Faculty of Education - Theses
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ItemStudents, computers and learning : a conversation with the cognitive apprentices and their learning tools( 1998)Wertsch (1991) asserts the mind "extends beyond the skin", that is, it is socially distributed and is a function of activity involving cultural tools. From this perspective the mind is unlimited in the sense that it is developed and inseparable from tools of mediation of which the computer is a corporeal thing that extends out into the material world. The computer as a means of mediation can be invisible yet powerfully influential in shaping thought and communication.. In this small-scale case study in an academic independent school a representative focus group of year 9 students suggests to the Author, their school's computer specialist, that their teachers are not to be providing mediated learning with computers. The students who are the metaphoric "cognitive apprentices" feel the school as an institution has not 'grasped the idea.' Bryson and De Castell (1994, 215) observed that " ... the divisive playing field of educational technology is populated by various teams who are telling altogether different 'true stories,' each having different settings, characters and plots ..." The new age believers and the non believers were not listening to the users. Hargreaves (1996) offered a parallel critical assessment, after Plummer (1983) and Wood (1991), of the use of "voice" in contemporary educational research. He stressed the need for active participant voices outside conventional conversations, from different contexts, different positions and particularly the marginalised. In both educational practice and research, student's voice has frequently been considered " a nuisance; literal noise in the instructional system" (Cazden 1986, 448). However, if teachers and schools as agents of parents and society are to embrace computers as cognitive tools, and accept them into the educational context as a means to gaining one or more educational ends, then there is need to research the voices of the cognitive apprentices on their learning with computers. The collaborative nature of the ethnographic research was grounded in the mutual regard of the researcher and the practitioners (students) as change agents in their own school. Central to the research was the development and exploration of a clue structure to understand how student practitioners saw computers being used in their classrooms. The initial core questionnaire asked the students to position their opinion of the school's , and their teachers' use of computers in the provision of the curriculum on a continuum between; "Are computers instructional tools used by teachers to impart knowledge to you", or, "Are computers used as cognitive tools to afford students' opportunities to construct representations of their knowledge and understandings of the concepts being taught ?
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ItemGhost stories : an ethnographic journey( 1998)This is an ethnographic study of a school theatre project, 'Ghost Stories'. The study explores what the role and nature of extra curricular theatre is in an independent boys' school. The concept of 'school theatre' is defined as an aesthetically rich, extra curricular event. The study argues that a teacher of 'school theatre' creates learning experiences for students that empower and challenge the politically or economically sanctioned educational culture. The value of school theatre, the role of the teacher, the development of students' artistic and personal skills and the relationship between school theatre and the dramatic heritage is investigated. The study argues that a believable, trustworthy account of the school theatre event needs to incorporate the variety of participant voices. The report is written in the form of a narrative and is told by the drama teacher responsible for the performance project, a male and female student, a teacher assisting in the performance project and a senior member of the administration. The narrative traces the participants' motives in becoming involved in the 'Ghost Stories' performance project, the various perceptions of the value of student devised performance texts, the conflicts within this educational context, culminating in the final night's presentation ceremony. The 'Ghost Stories' performance event challenges the conduct of teaching and learning in this educational context. The study contends that a teacher of 'school theatre is engaged in 'critical pedagogy'.
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ItemArt and the art of coping( 1998)Consider the conscious not as a purely passive but as an independent active factor... artistic forms not as a facade but as an extremely important mechanism and technique... and include in its sphere of investigation the sum total of human life... Art is the social technique of emotion, a tool of society which brings the most intimate and personal aspects of our being into the circle of social life. (Vygotsky, 1971, p. 249). This thesis reports how young adolescents increased their awareness of themselves and their coping skills experientially through the arts in the context of a teacher/student relationship. Through a series of art sessions the students become aware of significant issues in their lives. The unfolding of meanings occurred in relationship with a teacher or in collaboration with peers. The relationship became a key to self-understanding: this key is called 'intersubjectivity'. Facilitating students' shift in awareness and uncovering the meaning made by the students of their experiences was grounded in the methodology and procedures of existential, experiential phenomenology. This thesis is a study of three case studies. In these case studies the students communicated metaphorically through the arts their feelings and thoughts about concerns and how they cope with these concerns. This communication occurred in the context of a relationship with a teacher and/or peers. The students explored their lived-experience, concerns and ways of coping with concerns through the arts, that is in drawing, painting, pottery, movement, dialogue and written form. Students explored their coping skills also by completing the Adolescent Coping Scale (Frydenberg & Lewis, 1993) and reflecting on their experiences of coping through the arts. The next level of the experience for the student involved them reviewing their art and text and describing themes and the essence(s) of their experiences, this was mostly a creative and reflective process in the arts. This study illuminates the processes that facilitate the development of awareness and coping skills. It marks arts expressions as modes of inquiry and validates the significance of the intersubjective relationship in developing young people's awareness of themselves and their coping skills. The intersubjective relationship in this study was empathic, didactic and encouraging; the teacher reflected student's expressions, and encouraged and taught skills, while maintaining a focus on coping.
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ItemPeer mediation training in the middle years of schooling( 2003)This project investigates the role played by peer mediation training in assisting students in Year 8 to manage their own conflicts and relationships a year later. The study focused on two students who underwent the training as mediators rather than the disputants. The study is based on the recognition that students in Years 7 to 9 should understand that conflict is a natural part of life and they need to be able to manage their conflicts constructively to improve their interpersonal relationships as well as their self-esteem. My experiences of students dealing with conflict had been that students often avoided the conflict, referred the problem on to someone else (usually the teacher) or engaged in destructive behaviours such as fighting or self-blame. Too often an adult resolves the conflicts, and the consequences are often punitive. Peer Mediation is a working model that is designed to assist students to resolve conflicts through discussion and integrative negotiation procedures. The School Counsellor and I implemented the program to address our concerns about how students dealt with conflict and the amount of time that teachers were spending in dealing with minor disputes. A case study methodology was chosen as the main research technique focussing on the students' descriptions of their experiences of the peer mediation training they underwent a year ago, and how they manage their own conflicts and relationships now. It was found that the types of conflicts experienced in the Middle School Years involved mainly verbal harassment, gossip and rumor spreading and relationships. Belonging to group and finding one's place was of high importance in Year 7 and usually established by Year 9. The study found that peer mediation training is a valuable tool for enabling a school to meet its duty to assist students with conflict resolution skills in situations beyond the classroom such as school camps and attending alternative campuses. The students at this School attended an overseas campus for five weeks and they felt they were experiencing similar conflicts they had in Year 7. The study showed that students remembered little about the training steps but realized the importance of problem-solving skills and effective communication to brainstorm solutions to create win- win situations. There was some transference of these skills to situations involving their siblings and friends outside of school. In order to ensure students manage conflicts in constructive ways this study recommends that school environments should provide a cooperative rather than a competitive/individualistic context. Within cooperative situations, communication tends to be open and honest, trust is built and maintained, and disputants are orientated toward joint outcomes. Furthermore, conflict resolution programmes such as peer mediation need to be integrated within the school's Middle School Years structure such as a Personal Development programme and extended into its academic subjects. The school's Student Support Services could coordinate it.
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ItemPerceptions of how year 8 boys in an ethno-centric inner suburban Australian school configure their masculine identities within their school setting( 2008)The purpose for this study is to explore how Year 8 boys in an ethno-centric community school located in suburban Melbourne are `configuring' (Connell, 2000) their ideas about masculinity and to consider the evolving processes and influences informing these gendered identity configurations. A qualitative case study approach was deemed appropriate for addressing the aim of the study and a feminist, poststructuralist perspective was used to frame the research process. Consistent with this perspective was the need to honor the boys' voices. The data collection methods included focus-group discussions over a six-week period with two groups of Year 8 boys. A questionnaire survey was conducted prior to the focus-groups to inform and shape the discussion questions. In the third focus-group, the boys were asked to bring in a personal artifact or totem with which they identified their ideals of being a man. The finding of the study revealed that masculine identity is a highly socialized construct (Davies, 1993) transmitted through male Discourses (Gee, 2004) and resonated with Martins' claim that boys negotiate their masculine configurations (1999) within themselves and between themselves in endless processes of becoming (Walkerdine, 1990). Boys were often fluid in their configurations, with their positionings changing over the focus-group discussions. The configuring of the boys' ideas about their masculinity was mediated by a strong connection to their ethnic heritage that was linked with the past rather than with the present. The boys were strongly opposed towards any signs of effeminacy which they associated with a loss of power and prestige among their peer group - any association with homosexuality being perceived as a threat to their masculinity. The artifacts chosen by the boys as representative of being a male were guarded fiercely and generally it was agreed that these were not to be touched or exposed in a casual manner. Totems such as computer-action programmes, guns and For Him Magazines (FMHs) were forwarded as a means for talking their masculinity into existence - essentialising it. Recommendations that emerged from the study include: the need for more opportunities for boys to talk more openly amongst themselves; to access the thinking and experiences about what it means to be a male in their wider community, and to embed in the curriculum opportunities for boys to challenge stereotypes and to acknowledge that gender identity matters.