Faculty of Education - Theses

Permanent URI for this collection

http://hdl.handle.net/11343/162

Filters

2005 2
1 1
Reset filters

Settings
Statistics
Citations
End date: 2013 × Type: Masters Coursework thesis × Subject: Drama × Subject: Study and teaching (Secondary) × Subject: Victoria ×

Search Results

Now showing 1 - 2 of 2
  • Item
    Thumbnail Image
    Articulating the theatre experience : ways in which students respond to the theatre experience, individually, collectively & within the context of the curriculum
    Upton, Megan ( 2005)
    This thesis investigates how a class of senior Drama students experience the event that is theatre performance. The theatre experience is at the very heart of this study, both as a personal one, and as it is framed within the parameters of the Victorian Certificate of Education (VCE) Drama Curriculum. Five themes emerge from the study: the role of cultural contexts; the role of prior experience; knowing versus not knowing measuring the theatre experience; and the impact of curriculum and assessment criteria on student responses. The findings of the study suggest that the subject of Drama provides entry into an aesthetic world that is not necessarily accessible through other subjects. It indicates that a range of cultural contexts and prior experiences create a frame through which students experience new theatre performances. The study indicates that the immediate and transient nature of a performance text is inherently difficult to measure but rather, relies on the measuring of the memory of that experience. Finally, the study suggests that there is a gap between the process through which students make meaning from their experiences, and the process by which the curriculum asks them to respond to the aesthetic experience that is theatre. The implications of this investigation are that the teaching of theatre text and the design of curriculum documents needs to more carefully acknowledge the cultural framing, prior experiences, and personal aesthetics that students bring to that experience. Further, it asks Drama educators to consider whether aesthetic experiences are indeed assessable and, if so, how that can be achieved in ways that acknowledge the complex nature of responses to a text that exists only in the memory of those who have seen it.
  • Item
    Thumbnail Image
    Issues of curriculum transition from secondary to tertiary drama education
    Mustafa, David R ( 2005)
    This case study aims to explore issues of curriculum transition for those students moving from secondary to tertiary study in drama and theatre studies. Its purpose is to examine the relationship between first year tertiary drama and theatre studies courses and VCE Drama/Theatre Studies, and whether these tertiary courses are meeting the needs of those students who have this particular VCE study as their foundation. As a means of investigating this issue, a group of first year tertiary students was selected as participants after they had enrolled in the unit Body, Text and Performance offered by the School of Creative Arts at the University of Melbourne through the Theatre Studies stream. Other participants included the coordinating lecturer, as well as the tutors delivering the practical component of the curriculum. This qualitative study seeks to examine the nature of this unit through the responses and attitudes of both students and staff. As a secondary drama teacher, VCAA Examiner and Auditor, the researcher has witnessed directly the marked improvement in senior drama education since the introduction of VCE in 1991. This study seeks to ascertain to what extent tertiary courses have responded to these changes in the VCE and whether curriculum at this level is informed by students' previous experiences, knowledge and learning from their secondary senior schooling.