School of Culture and Communication - Research Publications

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Start date: 2006 × Author: Eckersall, Peter ×

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Now showing 1 - 10 of 29
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    Solid and Liquid Modernities in Regional Australia
    Varney, D ; Eckersall, P ; Hudson, C ; Hatley, B ; Reinelt, J ; Singleton, B (PALGRAVE, 2013-01-01)
    This chapter focuses on mobile and fluid identities in performance in Arnhem Land in the Northern Territory and in the Kimberley region of Western Australia: territories and regions with unique geographical and cultural features; that are closer to Asia than the large population centres of the nation; are both ancient and modern; and connected to local and global flows of culture, trade, technology and finance. Solid and liquid modernity cohabit in these regions in the form of iron ore, copper and gold and in the stocks and shares that circulate ‘free of fences, barriers, fortified borders and checkpoints’ in the global marketplace (Bauman, 2000: 14).
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    Introduction: Regional Modernities in the Global Era
    Varney, D ; Eckersall, P ; Hudson, C ; Hatley, B ; Reinelt, J ; Singleton, B (Palgrave Macmillan, 2013)
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    Toshiki Okada's Ecological Theatre
    Eckersall, P (MIT Press - Journals, 2021-01)
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    Curating Dramaturgies
    Eckersall, P ; Ferdman, B ; Ekersall, P ; Ferdman, B (Routledge, 2021-04-27)
    This is further elaborated in the interviews with 15 diversely placed arts professionals who are at the forefront of rethinking and consolidatingthe ever-evolving field of the visual arts and performance.
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    Performance Community in an Age of Reenactment: Takao Kawaguchi’s About Kazuo Ohno and the Conversation with Ghosts
    Eckersall, P ; Fischer-Lichte, E ; Jost,, T (Routledge, 2021)
    Dramaturgies of Interweaving explores present-day dramaturgies that interweave performance cultures in the fields of theater, performance, dance, and other arts.
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    Machine Made Silence The Art of Kris Verdonck
    Eckersall, P ; Baarle, KV (Performance Research Books, 2020)
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    Curating Dramaturgies How Dramaturgy and Curatorial Practices are Intersecting in the Contemporary Arts
    Eckersall, P ; Ferdman, B (Routledge, 2021-04-27)
    This is further elaborated in the interviews with 15 diversely placed arts professionals who are at the forefront of rethinking and consolidatingthe ever-evolving field of the visual arts and performance.
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    Okada Toshiki’s Dramaturgy in the Post-global condition
    Eckersall, P ; Eckersall, P ; Regelsberger, A (Performance Research Books, 2021)
    In Okada Toshiki and Japanese Theatre, Okada’s work and its importance to the development of contemporary performance in Japan and around the world is explored. Gathered here for the first time in English is a comprehensive selection of essays, interviews and translations of three of Okada’s plays by leading scholars and translators. Okada’s writing on theatre is also included, accompanied by an extensive array of images from his performances.
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    Okada Toshiki & Japanese Theatre
    Eckersall, P ; Geilhorn, B ; Regelsberger, A ; Poulton, MC ( 2021)
    Playwright, novelist and theatre director Okada Toshiki is one of the most important voices of the current generation of Japanese contemporary theatre makers.
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    After angura?: recent works by Kawamura Takeshi
    ECKERSALL, PETER (UNSW and Performance Paradigm, 2006)
    Japan’s radical theatre movement angura emerged from a cultural space in the 1960s enlivened by acts of protest and experimentation. As discussed in previous essays, angura is characterised by transhistorical dramaturgy, transforming theatrical forms and changed relationships between the stage and the audience. One of the other notable features of angura was the rise of the writer-director, an often charismatic, sometimes autocratic, ‘genius-figure.’ Such writer-directors formed ensembles where their works were developed through distinctive and singular creative processes. These ‘auteurs,’ to borrow an expression from French new wave cinema, came to shape the 1960s theatre in Japan. They included Terayama Shûji, Satô Makoto, Suzuki Tadashi, Ôta Shogo and Kara Jûrô. Working in the era of rebellion and street protest, these young directors were impatient to revolutionise theatrical form. New physical training regimes and hybrid approaches to dramaturgy, aesthetics and design, coupled with idiosyncratic political-cultural outlooks are the fruits of the angura system, the outcomes of a singular auteur-like vision.