School of Culture and Communication - Research Publications
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ItemRepresenting the Piazza del Quirinal in the reign of Clement XII: Panini's 'View of the Piazza del Quirinale'( 2002)By the eighteenth century some subjects for Roman view-paintings already had a long pictorial tradition, while others only came to prominence as a result of a site acquiring a new significance in the wake of papal building programs. One of the most important of these new subjects was the Piazza del Quirinale.
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ItemCarpaccio, Saint Stephen, and the topography of Jerusalem( 1984)Those buildings and topographical motifs in Jerusalem represented by Carpaccio in his Saint Stephen cycle are discussed, as are the ways in which they were represented by artists before Carpaccio. It can be deduced that Carpaccio's sole source for his renderings was in the woodcuts by Reuwich in the 1486 book by Breydenbach on the Holy Land. Suggestions of other sources and of a visit by Carpaccio may be discarded. Conclusions can be drawn about Carpaccio's approach to the representation of real landscape.
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ItemPiranesi, Juvarra, and the triumphal bridge tradition( 2003)This article examines the idea of the triumphal bridge from the Renaissance to Piranesi, by way of Flavio Biondo, Onofrio Panvinio, Pirro Ligorio, Nicolas Poussin, Fischer von Erlach, and Filippo Juvarra, in order to explore attitudes toward the reception and representation of ancient architecture. It shows how the eighteenth-century theme of the "magnificent (triumphal) bridge" had its roots in topographical inquiry and examines the contribution that Piranesi's interest in the archaeological problem of the triumphal bridge made to the creative process that resulted in the "Ichnographia", the large map of the ancient Campus Martius in his 1762 "Campo Marzio".