- School of Culture and Communication - Research Publications
School of Culture and Communication - Research Publications
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ItemAltissimi prezzi e grandissima stima’: l’influenza del denaro e delle considerazioni economiche sulla carriera di Battistello CaraccioloMarshall, C ; Causa, S (Paparo, Roma, 2022-10-09)
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ItemNo Preview AvailableThe Legacies of Bernard Smith. Essays on Australian Art, History and Cultural PoliticsANDERSON, J ; Marshall, C ; YIP, A (Power Publications and Art Gallery of New South Wales, 2016-07-21)It has been widely asserted that Bernard Smith established the discipline of art history in Australia. He was the founding professor of contemporary art and the director of the Power Institute at the University of Sydney, published the classic art text Australian Painting, three volumes on the art of Captain Cook's voyages, and two memoirs. This publication brings together international academics from a range of disciplines to focus on everything Bernard Smith left his mark on: Antipodean and European ?envisioning? of the Pacific, the definition of Australian art, gallery scholarship and public art education, museological practice, art criticism, Australian art biography and local heritage.
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Item"Causa di stravaganze": order and anarchy in Domenico Gargiulo's Revolt of MasanielloMarshall, Christopher R. ( 1998)Three paintings by Domenico Gargiulo of the revolt of Masaniello in 1647 have been interpreted as an anti-Spanish commentary. Close analysis of the events depicted in Gargiulo's major painting of the revolt and of the political sympathies of his patrons, however, reveals the contrary to be the case. In this and other paintings, Gargiulo reinforces conventional stereotypes of the Neapolitan lower classes as fundamentally capricious and irrational. These negative visions of popular anarchy are to be contrasted with the propriety, unity, and stability displayed by the establishment in Gargiulo's other pictures of contemporary events.
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ItemImperial legacy: the politics of display in AustraliaMARSHALL, CHRISTOPHER ( 2004)Somewhere among the countless rows of objects currently on display in the British Museum’s Enlightenment exhibition there rests a flaking bark shield. This battered, utilitarian object stands somewhat apart from the splendidly exotic artefacts that surround it. Yet beneath its unprepossessing appearance there lies an extraordinary provenance. It was taken in 1770 from the Eastern Australian seaboard by Captain Cook’s landing party during its initial encounter with the first inhabitants of the land incorporating what is now known as Sydney. The shield has been placed in a display of non-Western artefacts acquired during the period of Enlightenment discovery “through gift, trade or purchase”. In truth, however, none of these words could be used to describe its acquisition. It was hardly given, since it came into the party’s possession as a result of their shooting at a group of Eora people who left the cover of trees, apparently shouting at them to leave. Neither was it traded, unless one views a bullet fired in anger as a fair offer of exchange. Nor could it be called a purchase, unless one counts as a purchase price the blood shed by its original owner as he was hit trying to flee the invaders.
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Item[Response to The National Gallery of Victoria on Russell]MARSHALL, CHRISTOPHER ( 2000)The NGV collection temporarily returned to its original site at the rear of the State Library, until the St Kilda Road redevelopment was completed in 2002. Three galleries displayed highlights of the collection as well as the Museum Victoria’s iconic object, Phar Lap. In this article Dr Christopher R Marshall provided his opinions of the displays.
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ItemOn display: Dr Christopher MarshallMARSHALL, CHRISTOPHER ( 2006)An interview with Dr. Christopher R. Marshall, senior lecturer in Art History and Museum Studies at the University of Melbourne.
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ItemWhen worlds collide: The contemporary museum as art galleryMarshall, CR ; Macleod, S (Routledge, 2005-05-30)
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ItemFraming Fusion: Varieties of Collectingand Display at the Museo Poldi Pezzoli,MilanMARSHALL, C (Melbourne University Publishing, 2009)
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ItemNaplesMARSHALL, C ; Spear, RE ; Sohm, P (Yale University Press, 2010)
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ItemRe-imagining meaning in the contemporary museum: from things that go beep in the case to the artist ex machinaMARSHALL, C ; Mansfield, E (Routledge, 2007)