Faculty of Education - Theses
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ItemCultural mission of the sisters of St Joseph( 2004)This research study examines the history of Sacred Heart Catholic School, Newport, Victoria, established within the tradition and application of the educational philosophy of the Sisters of St Joseph of the Sacred Heart, founded by Mary MacKillop in 1866. The work includes three distinct areas of research which are: 1. The MacKillop System of Education in its early stages. 2. The growth of multicultural theory and practice in Australia and in Catholicism. 3. The story of one school, Sacred Heart Catholic School, Newport, situated in the western suburbs of Melbourne, Victoria. These areas connect up and illuminate one another throughout the thesis, evoking a sense of school life as it was experienced by members of the school community at different stages of the school's development and within a variety of social and educational contexts. The research appreciates the integral vitality of the founding spirit manifest in Mary MacKillop, especially as it was reflected in the Sisters appointed to the school at Newport as administrators and as teachers. The study examines the long-term adaptation of the mission of the Church, namely the evangelisation of cultures in the local community of Newport throughout its hundred years history. Focus is brought to bear on the interpretation of Mary MacKillop's philosophy of education in its first fifty years and the changes perceived during the later period of massive and fundamental transformation in the ethnic composition of the local community as well as the broader Church and State. By reconstructing the past this study provides a reference point for those involved in education by shedding light on the present and raising questions for the future.
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ItemExpeditions, travels and journeys: reconceptualising teaching and learning about indigenous Australians in the early childhood curriculum( 2004)This thesis aimed to explore the terrain of early childhood educator's inclusion of Indigenous Australian peoples and cultures within their curriculum practice. Within this it was anticipated that these explorations would draw from early childhood reconceptualist literature to explore and trouble understandings of curriculum theory and practice. It was also anticipated that my research companions and I would use our beginning understandings of postcolonial theory to theorise, explore and disrupt our constructions and understandings of Indigenous Australian peoples and cultures that were based on the colonial understandings and discourse circulating within Australia and our local communities and that influenced our curriculum practices. In order to explore and disrupt this curriculum practice, my research companions and I set off on an action research journey. We travelled and journeyed within monthly meetings over one year as we located and explored curriculum practice. Action research provided the maps for this journey as we attempted to explore the curricula practices of my companions and locate and explore the issues and challenges that arose as they attempted to disrupt this practice and find reconceptualised ways towards inclusion of Indigenous peoples and cultures. Throughout this journey however, while curriculum practice was located and explored and changes to this practice occurred at superficial levels, discussions around how the reconceptualising of this practice was limited and constrained by the influences of colonial discourse upon our personal understandings of Indigenous peoples and cultures was avoided. As I travelled back into the research meetings after a prolonged absence from the research journey, I became more aware of the silences that existed within our travels that enabled us to resist change in our practices around inclusion of Indigenous peoples and cultures in ways that opened spaces for this inclusion in equitable and respectful ways. I journeyed again through postcolonial theory and while this provided me with important and useful waymarks in which to locate and understand the research travels and moments within it, this theory did not provide me with pathways to explore the resistances. Early childhood reconceptualist literature also provided and guided my reflections on curricula practice in important ways, however, similar to my struggles with postcolonial theory, did not provide for waymarks to understand and locate the silences within the research travelling group. Silences that ensured discussion of personal understandings of Indigenous people and how these understandings were constructed was avoided. Within my searching of alternate theories and ways of exploring the terrain of this research journey, I stumbled across whiteness theories and found that the silences in the research could be located, positioned and explored through and within these theories and understandings. The thesis journey then followed white pathways that led into explorations of whiteness within the research and made it possible to see how both the research companions and myself had constructed ourselves, Indigenous Australian peoples and curricula theory and practice through and within these white understandings. As I located and explored my experiences through narrative and mapped and traced whiteness within the research travels and journeys, it became possible to view how strategies of whiteness operated to discourage the explorations and locating of our personal within our professional understandings. Given this, the possibilities for shifts in personal understandings, and as a consequence, professional and curricula practice, were limited and constrained within this journey into reconceptualising Indigenous inclusion in early childhood curriculum. The journeying within this thesis into reconceptualising early childhood curriculum around Indigenous inclusion and the drawing from both postcolonial and whiteness theories, however, has resulted in more complex understandings of how this work could take place. Mapping postcolonial viewpoints and waymarks and tracing white viewpoints and waymarks within these can allow early childhood researchers and educators to view how these discourses intersect and overlap to silence Indigenous Australian peoples and cultures as well as work to avoid and limit discussion and awareness within white communities about the existence of prejudice and discrimination. Further, the effects of these colonial and white discourses on both personal understandings and the influence of these on curriculum practices aimed at including Indigenous peoples and cultures can be uncovered, located, explored and disrupted in order to create spaces and places for Indigenous voices within early childhood curricula practice.
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ItemSecond class theatre: theatre for young people in Victoria 1966-2000( 2003)The thesis examines the formation of theatre companies servicing schools and the community in Victoria. It traces the evolution of amateur children's theatre to the formation of full-time professional theatre companies. Many of these were called Theatre In Education (TIE) or Theatre For Young People (TYP) companies. The lack of historical research in this field contrasts with the number of journals and research articles on the growth and development of Drama In Education. There exists no comprehensive history of these theatre companies and their contribution to the development of Australian Theatre for Young People. The research in this thesis involves the use of primary research using audio recordings of oral histories, archival materials, company reports and supporting secondary research materials. The thesis sees the parallel growth of theatre and drama in education as integral to the operations and survival of these companies. Drama and Theatre Studies arc now part of the Victorian Certificate of Education for students in Years 11 and 12. Subsidy provided by State and Federal arts bodies has fostered and maintained a small number of companies in Victoria over a thirty two year period. Self sufficient, unfunded companies co-exist with subsidised companies by focusing on the Curriculum Standards Framework. Subsidised and non subsidised companies vary in the range and quality of theatre presented in schools and other venues. The research findings support the thesis that Theatre for Young People in Victoria has been undervalued in terms of its contribution to Victoria's theatre history. It has been treated as second class or less important than adult theatre. Funding bodies and theatre companies have placed an over emphasis on cultivating young people as the audiences of the future. Victorian Education policies have failed to regulate standards for artists and adequately support them in schools. This has resulted in a high turnover of artists and companies servicing schools.