Melbourne Graduate School of Education - Theses
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ItemUneasy lies the head : the repositioning of heads of English in independent schools in Victoria in the age of new learning technologies( 2004)This study explores the discursive practice of six Heads of English in Independent Schools in Victoria during a period of major cultural change. This change has been associated with huge public investment in New Learning Technologies and shifting perceptions and expectations of cultural agency in communities of practice such as English Departments in Schools. In this social milieu tensions exist between the societal rhetoric of school management and marketing of the efficacy of NLTs as educational realities and discursive practices at a departmental level, embodying and embedding academic values and attainments. In their conversations with the author, the Heads of English reveal much about themselves and the nature and distribution of their duties and responsibilities within the local moral order of their schools and with their individual communities of practice. A model is developed of the dual praxis of the Heads of the Heads of English, mediated by autobiography and historically available cultural resources in a community of practice. As agents concerned to both maintain and transform their local culture of English teaching, and consequently the whole school culture, the Heads of English account for themselves as responding to their own `sense of place' in their own community of practice, but also the `structure of feeling' of the period by which their achievements and standing are known. This study of the persons of the English co-ordinators draws upon both Positioning Theory and critical realism to reveal the dynamic nature of both their identity and the social organization of English teaching in schools.
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ItemTeacher's management of learning in small groups in science classes( 1993)Established curriculum documents in Victoria recommend group work as an effective teaching strategy but the implementation and management of such groups is poorly understood by many teachers. This study investigated two management strategies which differed in the degree of role attribution amongst group members and the effect of the strategies on communication, behaviour patterns and achievement on a problem solving investigation. Students in three parallel year eight science classes from one school were observed over an eight week period. A low level and a high level management strategy were randomly allocated to each of two classes and used to manage group work. After four weeks the management strategies were exchanged. The third class, which was used as the control, was managed in a way which was more typical of a traditional science class. Randomly selected groups of students from each class carried out a practical problem solving investigation as a pretest, then again at the completion of the first four weeks (phase 1) and again after the completion of the second four weeks (phase 2). Student conversations within groups were recorded and coded to identify levels of communication types. Students' written reports for each test were assessed and scores analysed. Teachers completed an observation schedule to identify styles of leadership and types of group behaviour within each class. It was found that the use of the low level management strategy, in particular, did increase the relative frequency of communication at higher cognitive levels, those of conceptualisations, as compared with the control treatment. Problem solving skills as measured by achievement on the written practical investigation improved over time and there was a significant effect in the area of "making measurements" when the management strategies were used as compared to the control treatment.
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ItemThe morning after : a novella based on a study of a drama performance exploring young people's views of teenage pregnancy( 2004)This thesis is in two parts. Firstly I describe my research, which centred on a Drama performance devised for the 2002 Monash Schools Drama Festival. The performance project was coordinated by myself, as the school Drama teacher, and involved twelve students from Years 9 and 10. The performance focused on the theme of teenage pregnancy and explored some of the difficulties a young girl encounters when faced with an unplanned pregnancy. The story created for the performance project then became the basis for the second part of this thesis, a novella - 'The Morning After'. As a practitioner teacher-researcher, I collected data through interviews with my students and observations of their work in drama as they created the storyline and constructed the performance for the Monash Drama Festival. Through the process of discussion and improvisation, students revealed their perceptions, life experiences, questions and concerns around the issue of teenage pregnancy. These insights were reflected in the play and then this data was analyzed, organized into themes, interpreted and transformed into the novella - The Morning After'. This study reveals a need for more effective forums for discussing sex education and teenage relationships and pregnancy with young people in schools. The Morning After' aims to preserve the story at the heart of the students' play by offering it in fictional form to other young people.
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ItemArticulating the theatre experience : ways in which students respond to the theatre experience, individually, collectively & within the context of the curriculum( 2005)This thesis investigates how a class of senior Drama students experience the event that is theatre performance. The theatre experience is at the very heart of this study, both as a personal one, and as it is framed within the parameters of the Victorian Certificate of Education (VCE) Drama Curriculum. Five themes emerge from the study: the role of cultural contexts; the role of prior experience; knowing versus not knowing measuring the theatre experience; and the impact of curriculum and assessment criteria on student responses. The findings of the study suggest that the subject of Drama provides entry into an aesthetic world that is not necessarily accessible through other subjects. It indicates that a range of cultural contexts and prior experiences create a frame through which students experience new theatre performances. The study indicates that the immediate and transient nature of a performance text is inherently difficult to measure but rather, relies on the measuring of the memory of that experience. Finally, the study suggests that there is a gap between the process through which students make meaning from their experiences, and the process by which the curriculum asks them to respond to the aesthetic experience that is theatre. The implications of this investigation are that the teaching of theatre text and the design of curriculum documents needs to more carefully acknowledge the cultural framing, prior experiences, and personal aesthetics that students bring to that experience. Further, it asks Drama educators to consider whether aesthetic experiences are indeed assessable and, if so, how that can be achieved in ways that acknowledge the complex nature of responses to a text that exists only in the memory of those who have seen it.
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ItemThe new English : an analysis of ideology in the professional literature of English-teaching, 1963-1978( 1982)This thesis focusses upon the professional literature of English teachers in Victoria in the period 1963-1978. Its concern is, firstly, to identify and delineate the distinctive features of the successive ideologies of English teaching which emerged in the literature during those years, focussing in particular upon 'the New English'. Secondly, it seeks to suggest reasons for their emergence, by examining contemporary socio-economic, political and institutional developments, to which the theory of English teaching has been responsive. Although writers in the professional literature presented themselves as spokesmen for classroom English teachers, their rationales and pre-occupations were not widely shared or successfully communicated. Therefore, the theories of English teaching which are identifiable in the literature do not represent the changing practices of teachers, but rather a succession of 'attempts by theorists to direct and control those practices. They also reflect the changing composition and configuration of a particular segment of the intellectual field over a period of time. Some aspects of the changing ideology of English teaching are thus the product of quasi-autonomous internal processes of self-reflection and debate within the profession. However, the major purpose of this analysis is to demonstrate how more widespread historical developments called forth a specific range of responses amongst theorists, whose role was one of intellectual management of those developments. It is claimed that the New English merits attention both because of its congruence with broader structural changes and because of the challenge it offered to existing forms of control over both teaching practice and the production of theory itself.
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ItemAn evaluation of computer science in the Victorian Higher Schools Certificate( 1984)This thesis evaluates certain aspects of the Victorian Higher Schools Certificate subject, Computer Science. Firstly, an overview is taken of the subject as it was intended to function in the first three years of its accreditation, 1981 - 83. In the light of this, the draft proposal for changes to the course in 1984 is reviewed. Secondly, a number of specific areas of the course are examined in more detail. A questionnaire to course designers and teachers is the basis of this investigation. The relationship between stated objectives of the course and items of course content is explored. An analysis is conducted on the extent to which the four option components are equitable in terms of time. The relative importance of the three components of assessment is explored, especially in the case of a 'barely passing' student. Actual raw mark components for the 1981 students have been used in connection with the latter investigation.
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ItemRelationships between modernism, postmodernism, new technologies and visual culture in Victorian secondary visual arts education( 2001)This study investigates relationships between computer technologies, modernism, postmodernism, visual culture and visual arts education. The literature research focuses on relationships between modernism and new technologies, modernism and postmodernism, postmodernism and new technologies and art education and computer technologies. The field research consisted of three 'semi-structured interviews with secondary visual arts teachers in metropolitan Melbourne, Victoria. I investigated selected teachers' perceptions of the extent to which they addressed computer technologies, modernism, postmodernism and visual culture in their visual arts curricula. Initially I aimed to discover the extent that they included computer technologies and postmodern theories into their visual arts curricula. I used a combination of research methods when undertaking this study and in particular when analysing the field research findings. The deductive method of Orientational Qualitative Inquiry was combined with the inductive method of grounded theory. Whilst investigating relationships between postmodernism and new technologies using Orientational Qualitative Inquiry I found that modernism impacted upon both postmodernism and computer technologies. I then used grounded theory to document the interrelationships between modernism, postmodernism, visual culture, new technologies and arts education. This study was limited by several factors, including the following. Firstly, I limited the investigation to only three participants. Secondly, there were flaws inherent in the combination of inductive and deductive research methods. Most significantly, I was limited by the fact that the three interviewees worked in modern institutions. The relationships between modernism and new technologies encountered in section 2.1 were echoed by the interviewees' comments, particularly in sections 4.1 and 4.2. The interviewees held strong modern values such as a belief in progress and the importance of originality. The investigations surrounding postmodernism and visual culture in sections 2.2 and 2.3 were less well established in the field research. However, these were still present, especially in section 4.3. Finally, the traditions of the incorporation of computer technologies established in Australian and American visual arts education in section 2.4 were continued by all three participants in chapter four and summarised in section 5.1. By exploring relationships between modernism, postmodernism, visual culture and new technologies in visual arts education I found that modernism and postmodernism are not mutually exclusive but rather deeply interconnected.
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ItemGhost stories : an ethnographic journey( 1998)This is an ethnographic study of a school theatre project, 'Ghost Stories'. The study explores what the role and nature of extra curricular theatre is in an independent boys' school. The concept of 'school theatre' is defined as an aesthetically rich, extra curricular event. The study argues that a teacher of 'school theatre' creates learning experiences for students that empower and challenge the politically or economically sanctioned educational culture. The value of school theatre, the role of the teacher, the development of students' artistic and personal skills and the relationship between school theatre and the dramatic heritage is investigated. The study argues that a believable, trustworthy account of the school theatre event needs to incorporate the variety of participant voices. The report is written in the form of a narrative and is told by the drama teacher responsible for the performance project, a male and female student, a teacher assisting in the performance project and a senior member of the administration. The narrative traces the participants' motives in becoming involved in the 'Ghost Stories' performance project, the various perceptions of the value of student devised performance texts, the conflicts within this educational context, culminating in the final night's presentation ceremony. The 'Ghost Stories' performance event challenges the conduct of teaching and learning in this educational context. The study contends that a teacher of 'school theatre is engaged in 'critical pedagogy'.
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ItemIssues of curriculum transition from secondary to tertiary drama education( 2005)This case study aims to explore issues of curriculum transition for those students moving from secondary to tertiary study in drama and theatre studies. Its purpose is to examine the relationship between first year tertiary drama and theatre studies courses and VCE Drama/Theatre Studies, and whether these tertiary courses are meeting the needs of those students who have this particular VCE study as their foundation. As a means of investigating this issue, a group of first year tertiary students was selected as participants after they had enrolled in the unit Body, Text and Performance offered by the School of Creative Arts at the University of Melbourne through the Theatre Studies stream. Other participants included the coordinating lecturer, as well as the tutors delivering the practical component of the curriculum. This qualitative study seeks to examine the nature of this unit through the responses and attitudes of both students and staff. As a secondary drama teacher, VCAA Examiner and Auditor, the researcher has witnessed directly the marked improvement in senior drama education since the introduction of VCE in 1991. This study seeks to ascertain to what extent tertiary courses have responded to these changes in the VCE and whether curriculum at this level is informed by students' previous experiences, knowledge and learning from their secondary senior schooling.
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ItemThe Victorian Certificate of Education : the change process and teacher practice( 1995)There are two key issues in this study. Firstly, to examine the extent to which teacher practice has changed during the first year of implementation of the Victorian Certificate of Education's Year 11 Legal Studies study design - Unit 1 - Criminal Law and Civil Law. The second key issue is to explore the extent to which any change in teacher practice is due to the new course and the manner in which it was implemented. For this study I have used a case study approach with a series of cross-case techniques when analysing the data. Three cases were selected for study. Several different methods of data collection were employed. Specifically, external observation, systematic interviewing, collection and analysis of documents and checklists were used on a regular basis. To develop the cross-case synthesis I adopted cross-site analysis techniques as suggested by Miles and Huberman (1984) in their text Qualitative Data Analysis: A Sourcebook of New Methods. In order to plan this study, an overview of some of the key writings in this area was undertaken. Specifically, key writings on implementation and the process of implementation in relation to teacher practice were reviewed. This process is explored through the examination of several theories and models on implementation. How teachers perceive a change to existing curriculum programmes and the extent to which that curriculum leads to a modification in teacher practice is examined in detail. Particular attention is paid to the range of variables and interventions that can lead to a modification in teacher practice. The major findings and conclusions drawn from this study indicate that the teachers' pedagogical judgments, plans and decisions reflected a reasonably narrow collection of educational goals. These goals were shaped, in the main, by the realities of their classroom environments. The teachers prioritised most matters on a cost benefit ratio. This was particularly evident in relation to the intervention strategies. They also underwent a period of uncertainty about the change which compounded their reluctance to move away from established classroom practice and adopt certain teaching techniques that complemented the flexible nature of the study design. Decisions regarding teacher practice, therefore, were orientated around 'tried and true' techniques that met a number of preconditions. Specifically the need to balance the competing academic needs and interests of their students; student willingness to cooperate and feel comfortable with the teaching style adopted; perceptions of what the new content and assessment offerings required, and the limitations of time dominated their decision-making process. The end result was a general reluctance to discard established methods of teacher practice given these classroom 'realities'. The major findings, therefore, indicate that an educational change in terms of a modification to teacher practice was difficult to achieve.
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