Faculty of Education - Theses
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ItemActing with care: how actor practice is shaped by creating theatre with and for children( 2017)Research has investigated the backgrounds, dispositions and skills of artists working with children in both school and in out-of-school contexts (Ascenso, 2016; Brown, 2014; Galton, 2008; Jeanneret & Brown, 2013; Pringle, 2002; Pringle, 2009; Rabkin, Reynolds, Hedberg, & Shelby, 2008; Waldorf, 2002). Actors make a significant contribution to this work but few studies focus in depth on how they create theatre with and for children. Incorporating constructivist, phenomenological (Van Manen, 1990) and case study methodologies, this research investigates the practice of nine actors who create theatre with and for children in diverse contexts. Drawing on document analysis, surveys, semi-structured interviews and performance observations, the research explores two key questions: What characterises the practice of actors who create theatre with and for children? and How is actor practice shaped by working with children? This thesis explores actor practice in relation to being, doing, knowing and becoming (Ewing & Smith, 2001). Shaped to be outward facing and ‘pedagogically tactful’ (Van Manen, 2015), actor practice gives emphasis to four key qualities: listening, reciprocating, imagining and empathising. When creating theatre with and for children, pedagogically tactful actors are guided by a sense of care and respect. This thesis adds to the discourse about artists working with children, making actor practice visible and drawing attention to their beliefs, goals, motivations and acting techniques.
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ItemPost: 9/11: hidden pedagogy: the positional forces of pedagogy in Victoria, Australia( 2015)This qualitative study charts the lived narratives of twelve participants, six teachers and six students from urban and rural Victoria, Australia. The study examines in detail the question ‘How do teachers teach, post 9/11?’. 9/11 has become accepted shorthand for September 11th 2001, in which terrorist attacks took place in the United States of America. The attacks heralded a ‘post- 9/11 world, [in which] threats are defined more by the fault lines within societies than by the territorial boundaries between them’ (National Commission on Terrorist Attacks, 2011, p. 361). The study is embedded in the values that have come to the fore in the wake of the 9/11 attacks and the ideological shifts that have occurred globally. These values and ideologies are reflected via issues of culture and consumption. In education this is particularly visible through pedagogy. The research employs a multimethodological (Esteban-Guitart, 2012) form of inquiry through the use of bricolage (Kincheloe & Berry, 2004) which is comprised at the intersectional points of critical pedagogy (Kincheloe, 2008b), public pedagogy (Sandlin, Schultz, & Burdick, 2010b) and cultural studies (Hall, Hobson, Lowe, & Willis, 1992). This study adopts a critical ontological perspective, and is grounded in qualitative research approaches (Lather & St. Pierre, 2013). The methods of photo elicitation, artefact analysis, video observation and semi-structured interviews are used to critically examine the ways in which teacher and student identities are shaped by the pedagogies of contemporary schooling, and how they form common sense understandings of the world and themselves, charting possibilities between accepted common sense beliefs and 21st century neoliberal capitalism. The research is presented through a prototypical form of literary journalism and intertextuality which examines the interrelationship between teaching and social worlds exposing the hidden influence of enculturation and addressing the question ‘How do teachers teach, post 9/11?’
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ItemPortrait of the artist who works with children( 2014)In both school and non-school based studies, the significant role of artists is often cited but rarely researched in any depth, except for a few notable exceptions (Brice-Heath and Wolf, 2005; Galton, 2008; Rabkin, Reynolds, Hedberg, & Shelby, 2011; Pringle, 2002; Selkrig, 2011; Waldorf, 2002). Despite the view that artists are a rich resource for the community (Mulligan & Smith, 2009), and the claim that there is much to learn from these professionals in relation to their work with children (Galton, 2008; Pringle, 2002; Waldorf, 2002), there are no known interpretive frameworks that provide artists, and the organizations that employ them, with a guide to reflect deeply and critically on their practice involving children in non-school contexts. This research maps the backgrounds, goals and practices of over fifty artists working in a public arts facility, ArtPlay. Located in the heart of Melbourne, ArtPlay provides a wide range of artist-led programs for children aged from three-to-thirteen years. Involving a blend of discovery and constructivist methodologies, aligned with ethnography and case study, this research sought understanding through immersion and dialogue, informed by a hermeneutic model of inquiry (Hammersley, 2011). The key questions for the study were, Why do artists work with children? How do artists work with children? and How does context influence why, and how, artists work with children? To answer these questions, data, gathered through interviews, observations and surveys was analysed through a process of ‘progressive focusing’ (Stake, 2000). Highlighted in this research are the complex factors that influence the artist’s goals and practices, including child age, other adult support, length of program, and the environment. The multi-faceted and contextualised portrait constructed indicates that artists aim to promote child confidence, creativity, aesthetic awareness and joy, through practices that give emphasis to personalized and informal connections, modeling, co-construction, and creative inquiry.
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ItemSo near and yet so far: an ethnographic evaluation of an Australian transnational education program.( 2006-10)The multicultural classroom is a phenomenon now found in most countries. As a result of globalisation and the burgeoning transnational education market, university classrooms that span national borders are now commonplace. Within these classrooms the cultures of both the delivering and receiving countries converge, resulting in the creation of a new and complex cultural territory that is often unfamiliar to educators and students alike. Australia has been a key provider of transnational education in the South East Asian region, however little research has investigated the interplay of culture and pedagogy within Australian transnational programs, despite the cultural distance which exists between Australia and its Asian neighbours. This is surprising given the importance of transnational provision to both the Australian economy and the internationalisation agenda of Australian universities. The unfamiliar cultural territory found within these transnational programs places high demands on educators and students, yet the impact of exposure to cultural difference and culture learning seems rarely considered in the development and delivery of such programs. This thesis examines one transnational program that was delivered in Singapore by an Australian university. An ethnographic methodology is employed, applying a ‘cultural lens’ to an analysis of the program. The author provides background information on the Australian and Singaporean education systems and reviews a range of previous research which focuses on culture and pedagogy in the region. Interviews and classroom observations reveal educator and student experiences of the program. The author concludes that cultural phenomena have a profound impact on participants’ experiences of transnational education programs and that this is substantially unrecognised by key actors in the process. Recommendations are made for changes in practice that could be incorporated in transnational programs in order to ameliorate negative impacts of cultural difference.
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ItemYoung queers getting together: moving beyond isolation and loneliness( 2002-07)Over the last decade, education-focused research/studies on young queers (or same-sex attracted young people) have highlighted the many problems or difficulties they face growing up in a homophobic, heterosexist society. Strategies to address these issues (proposed in numerous research articles and reports) have largely focused on the school setting. I argue that these strategies are limited by heterosexual norms, which regulate and contain in advance what is possible (for queers) within the formal school system. I examine the ways in which these heterosexual norms work to constrain the queer subject in education-focused research and studies on young queers. Within this field of study, young queers have largely been characterized as victims: of homophobic abuse and harassment, and neglect by families and schools. They’re said to be lonely and isolated, at risk of attempted suicide, unsafe sex, drug and alcohol abuse, and homelessness. I argue that these representations convey a negative portrait of young queers as wounded subjects. I illustrate how the emphasis on the wounded queer subject can work against the interests of young queers. In particular, it obscures those queer perspectives involving agency: first, queer cultures and communities; second, the knowledge and experiences of those who have gained confidence in their queerness, who have queer social and sexual lives. These (agentic) queers can offer us ways of understanding how young queers move beyond isolation and loneliness. This study highlights the importance, for many young queers, of having opportunities and spaces where they can connect with each other. Socialization and sexualization among young queers involves a certain openness being and doing queer a practice which is unintelligible within most education-focused research/studies on young queers. This is illustrated and explored through comparative analysis of queer subjectivities in two differentiated spheres: on the one hand education-focused research and studies relating to the school context, and on the other gay/lesbian/queer studies and literature relating to queer social and sexual contexts. The key contexts and themes examined here are: early sexual experience and beats, queer cultures and communities, and queer youth support and social groups.
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ItemPedagogical and cognitive usability in online learning( 2013)The last decade has seen a sharp – and necessary – increase in attention to the quality of eLearning which has expanded a relatively new area of usability specifically for online learning: pedagogical usability. This research focuses on the usability attributes that contribute to effective eLearning and delineates those pertinent to teaching (pedagogical usability) and those specific to learning (cognitive usability). A multifarious methodology provided the elicitation of data from almost all conceivable and feasible angles of the execution of eLearning in a real-world setting – the main positions being: the pedagogical considerations from the teacher-developers’ planning sessions through to the use of a Virtual Learning Environment (VLE) by students, as well as an in-depth usability inspection and evaluation of the Learning Management System (LMS) used as the tool for delivery. The project, in essence, put a microscope on the entire process of eLearning. The complementary use of twelve methods of data collection for rigorous triangulation provided a synergic framework that enabled the examination of each stage of eLearning. The analytical framework applied to the data comprised a complex integration of existing models and a specifically devised analytical model that assisted in the deconstruction of all the factors that contribute to pedagogical and cognitive usability. The study introduces the concept of cognitive usability as distinct from pedagogical usability on the grounds that certain features and contributing factors to VLEs are more teacher-driven (pedagogical) while others are more learner-consummated (cognitive). The study found that a VLE’s constitutional design is governed by teachers’ philosophies about teaching and learning and their teaching styles and repertoires which in turn are also governed by curriculum design; the teachers’ lack of techno-pedagogical skills coupled with the limitations of the eLearning platform hold an equally pivotal role in determining the VLE’s pedagogical usability. The study showed a strong relationship between the technical, pedagogical and cognitive usability of a VLE and found that using an LMS to create eLearning is fraught with problems that are rooted in the technical design of the LMS. Since LMSs are a mandatory feature in almost all educational institutions nowadays, the findings of this study are particularly important since so much research focuses on the use of eLearning without specifically addressing the software used to create it. While even a VLE with low techno-pedagogical usability can still facilitate learning outcomes, this study showed that approximately one third of VLE activity is ineffective due to poor LMS design which impacts on the VLE design, leading to low cognitive usability.