School of Culture and Communication - Research Publications
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ItemSchizoanalysis and the Phenomenology of Cinema(A&C Black, 2008-10-15)
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ItemSigns and Subjectivity in Proust and Signs and Cinema 1 and 2(PALGRAVE, 2009)
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ItemDeleuze's 'Difference and Repetition': A Reader's Guide(Continuum, 2009-02-12)
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ItemDeleuze and the Genesis of Representation(Continuum International Publishing Group, 2008)
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ItemExplorations in creative writing(Melbourne University Press, 2003)
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ItemPutting the “art” back into arts policy making: how arts policy has been “captured” by the economists and the marketers(Taylor and Francis Group, 2003-03-01)This paper explores the current discourse about arts policy and funding and its placement within an economic paradigm. The models of “cultural industry” and “creative industry” are explored and how they affect arts funding discourse. Similarly the impact of the introduction of the language of industry and business to the arts sector is considered. If bottom-line arguments are used by funders, governments and critics to argue the merits or otherwise of arts activity, how does this affect arts practice? In recent times arts funding agencies have been restructured to reflect a market-driven agenda rather than an arts-driven agenda. The impact of all these issues is considered in the context of Australian arts' models in particular, but with reference to examples in the United Kingdom and the United States of America. The paper concludes with suggestions for a reassertion of core cultural values in future discourse.
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ItemImpact aesthetics: Back to the future in digital cinema? Millennial fantasies(SAGE Publications, 2000-12-01)This article engages recent debates about the future of cinema in the digital age. Firstly, it seeks to broaden the rather narrow terms in which the transition to digital cinema is often understood in film theory. Secondly, it tries to assess claims about the 'demise of narrative' frequently associated with the digital threshold. On one level, it is argued that a dialectical understanding of the relation between terms such as 'narrative' and 'spectacle' is needed to advance current debates. On another level, it is suggested that digital technology should not be wholly defined by the current dominance of 'blockbuster' films. In place of technological determinism, an understanding based on the politics of spectacle and distracted spectatorship is advanced.
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ItemNo Preview AvailableCyberspace Romance: The Psychology of Online Relationships(Macmillan Education UK, 2006)This book focuses on online relationships and specifically cyber-flirting; the authors examine how flirting offline can be transferred to an Internet setting, through their own empirical and theoretical research.
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ItemNo Preview AvailableOnline Matchmaking(Springer, 2007-03-14)Brian H. Spitzberg and William R. Cupach Online technologies, such as online matchmaking services, are increasingly becoming a normal and normative medium through which relationships are initiated, developed, maintained, and ended.
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ItemErrata(WILEY, 2005-06)