Faculty of Education - Theses
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ItemAn analysis of the logic of film criticism with special reference to film study courses in schools( 1970)The distinctive concepts, relationships between concepts, criteria and procedures for judgement-making which constitute the logic of film criticism have been left largely unexplored. As a consequence, film critics and film teachers, lacking an understanding of the distinot body of concepts and procedures characteristic of this form of discourse, have been unable to offer convincing justifications for critical judgements on the one hand, and f o r the belief that film study i s properly an educational activity on the other. In each case, factors or principles extrinsic to the internal logic of film criticism have been offered as justifications. It is shown that the search for justifications for both aesthetic and educational judgements which appeal to necessary formal or moral principles, or to the consequences believed to follow from an experiencing of films, cannot withstand analysis. A critical scourse in the arts i s properly effected by presenting descriptions of the works, expressed i n terms of, and justified with reference to, those concepts and criteriadistinctive of the form of art i n question. It is argued that the work of the English film critic, Robin Wood, and some recent semiological studies on the nature of meaning i n films, represent the beginnings of a clarification of the logic of film criticism. The matter is of central importance to the form and purpose of film study courses. If, to be counted as educational, an activity must be concerned with judgements publicly testable for truth or appropriateness, and if such judgements can occur only within the logical structure of a form of knowledge or discourse, then film teaching can properly be termed educational only if film study courses are informed by an understanding of the logic of film criticism. It follows then that Robin Wood's criticism and the small body of semiological work at present available could well serve as the source of this understanding.
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ItemThe holistic nature of literary knowledge : a perspective of authorial meaning and legitimate significance as a unique aesthetic experience( 1986)Literary knowledge represents the state of affairs in the holistic nature of literature. Within the scheme of co-ordinates that constitute the holistic nature of literature, legitimate aesthetic experience cannot occur unless a valid interpretation of meaning is considered as the probable intention of the author. Understanding meaning initiates legitimate aesthetic experience as opposed to an aesthetic awareness that inadvertently distorts authorial intention to satisfy wishfulfilment gratification of the audience. Validity in interpretation implies satisfying the conditions of knowledge, in that agreement in .judgements about literature is possible. Yet, though meaning may satisfy the conditions of objectivity, each legitimate aesthetic experience is peculiar to the individual's empathic relationship to the valid interpretation. . The significance of the text may be an ineffable aesthetic experience which is a self-evident form of knowledge. The synthesis of Hirsch's theory of 'meaning and 'significance' with Hirst's belief that literature is ? 'unique form of knowledge' gives a dual nature to, and foundation for, the epistemological status of literature. Consequently, there is justification for teaching literary knowledge in texts and procedural knowledge for construal of valid interpretation. Interpretation and criticism have different functions. One attempts to give coherence and objectivity to textual meaning, while criticism imbues a valid interpretation with a 'unique' knowledge that is relative to the dynamic of history and the dialectic of criticism. If students are to perceive in some degree the holistic nature of literary knowledge, then trainee teachers ought to be familiar with the synthesis of Hirsch and Hirst which is a primary principle both in the construal of textual meaning and in the attempt to express legitimate aesthetic experience.
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ItemThe teaching of French in New South Wales and Victoria 1850-1958( 1958)This thesis is a study of the development of the subject French at the Universities of Sydney and Melbourne and in the schools of New South Wales and Victoria. It seeks to show why French was taught in this land so far from France, by what methods it was taught, to whom and by whom it was taught. It was impossible to discover the answers to these questions without studying the growth of the two Universities and in particular the changes of curriculum in their Faculties of Arts, the relationship between the Universities and the schools and the influence of the University Departments of French on French in the schools, the growth of secondary education and the public examination system, and the reforms in the curriculum of the secondary schools in the twentieth century as a result of changes in educational theory and philosophy. Only against this background is it possible to understand the rise and fall of one particular subject.
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ItemAn administrative review of the Commonwealth English as a Second Language (ESL) Program within the Office of Schools Administration, Ministry of Education, Victoria( 1990)This thesis presents an administrative review of the Commonwealth English as a Second Language (ESL) Program within the Office of Schools Administration, Ministry of Education, Victoria. The approach and framework adopted are similar to those used by Campbell et al. in their review of the Commonwealth ESL Program for the Commonwealth Schools Commission in 1984. There are no prejudgements concerning major issues, but an interest in monitoring events from program establishment at a Commonwealth level to program organisation issues in schools. A number of "Levels of Administrative Reality" are identified through which the following educational agencies are examined - the Department of Employment, Education and Training (DEET), the Office of Schools Adminstration, and schools. The "Levels of Administrative Reality" used are Intentions, Structure, Resource Allocations Mechanisms, and Program Organisation. These are considered broad enough to enable major issues to be raised. Data have been collected over a two year period from a variety of sources including policy documents, questionnaires, memoranda and minutes of meetings. Major issues raised include : (a) the development of a nationwide curriculum framework/syllabus for the teaching of ESL; (b) the location of ESL within the Office of Schools Administration; (c) the location of consultancy support to schools; (d) the level of resourcing; (e) the qualifications of ESL teachers.
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ItemComputer-based learning in an Australian setting : a study of the development and use of a foreign language vocabulary program at the University of Melbourne( 1976)This thesis is the first Australian study of the use of computer-based learning by non-Science students. It begins with a review of research and developments in computer applications in education overseas, and looks in particular at the use of computers in the teaching of foreign languages. It then examines the development, use and evaluation of a foreign language vocabulary practice program for students in first year undergraduate Swedish courses at the University of Melbourne. Since non-Science students might be expected to be more wary of technological innovations, student attitudes to the program and to the computer as a learning medium were of particular interest in this study. As had been reported in overseas studies, a majority of students showed very favourable attitudes to computer-based learning, largely because of their opinion that the program ensured thorough learning of the material presented. A smaller group were found to have strongly negative attitudes to the technique. The proportion of students who made a great deal of use of the program was quite small. This was attributable mainly to the limited aim of the program, acquisition of vocabulary, although inconvenience due to unsuitability of the available computing facilities for educational applications was also a contributing factor.
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ItemInfluences on engineering education in Australia( 1976)This thesis is concerned with the identification and examination of the various types of influences on professional engineering education in Australia. It commences with a study of what a professional person in general, and a professional engineer in particular, should be, and describes the functions and characteristics of such a person. This is followed by an examination of curriculum design, and how the curricula of professional courses are controlled by professional societies. The various influences on engineering curricula are then considered in detail in four broad categories, namely historical influences, formal influences, informal influences, and societal influences within each of these categories, various tapes of influences are identified, and their method of application, and relative effectiveness, discussed. Apart from the chapters on terminology and historical influences, which have been researched from existing publications, the content of the thesis is original, and, as far as can be ascertained, is the first attempt to examine the subject of Australian engineering education in a sociological context.
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ItemAn analysis of education provision to older non-English speaking background youth with minimal or interrupted schooling in the Richmond/Collingwood area( 1987)This study is an analysis of educational provision in the Richmond/Coilingwood area for young people aged 16 to 24 years of age, of migrant or refugee background, who have a history of minimal or interrupted schooling. These students are mostly of Indo-Chinese or Timorese background , and face severe problems relating to their lack of literacy and poor English proficiency. Many of these students are unaccompanied refugees and face economic hardship in Australia. Educational programs running in five postprimary schools, two TAFE colleges and two language centres are examined in light of their relevance to the needs of these students. It emerges from this study that a small number of institutions provide responsive quality programs for this group. There are, however, general problems relating to the low status and marginalization of ESL programs in most of the institutions. These problems are compounded by a lack of funding, unsympathetic administration, ignorance of the issues and difficulties relating to accreditation. In some institutions, no provision at all is made for these students. Needs emerging from these issues may be summarized as follows. A greater awareness of the educational requirements. of this group must be developed. An informed collaborative approach must be adopted to respond to these needs in the form of appropriate ESL programs. Policy and administrative support must be forthcoming to assist in achieving these goals.
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ItemArt and community schools in Victoria : a focus on the Artists and Architects in Schools Programs as models in evaluating negotiation and participatory decision making as a basis for developing arts curricula( 1990)This study has argued that the learning context should be linked not only with the student's growing knowledge and skill within the curriculum but it should also allow for an understanding of how that curriculum connects and relates with the democratic society of work and leisure. It is further argued, that as, a consequence of arriving at that understanding; students acquire a sense of empowerment and control over their lives. In Chapter 1, the study establishes the historical background to the Artists and Architects in Schools Programs, and the role of the art teacher and the artists and architects within those programs. As an introduction, Chapter 1 also briefly explains the following Chapters. Chapter 2 discusses the history and development of the state community school movement, its-establishment in Victoria, and the radical nature of its underpinnings. Reference is also made to the private alternative school movement. In Chapter 3, the process. of decision making in Croydon Community School and Sherbrooke Community School in respect to their Artists in Schools Programs is examined. In Chapter 4, the issues discussed are: three orientations to the curriculum, the American Discipline Based Art Education, and the recent curriculum guidelines of the Victorian. Ministry of Education. A comparison is made of the approaches to learning and negotiating the curriculum between Swinburne Community School and Croydon Community School. Finally a summary is presented of negotiation and the arts integration of the curriculum during the Artists and Architects in Schools Programs at Croydon Community School in 1982. In Chapter 5 some of the movements towards participatory democracy throughout the 20th century in industry and in social, political and business institutions by workers, residents and other concerned groups through control by that means of the workplace, the means of production, and the neighbourhood are examined. Reference is made to their philosophic basis and the parallel movement of the community schools in Victoria. In Chapter 6 the history of the development of the Artists and Architects in Schools Programs is examined. Comparison with and evaluation of the criticism of the British and American Programs is also included to illuminate the role of the art teacher and the artists and architects. In Chapter 7, the arts integration of the timetable for both the Artists and Architects in Schools Programs at Croydon Community School in 1982 and 1983 is evaluated: Note is also taken of the consistent philosophic approach. A brief comparison is made with other Artists and Architects in Schools Programs to elucidate the theme of whole school community involvement. In Chapter 8, Community Arts, have been defined and discussed in relation to the ideologies that motivate the management of community schools. Note has also been taken of community arts practice in Britain and America as a comparison with the Australian context. The potential for the relationship of the community artist with the community school is also evaluated. In Chapter 9, a Creative Arts Curriculum Model for Community Schools has been designed to provide a comprehensive arts curriculum with a contextual basis for the growth of the whole person. The design allows for decision making through participation to be practised to provide the framework for the development of an arts curriculum relevant to contemporary society in the 1990's. In concluding, Chapter 10 has examined, evaluated and clarified a number of key themes which are the central elements to the writer's thoughts. These are: the role of negotiation and participatory decision making in developing a democratic curriculum, and the role of art within that context. Observation is also made on the way the themes relate to the events of the 'real world'. A brief note is made of possible areas for further research. Finally, a comment is made on the relevance of the community school in the reorganised system of the Victorian Ministry of Education forward into the 1990's.
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ItemA cartoon chemistry text : the construction and testing of a novel chemistry text incorporating human values( 1990)This study examines current science texts and the concerns and objectives of Science-Technology-Society based courses. It indicates that they present the public image of the practising scientist (with inherent Mertonian values of Universalism, Communism, Disinterestedness, and organized skepticism) which is used to organize scientific concepts into a meaningful whole. Utilizing the notion that a value is anything important to a student, a hypothesis was proposed that meaning and interest generated from a text is dependent on the extent of overlap between text and student values. The implications of the interaction of different value systems with a Mertonian based text were considered. An attempt was made to develop a chemistry text that was meaningful to all students, by organizing concepts into a story form with non-Mertonian organization. This approach evolved into a cartoon format with specific features. Two cartoon text items were tested at two schools. The trial involved a survey item on 103 students and audio taped interviews with 20 students. The trial attempted to evaluate the cartoon as a student text, attitudes to issues content, and styles of resolving issues based conflicts. The results were interpreted by classifying the respondents into four categories of science likingness ( A, B, C, D) on the basis of Year 11 subject choice, and favorite subject. It was assumed that the accommodation of Mertonian values by a group reflected the science likingness of the group. The cartoon text was well received with most students wishing to see more cartoons, and being able to answer questions from the text. The B, C, and D groups expressed a preference for the cartoon text over their current science text. The proposed differential accommodation of values appeared to account for the greater enthusiasm of the B and C groups for the cartoons than the A and D groups. Perceptions of the amount of current social problems/ issues content in science teaching increased markedly with group science likingness. The amount of issues content desired decreased with increasing group science likingness. A belief that scientific solutions could resolve social problems/ issues, showed a marked decrease with decreasing science likingness. A value model of cognitive style was developed from the basic hypothesis and assumptions regarding the extent of accommodation of Mertonian and Humanist norms as personal values. This model seemed to account for variations in meaning generated for the various groups in response to both the standard and cartoon science text format.
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ItemClinical teaching styles : an evaluation by clinicians and students( 1987)This study examined an important aspect of clinical education - clinical teaching styles - from the viewpoint of both students and clinical educators. In February 1986 physiotherapy students in their third year of the Bachelor of Applied Science course at Lincoln Institute and physiotherapy clinical educators from Lincoln Institute and metropolitan and country hospitals viewed videotapes of three teaching styles and completed a questionnaire which required the respondent to rate these styles. It was hypothesized that clinicians and students would observe and react to the presentation of styles from different perspectives and therefore their ratings of the styles would differ. The results show that this hypothesis is confirmed in that while both groups preferred the "prompting" style to the "explanatory" and "non-intervention" styles, there was also a statistically significant difference between students and clinicians in rating the "explanatory" style - students higher than clinicians. Neither group rated the "non-intervention" style as helpful to learning. Students also differentiated between the effectiveness of styles for different aspects of their treatment of patients; clinicians rated the "prompting" style as appropriate for all clinical tasks. Clinical educators should take account of these differences in perception of teaching styles which may influence the effectiveness of the clinical learning experience of students.
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