School of Culture and Communication - Research Publications

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    Schizoanalysis and the Phenomenology of Cinema
    Hughes, J ; Ian, B ; Patricia, M (A&C Black, 2008-10-15)
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    Deleuze and the Genesis of Representation
    Hughes, J (Continuum International Publishing Group, 2008)
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    Explorations in creative writing
    BROPHY, KJ (Melbourne University Press, 2003)
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    Impact aesthetics: Back to the future in digital cinema? Millennial fantasies
    McQuire, S (SAGE Publications, 2000-12-01)
    This article engages recent debates about the future of cinema in the digital age. Firstly, it seeks to broaden the rather narrow terms in which the transition to digital cinema is often understood in film theory. Secondly, it tries to assess claims about the 'demise of narrative' frequently associated with the digital threshold. On one level, it is argued that a dialectical understanding of the relation between terms such as 'narrative' and 'spectacle' is needed to advance current debates. On another level, it is suggested that digital technology should not be wholly defined by the current dominance of 'blockbuster' films. In place of technological determinism, an understanding based on the politics of spectacle and distracted spectatorship is advanced.
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    Cyberspace Romance: The Psychology of Online Relationships
    Whitty, MT ; Carr, AN (Macmillan Education UK, 2006)
    This book focuses on online relationships and specifically cyber-flirting; the authors examine how flirting offline can be transferred to an Internet setting, through their own empirical and theoretical research.
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    Online Matchmaking
    Whitty, MT ; Baker, AJ ; Inman, JA (Springer, 2007-03-14)
    Brian H. Spitzberg and William R. Cupach Online technologies, such as online matchmaking services, are increasingly becoming a normal and normative medium through which relationships are initiated, developed, maintained, and ended.
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    Errata
    Mosquera, G ; Papastergiadis, N ; Belting, H ; Gardner, A ; Weng Choy, L ; Medina, C ; Hoskote, R ; Bal, M ; Amorales, C ; Kallat, RS ; Lucas, C ; Ong, S ; Kane, A ; Suberi, T ; Basbaum, R ; PAPASTERGIADIS, N ; Mosequera, G (WILEY, 2005-06)
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    ‘Past, Present, Future Perfect: Paradigms of History in Medievalism Studies’, Parergon: Journal of the Australian and New Zealand Association for Medieval and Early Modern Studies, 25.2 (2008): 58-79.
    DELL, H ; Lynch, AE (ANZAMEMS (Australian and New Zealand Association for Medieval and Early Modern Studies), 2008)
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    From Neo-Baroque to Neo-Baroques?
    NDALIANIS, A (Canadian Association of Hispanists, 2008)
    El presente artículo argumenta que el "barroco" puede ser entendido como un estado transhistórico que se extiende más allá del siglo XVII enfocándose no solo en escritores e intelectuales que asi lo han entendido, sino tomando ejemplos provenientes del campo de la literatura, la pintura, la arquitectura o el cine, tales como zoótropos y linternas mágicas, el arte de la revolución vanguardista de inicios del siglo XX, el estilo barroco presente en los inicios de la industria de Hollywood o la abierta aplicación política y crítica de estrategias barrocas adoptadas por escritores españoles y latinoamericanos. El artículo culmina en nuestro propio tiempo, sosteniendo que el contexto urbano y de entretenimiento contemporáneo combina lo visual, lo audible y lo textual en formas que se asemejan al dinamismo de las formas barrocas del siglo XVII, pero expresadas de manera tecnológica y culturalmente diferente que, ya sean a través de películas o series de televisión, exposiciones o movimientos musicales, son resultudo de trasformaciones culturales y sistémicas asociadas con la posmodernidad.