chandler, to her surprise, is one of them.
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    Rembau, Negeri Sembilan: Personalities and promises
    Goh, TF ; Weiss, M (Institute of Southeast Asian Studies, 2014)
    The volume offers a set of case studies of parliamentary and state-level contests, detailing campaign messages, strategies and apparent patterns.
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    Solid and Liquid Modernities in Regional Australia
    Varney, D ; Eckersall, P ; Hudson, C ; Hatley, B ; Reinelt, J ; Singleton, B (PALGRAVE, 2013-01-01)
    This chapter focuses on mobile and fluid identities in performance in Arnhem Land in the Northern Territory and in the Kimberley region of Western Australia: territories and regions with unique geographical and cultural features; that are closer to Asia than the large population centres of the nation; are both ancient and modern; and connected to local and global flows of culture, trade, technology and finance. Solid and liquid modernity cohabit in these regions in the form of iron ore, copper and gold and in the stocks and shares that circulate ‘free of fences, barriers, fortified borders and checkpoints’ in the global marketplace (Bauman, 2000: 14).
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    Introduction: Regional Modernities in the Global Era
    Varney, D ; Eckersall, P ; Hudson, C ; Hatley, B ; Reinelt, J ; Singleton, B (Palgrave Macmillan, 2013)
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    FESPACO: de crème van de Afrikaanse film?
    De Beukelaer, C ( 2013)
    Van 23 februari tot 2 maart presenteerde FESPACO, het grootste filmfestival van Afrika, maar liefst 101 geselecteerde films uit 755 inzendingen voor officiële competitie. Kwantiteit vormt hier in Ouagadougou, Burkina Faso, dus duidelijk geen probleem. Maar hoe zit het met de kwaliteit van deze best-of van de afgelopen twee jaar? Wat is het internationale potentieel van de hedendaagse Afrikaanse film? En welk verschil maakt hij voor Afrika zelf?
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    Anne Sexton, Singer: 'Her Kind' and the Musical Impetus in Lyric Confessional Verse
    Sumner, TD (UNIV QUEENSLAND AUSTRALIAN LITERARY STUDIES, 2014-05-01)
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    Trespass, Animals and Democratic Engagement
    McCausland, C ; O'Sullivan, S ; Brenton, S (Springer Science and Business Media LLC, 2013-08-01)
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    Searching Guangzhou: Regionalising Weibo
    Wang, WY ( 2013)
    This post reflects on regionalising Chinese Internet: how the geo-identity of a city/province shapes and is also being shaped by developing communication technologies in China. A city is not merely the administrative unit that is part of the nation, but a city’s transformation and experience over time offer the realm to manage one’s sense of self and belonging. Weibo taps into this process and mediates the tension and conflicts between regions and nation.
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