School of Culture and Communication - Research Publications

Permanent URI for this collection

http://hdl.handle.net/11343/395

Filters

2002 - 2004 6
Reset filters

Settings
Statistics
Citations
Subject: creative writing ×

Search Results

Now showing 1 - 8 of 8
  • Item
    Thumbnail Image
    The Last Vest
    Liew, Eunice (University of Melbourne Graduate Association, March 2009)
  • Item
    Thumbnail Image
    The Pauses
    Liew, Eunice (CrookedStylesPress, May 2008)
  • Item
    Thumbnail Image
    end sex
    Michael, Rose ( 2004)
    Fiction, published in Griffith Review Edition 4 - Making Perfect Bodies
  • Item
    Thumbnail Image
    Night: A Rough Hammock
    OWEN, CM ( 2004)
  • Item
    Thumbnail Image
    Like a Paintbox
    BIRCH, AK ( 2004)
  • Item
    Thumbnail Image
    A paperback education: Atticus Finch, Camus and Kenneth Cook's Wake in fright
    Birch, A. ( 2002)
    When I was a kid there wasn’t much that my older brother did not do better than me. He was good at almost everything, particularly sport. He won the school handball championships every year, captained the football team and never lost a game of marbles. He even excelled in business. When the school tuckshop was on its knees the headmaster put him in charge. Within a term the tuckshop was turning a profit, even after my brother had creamed a percentage so he could buy a friendship ring for his girlfriend. He was not quite as good at the books though.
  • Item
    Thumbnail Image
    Two Kitchens
    BIRCH, AK ( 2004)
  • Item
    Thumbnail Image
    Collaboration and exchange with Indigenous communities
    Birch, Tony ( 2003)
    In late 2000 I was asked if I would write a series of poems and story panels for an artist, Gordon Burnett, who was visiting Australia from Scotland for a residency at Monash University. In my first conversation with Gordon he told me that he was interested in addressing Australian colonial history in his work through ‘digitally crafted domestic objects’ that would use a ‘Fuse Deposition Modelling machine’ to create objects including icons of British colonial culture such as tea-pots and tea-cups.