School of Culture and Communication - Research Publications

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    Recovering memory
    FROW, JOHN ( 1996)
    To speak of memory as tekhne, to deny that it has an unmediated relation to experience, is to say that the logic of textuality by which memory is structured has technological and institutional conditions of existence. Let me illustrate the enabling conditions of the ‘textual’ logic of memory by reference to the controversy over recovered memories of childhood sexual abuse.
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    A politics of stolen time
    FROW, JOHN ( 1998)
    This is a story about acts of telling that are true and acts that are false. It is about being told things and not being heard. It is about the relation between telling stories and existing, or about being made not to exist. Millicent’s story is a part of the Report of the National Inquiry into the Separation of Aboriginal and Torres Strait Islander Children from Their Families, entitled Bringing Them Home. Delivered to the Australian Federal Government in 1997, the Report is a record of the history of forcible removal of indigenous children, usually of mixed descent, from their families and communities, and it makes recommendations about current laws, practices and policies, about compensation for the victims of past laws, practices and policies, and about the services that are or should be available for those victims.
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    Australian cultural studies: theory, story, history
    FROW, JOHN ( 2005)
    In a forthcoming paper on the History of Theory Ian Hunter calls for a space for historical reflection on the so-called ‘moment of theory’, and goes on to describe his argument as being indicative of ‘a particular way of undertaking intellectual history’. Let me posit, perhaps against the grain of Ian’s intentions, that ‘historical reflection’ and ‘intellectual history’ constitute distinct sub-sets of the history of philosophy. Historical reflection, which is central to the Hegelian critique of the self-becoming of philosophy, is excluded from contemporary analytic philosophy by its rigorous refusal of historical time as the condition or context of thought. Intellectual history is what is then left over when the history of philosophy is disconnected from the space in which philosophy actually happens, and in that sense is quite different from the historical reflection in which a past is connected, with whatever discontinuities and complexities, to the present that reflects on it. Intellectual history is histoire; historical reflection is discours.
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    Metaphor and metacommunication in schizophrenic language
    Frow, J (Informa UK Limited, 2001-12-01)
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    The Practice of Value
    Frow, J (Indiana University Press, 2007-10)
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    Australian Cultural Studies: Theory, Story, History
    FROW, J (Routledge - Taylor & Francis, 2007)
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    The Uses of Terror and the Limits of Cultural Studies
    FROW, J ( 2003)
    The plot of the event of September 11 - the destruction of the twin towers of the World Trade Center by terrorists - might have been written by Hollywood, or by Baudrillard. So fantasmatic, so familiar was the scenario that fitted seamlessly into the manichaean agenda of the Pentagon hawks planning the next American war, and the next. Indeed, a perfectly plausible paranoid response reads this plot as a plot on the part of those who have most thoroughly benefited from it. How do we take fantasms seriously when they come true?
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    Unaustralia: Strangeness and Value
    Frow, J (University of Technology, Sydney (UTS), 2007)
    This essay explores the flawed legal regime governing national security in Australia. It focuses on legislation related to anti-terrorism and discusses the negative effects of the bills, particularly in relation to the treatment of refugees and asylum seekers. The author reflects on the harsh political and social climate of Australia during the era of the Howard government and One Nation party, noting that democratic and the liberal values can be in conflict.
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    "Reproducibles, rubrics, and everything you need": Genre theory today
    Frow, J (MODERN LANGUAGE ASSOC AMER, 2007-10)
    If you had typed genre into amazon.com's search engine on a certain day in March 2007, you would have come up with an initial ten listings that included two gay men's magazines (Genre and Instinct Magazine), one introductory theoretical text (my own Genre), a compact disc by a group called D-Genre, a composition textbook (Tom Romano's Blending Genre, Altering Style: Writing Multigenre Papers), three resource kits for children (Carson-Dellosa's Literary Genres, Susan Ludwig's Twenty-Four Ready-to-Go Genre Book Reports: Engaging Activities with Reproducibles, Rubrics, and Everything You Need to Help Students Get the Most Out of Their Independent Reading, and a bulletin-board set entitled BB Set Genres of Lit), and, finally, two school textbooks (Tara McCarthy's Teaching Genre (Grades 4–8) and Heather Lattimer's Thinking through Genre: Units of Study in Reading and Writing Workshops 4–12).