School of Culture and Communication - Research Publications

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    The injuries of time: Geoffrey Chaucer, Thomas Speght, and Wade’s boat
    TRIGG, STEPHANIE ( 2008)
    The State Library at Melbourne holds a wonderful collection of early Chaucer editions: two leaves from William Caxton’s editions of The Canterbury Tales (from 1478 and 1483), and a more substantial group of relatively rare sixteenth- and seventeenth-century editions. Starting with this impressive group, it is possible to use the Melbourne collection to track the major stages in the long history of editing and printing Chaucer, through John Urry’s lavish but inaccurate edition of 1721, the more scholarly text of Thomas Tyrwhitt in five volumes (1775-78), the numerous texts of various works produced by Frederick J. Furnivall for the Chaucer Society in the late nineteenth century, and the beautiful Kelmscott Chaucer of 1896, printed by William Morris and incorporating wood-cuts designed by Edward Burne-Jones, through to the scholarly and student editions of the twentieth and twenty-first centuries. These editions often differ considerably from each other. Not only have critical opinions varied substantially over the centuries as to the best manuscripts and the best methods of presenting Chaucer’s work, but the audience and the use anticipated for each edition (for different generations of general readers, scholars or students) also affects the nature of the prefatory material and the commentaries, notes and glossaries that surround the text.
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    I’ve written my talk: blogging, writing and temporality
    TRIGG, STEPHANIE ( 2007)
    Between the poles of speaking and writing, where do we place a published version of a written talk given about blogging? I find, as I write this up, that I can’t keep a straight writerly face. I’m unable to render the layers of past and present into a seamless tense, a smooth representation of speaking about writing, or writing about speaking. Mostly, we know how to read and write the conventions for ‘writing up a talk’, but the subject of blogging seems to call forth a different kind of reflection. Or does it?
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    The New Medievalization of Chaucer
    TRIGG, STEPHANIE ( 2002)
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    Medievalism and Australian Gothic
    TRIGG, SJ (Studies in Medievalism, 2002)
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    Transparent Walls: Stained Glass and Cinematic Medievalism
    TRIGG, S (The Screening the Past Group, 2009)
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    What is Happening to the Middle Ages?
    Prendergast, A ; TRIGG, S (Brepols, 2008)
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    Medievalism, the Queen and the Dandy
    TRIGG, S (School of Culture and Communication, The University of Melbourne, 2009)