Faculty of Education - Theses
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ItemExpeditions, travels and journeys: reconceptualising teaching and learning about indigenous Australians in the early childhood curriculum( 2004)This thesis aimed to explore the terrain of early childhood educator's inclusion of Indigenous Australian peoples and cultures within their curriculum practice. Within this it was anticipated that these explorations would draw from early childhood reconceptualist literature to explore and trouble understandings of curriculum theory and practice. It was also anticipated that my research companions and I would use our beginning understandings of postcolonial theory to theorise, explore and disrupt our constructions and understandings of Indigenous Australian peoples and cultures that were based on the colonial understandings and discourse circulating within Australia and our local communities and that influenced our curriculum practices. In order to explore and disrupt this curriculum practice, my research companions and I set off on an action research journey. We travelled and journeyed within monthly meetings over one year as we located and explored curriculum practice. Action research provided the maps for this journey as we attempted to explore the curricula practices of my companions and locate and explore the issues and challenges that arose as they attempted to disrupt this practice and find reconceptualised ways towards inclusion of Indigenous peoples and cultures. Throughout this journey however, while curriculum practice was located and explored and changes to this practice occurred at superficial levels, discussions around how the reconceptualising of this practice was limited and constrained by the influences of colonial discourse upon our personal understandings of Indigenous peoples and cultures was avoided. As I travelled back into the research meetings after a prolonged absence from the research journey, I became more aware of the silences that existed within our travels that enabled us to resist change in our practices around inclusion of Indigenous peoples and cultures in ways that opened spaces for this inclusion in equitable and respectful ways. I journeyed again through postcolonial theory and while this provided me with important and useful waymarks in which to locate and understand the research travels and moments within it, this theory did not provide me with pathways to explore the resistances. Early childhood reconceptualist literature also provided and guided my reflections on curricula practice in important ways, however, similar to my struggles with postcolonial theory, did not provide for waymarks to understand and locate the silences within the research travelling group. Silences that ensured discussion of personal understandings of Indigenous people and how these understandings were constructed was avoided. Within my searching of alternate theories and ways of exploring the terrain of this research journey, I stumbled across whiteness theories and found that the silences in the research could be located, positioned and explored through and within these theories and understandings. The thesis journey then followed white pathways that led into explorations of whiteness within the research and made it possible to see how both the research companions and myself had constructed ourselves, Indigenous Australian peoples and curricula theory and practice through and within these white understandings. As I located and explored my experiences through narrative and mapped and traced whiteness within the research travels and journeys, it became possible to view how strategies of whiteness operated to discourage the explorations and locating of our personal within our professional understandings. Given this, the possibilities for shifts in personal understandings, and as a consequence, professional and curricula practice, were limited and constrained within this journey into reconceptualising Indigenous inclusion in early childhood curriculum. The journeying within this thesis into reconceptualising early childhood curriculum around Indigenous inclusion and the drawing from both postcolonial and whiteness theories, however, has resulted in more complex understandings of how this work could take place. Mapping postcolonial viewpoints and waymarks and tracing white viewpoints and waymarks within these can allow early childhood researchers and educators to view how these discourses intersect and overlap to silence Indigenous Australian peoples and cultures as well as work to avoid and limit discussion and awareness within white communities about the existence of prejudice and discrimination. Further, the effects of these colonial and white discourses on both personal understandings and the influence of these on curriculum practices aimed at including Indigenous peoples and cultures can be uncovered, located, explored and disrupted in order to create spaces and places for Indigenous voices within early childhood curricula practice.
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ItemGiving voice and being heard: searching for a new understanding of rehearsal processes and aesthetic outcomes in community theatre( 2004)This thesis is an examination of rehearsal processes and aesthetic outcomes in community theatre practice. It is a qualitative study, focusing on a community theatre project in a small outer suburban primary school near Melbourne, Australia. The researcher is a highly involved reflective practitioner, taking on the multiple roles of researcher, community artist and community member. At the heart of the thesis is a novella embodying a range of perspectives and experiences from the case study. The study began with the questions: how is it possible for a community theatre project to satisfy the participants’ artistic and community needs and what are the factors which contribute to the achievement of these ends? The tension between the contrasting needs and experiences of different participants, ranging from theatrically trained artistic facilitators to the children who struggle to be heard, to the parents looking to connect with the school community, informed the study. The inevitable challenges and difficulties of the fieldwork propelled the study into a wider exploration of questions of community participation in the arts as a means of individual and collective expression and as an experience of cultural democracy. Drawing on an extensive review of theoretical foundations underpinning the practice of community theatre, and a review of practice itself (both the researcher’s own and a range of exemplars), the study proposes an analysis of the key stages of development of community theatre practice. This analysis has been synthesised into a Community Theatre Matrix. At the core of the matrix is the notion that collective community art-making takes place within an Engaged Space, where key elements of Artistry, Agency, Pedagogy, Pragmatics and Critical Reflection shape and inform the practice. Those who choose to participate in the collective art-making process become a temporary community of art-makers. This Engaged Space is based on the conceptualisation of a ‘community aesthetic’ - participants engage in collective art-making processes predicated on an invitation to aesthetic and social engagement. Such a space is charged with the potential for a politicising experience as well as a community one. This new understanding is framed by an appreciation of the interplay between artistic invention (and intervention) and pedagogy. In order to give voice to the silent community, the artist employs the tools of emancipatory pedagogy along with modernist and post-modernist theatre understandings. The thesis concludes with the proposition that community theatre offers individuals and communities the possibility of a shared experience of art-making and the social and artistic possibilities associated with ‘giving voice and being heard’.