School of Culture and Communication - Research Publications

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Author: Frow, John × Type: Journal Article × Start date: 2000 × End date: 2010 ×

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Now showing 1 - 10 of 13
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    Australian cultural studies: theory, story, history
    FROW, JOHN ( 2005)
    In a forthcoming paper on the History of Theory Ian Hunter calls for a space for historical reflection on the so-called ‘moment of theory’, and goes on to describe his argument as being indicative of ‘a particular way of undertaking intellectual history’. Let me posit, perhaps against the grain of Ian’s intentions, that ‘historical reflection’ and ‘intellectual history’ constitute distinct sub-sets of the history of philosophy. Historical reflection, which is central to the Hegelian critique of the self-becoming of philosophy, is excluded from contemporary analytic philosophy by its rigorous refusal of historical time as the condition or context of thought. Intellectual history is what is then left over when the history of philosophy is disconnected from the space in which philosophy actually happens, and in that sense is quite different from the historical reflection in which a past is connected, with whatever discontinuities and complexities, to the present that reflects on it. Intellectual history is histoire; historical reflection is discours.
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    Metaphor and metacommunication in schizophrenic language
    Frow, J (Informa UK Limited, 2001-12-01)
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    Editorial
    FROW, J. ; SCHLUNKE, K. ( 2008)
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    The Practice of Value
    Frow, J (Indiana University Press, 2007-10)
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    On Midlevel Concepts
    Frow, J (JOHNS HOPKINS UNIV PRESS, 2010-03-01)
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    Hybrid disciplinarity: Rey chow and comparative studies
    Frow, J (Informa UK Limited, 2010-09-01)
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    Australian Cultural Studies: Theory, Story, History
    FROW, J (Routledge - Taylor & Francis, 2007)
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    The Uses of Terror and the Limits of Cultural Studies
    FROW, J ( 2003)
    The plot of the event of September 11 - the destruction of the twin towers of the World Trade Center by terrorists - might have been written by Hollywood, or by Baudrillard. So fantasmatic, so familiar was the scenario that fitted seamlessly into the manichaean agenda of the Pentagon hawks planning the next American war, and the next. Indeed, a perfectly plausible paranoid response reads this plot as a plot on the part of those who have most thoroughly benefited from it. How do we take fantasms seriously when they come true?