Faculty of Education - Theses
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ItemLearning for independence : the learning experience of some East Timorese scholarship students in Australia 2001 - 2005( 2007)The people of East Timor voted for independence in a UN sponsored referendum in 1999. The departing Indonesian Army left widespread devastation in its wake. In 2000 the first students left independent East Timor to take up scholarships around the world to help build its human resource. This thesis reports on research into the learning experiences of some members of the early groups of East Timorese scholarship students at different universities in Melbourne. Their experience during the scholarship period is analysed through the framework of adult learning including formal, non-formal, informal and unintentional learning. The students have learned English, taken their studies seriously, created their own community, and, through the support movement for East Timor, have had a range of opportunities to participate in the host community. Despite their formal educational experiences, they are enthusiastic learners committed to contributing to the development of East Timor. This thesis indicates that educators and those in the community support movement can learn from, and contribute to, the learning experience of future students from East Timor. It discusses some attitudes in the student community, shows the students' learning from observation of, and. participation in aspects of the Australian community, and their imagination and citizenship commitment in adapting their learning to the East Timorese.. context.
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ItemNo common view: Chinese students and Australian graphic design education( 2007)Graphic design relies on the use of visual elements to communicate and transfer messages to a predetermined audience. The effective implementation of graphic design solutions is consequently highly dependent on the societal and cultural influences that have shaped our understanding of the world. International students and local teachers often do not share this knowledge and as a result outcomes produced by international students in post-secondary graphic design education programs often do not meet teacher expectations. This research project used a qualitative approach; it employed the field methods of interview and visual analysis to gather data. The study followed three Chinese international students and their Australian teachers through the realisation of individual design projects. The cases were selected from three different post-secondary settings, using three course specific projects. This allowed for variation in actual situations to be observed, thus increasing project scope and depth. Chinese students were selected because they form the largest minority of international student in each of the environments. All participants in each case were interviewed at three stages: after the brief presentation, after the first critique and at project completion. The project aimed to track the processes of teacher and student alike, observing mismatch in expectations, processes and decision-making. The data collected provided the opportunity to identify points of choice and variation between study pairs, as they occurred. This data then allowed analysis of the complex, multilayered differences that influenced misalignment in practical outcomes. To achieve this, interview data was analysed to extract, review and align processes to final design outcomes. The visual data, in the form of the project design solution, revealed how the misalignment was manifest in the student's work. These two data sources provided insight into attitudes and beliefs of both teacher and student. The research has revealed variation in teacher and student visual meaning and design processes from the outset of the project. This variation is manifested in the final design outcome and visually reveals how meaning and aesthetic values are shaped by socio-cultural knowledge. The study shows that the misunderstanding between teacher and student is not a simple linguistic matter, but stems from differences in underlying assumptions. The need for open and transparent discussion of these assumptions in the highly subjective domain of graphic design is evident.