School of Culture and Communication - Research Publications

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    Seeing art by people with experience of mental illness and/or psychological trauma: a multi-dimensional framework
    WHITE, ANTHONY (The Cunningham Dax Collection, 2008)
    Mental illness is a subject clouded by misunderstanding and prejudice. Creative works by people with an experience of mental illness and/or psychological trauma are often similarly misunderstood. There is a tendency for such works to be viewed from one standpoint only, thereby denying their multi-faceted nature. The exhibition, The Art of Making Sense, has been developed to resolve one of these difficulties. Several years of research undertaken independently by the Cunningham Dax Collection, and more recently in partnership with several partner institutions, have led to the development of a “multi-dimensional” framework for exhibiting, viewing and understanding the art of people with mental illness and/or psychological trauma. The central idea behind the multi-dimensional framework is that creative work by people with experience of mental illness and/or psychological trauma cannot be understood through one perspective. As this exhibition proposes, such work can be viewed through several different interpretive frameworks including, but not limited to, the personal, the medical, the ethical, the historical, and the creative.
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    Art and mental illness: an art historical perspective
    WHITE, ANTHONY (Neami Splash Art, 2007)
    Mental illness has for centuries been closely associated in the popular imagination with exceptional creativity and great works of art. I will argue today that it is important not to be complacent about this association, as it has led to some grave misconceptions about the nature of mental illness. The persistence of such misconceptions in the media demonstrates that there is a pressing need for ongoing analysis and debate about appropriate and ethical ways in which to discuss, exhibit and interpret the art work of people who experience mental illness. Coming from an art historical perspective, I hope to suggest ways to make progress in this debate. For the purpose of today’s talk, in speaking of ‘art,’ I will be referring not only to those works judged to provide evidence of exceptional creativity but rather any created visual product in any medium. Mental illness will be defined as clinically significant, psychological syndromes associated with distress, disability or loss of freedom.