Faculty of Education - Theses

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    Creating Indigenous futures: using applied theatre to construct a participatory creative space for Indigenous Australian young people
    Blight, Rosemary Joan ( 2012)
    This thesis investigates the use of applied theatre with disadvantaged Indigenous Australian young people. It examines the characteristics, challenges and opportunities of using applied theatre practices with Indigenous young people in an Indigenous community setting. The research considers the relationship between the fields of applied theatre, participatory forms of qualitative research and Indigenous research. The research responds to the low attendance and engagement of Indigenous young people in education in Australia. Poor rates of school completion combined with high rates of imprisonment means that at least half the Indigenous young people in Australia are underachieving, and are at risk of a future characterized by extreme disadvantage and disconnection from the mainstream. This research began as broad concern with how to reconnect disaffected Indigenous young people with education. Subsequently the research question was reframed as: how can applied theatre be used in the construction of a participatory creative space for Indigenous Australian young people? The study began as an invitation from Nungalinya College in Darwin to the researcher, a non-Indigenous teaching artist experienced in intercultural drama and theatre. Adopting a reflective practitioner stance the researcher explored the central role of applied theatre in building Indigenous young people’s engagement with culturally appropriate creative practices. The study consisted of three applied theatre projects conducted over three years. The first was a one-week Pilot Project in 2006. The second was a five-week intensive program conducted in 2007; the third was two weeks in 2008. The research was a partnership between Trinity College, the researcher-practitioner, who was employed at Trinity College, and Nungalinya College Youth Program. Contact was maintained between the three projects. The researcher became immersed in a new and unfamiliar cultural, social, political and environmental space in order to try to understand the lived realities of the young people. The development of deeper understanding by the researcher of Indigenous perspectives on partnerships, relationships, and cultural safety facilitated the young people’s participation. The researcher found it necessary to adapt applied theatre to incorporate the making of short films as a medium of storytelling and as an initiative of the young people. The building of conditions for participation required complex and sensitive relationships, which evolved through negotiation and collaboration. In a newly constructed creative space the young people had the opportunity to build new narratives to move beyond their habitual patterns and to imagine a different future. As a result of this research, a model for partnerships and for participation is proposed. The researcher identified a range of modes of participation in the creative space and these were subsequently characterized as a continuum from Peripheral to Marginal to Embodied to Active Participation.
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    Accessing the discourses of schooling: English language and literacy development with aboriginal children in mainstream schools
    Gray, Brian ( 1998)
    This thesis reports on aspects of an intervention program in literacy and language development implemented for Aboriginal children at Traeger Park School in Alice Springs. The study proposes that the provision of access to academic/literate discourses for Aboriginal children is an issue that has been either avoided or devalued generally in Australian linguistic research. This negative orientation has been particularly prevalent in mainstream linguistic studies which have followed Labovian (ie. Labov 1969) perspectives on notions of difference/deficit since the 1970's.
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    Indigenous self-determination and early childhood education and care in Victoria
    LOPEZ, SUSAN ( 2008)
    This thesis explores how Victoria’s early childhood community negotiates colonial constructions of Aboriginality around dualisms such as Indigenous/non Indigenous and intersecting constructions of the child as ignorant or innocent of race and power both in concert and conflict with the non Indigenous early childhood community. It found a need for a reconceptualisation of Aboriginality around complexity and multiplicity as well as continuity and uniformity. Such a reconceptualisation can better address those issues of race, culture, identity and racism that see Indigenous communities marginalised within non Indigenous early childhood programs. These negotiations around the colonial and the implications for Indigenous inclusion within the early childhood field are framed within post colonial theory which unites and connects major themes across tensions and contradictions. These themes act as a basis for each data chapter.