Melbourne Graduate School of Education - Theses

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    Articulating the theatre experience : ways in which students respond to the theatre experience, individually, collectively & within the context of the curriculum
    Upton, Megan ( 2005)
    This thesis investigates how a class of senior Drama students experience the event that is theatre performance. The theatre experience is at the very heart of this study, both as a personal one, and as it is framed within the parameters of the Victorian Certificate of Education (VCE) Drama Curriculum. Five themes emerge from the study: the role of cultural contexts; the role of prior experience; knowing versus not knowing measuring the theatre experience; and the impact of curriculum and assessment criteria on student responses. The findings of the study suggest that the subject of Drama provides entry into an aesthetic world that is not necessarily accessible through other subjects. It indicates that a range of cultural contexts and prior experiences create a frame through which students experience new theatre performances. The study indicates that the immediate and transient nature of a performance text is inherently difficult to measure but rather, relies on the measuring of the memory of that experience. Finally, the study suggests that there is a gap between the process through which students make meaning from their experiences, and the process by which the curriculum asks them to respond to the aesthetic experience that is theatre. The implications of this investigation are that the teaching of theatre text and the design of curriculum documents needs to more carefully acknowledge the cultural framing, prior experiences, and personal aesthetics that students bring to that experience. Further, it asks Drama educators to consider whether aesthetic experiences are indeed assessable and, if so, how that can be achieved in ways that acknowledge the complex nature of responses to a text that exists only in the memory of those who have seen it.
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    Relationships between modernism, postmodernism, new technologies and visual culture in Victorian secondary visual arts education
    Potts, Miriam L ( 2001)
    This study investigates relationships between computer technologies, modernism, postmodernism, visual culture and visual arts education. The literature research focuses on relationships between modernism and new technologies, modernism and postmodernism, postmodernism and new technologies and art education and computer technologies. The field research consisted of three 'semi-structured interviews with secondary visual arts teachers in metropolitan Melbourne, Victoria. I investigated selected teachers' perceptions of the extent to which they addressed computer technologies, modernism, postmodernism and visual culture in their visual arts curricula. Initially I aimed to discover the extent that they included computer technologies and postmodern theories into their visual arts curricula. I used a combination of research methods when undertaking this study and in particular when analysing the field research findings. The deductive method of Orientational Qualitative Inquiry was combined with the inductive method of grounded theory. Whilst investigating relationships between postmodernism and new technologies using Orientational Qualitative Inquiry I found that modernism impacted upon both postmodernism and computer technologies. I then used grounded theory to document the interrelationships between modernism, postmodernism, visual culture, new technologies and arts education. This study was limited by several factors, including the following. Firstly, I limited the investigation to only three participants. Secondly, there were flaws inherent in the combination of inductive and deductive research methods. Most significantly, I was limited by the fact that the three interviewees worked in modern institutions. The relationships between modernism and new technologies encountered in section 2.1 were echoed by the interviewees' comments, particularly in sections 4.1 and 4.2. The interviewees held strong modern values such as a belief in progress and the importance of originality. The investigations surrounding postmodernism and visual culture in sections 2.2 and 2.3 were less well established in the field research. However, these were still present, especially in section 4.3. Finally, the traditions of the incorporation of computer technologies established in Australian and American visual arts education in section 2.4 were continued by all three participants in chapter four and summarised in section 5.1. By exploring relationships between modernism, postmodernism, visual culture and new technologies in visual arts education I found that modernism and postmodernism are not mutually exclusive but rather deeply interconnected.
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    Issues of curriculum transition from secondary to tertiary drama education
    Mustafa, David R ( 2005)
    This case study aims to explore issues of curriculum transition for those students moving from secondary to tertiary study in drama and theatre studies. Its purpose is to examine the relationship between first year tertiary drama and theatre studies courses and VCE Drama/Theatre Studies, and whether these tertiary courses are meeting the needs of those students who have this particular VCE study as their foundation. As a means of investigating this issue, a group of first year tertiary students was selected as participants after they had enrolled in the unit Body, Text and Performance offered by the School of Creative Arts at the University of Melbourne through the Theatre Studies stream. Other participants included the coordinating lecturer, as well as the tutors delivering the practical component of the curriculum. This qualitative study seeks to examine the nature of this unit through the responses and attitudes of both students and staff. As a secondary drama teacher, VCAA Examiner and Auditor, the researcher has witnessed directly the marked improvement in senior drama education since the introduction of VCE in 1991. This study seeks to ascertain to what extent tertiary courses have responded to these changes in the VCE and whether curriculum at this level is informed by students' previous experiences, knowledge and learning from their secondary senior schooling.
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    The influence of information and communication technology (ICT) on secondary school students' development in Japanese handwriting skills
    Kandori, Shizuka ( 2008)
    For twenty years, researchers have suggested that Information and Communication Technology (ICT) facilitates language learning by motivating students (e.g. Rodrigues and Rodrigues, 1986; Phinney, 1989; Pennington and Brock, 1992; Felix 2001). In particular, research concludes that ICT positively changes students' attitudes towards writing, because it reduces the fear of making mistakes. Despite considerable research on the value of ICT in the learning of European languages and ESL, few studies have been conducted on its use in Japanese classes (Chikamatsu, 2003), especially at the early secondary level. Yet it is often said that Japanese is one of the most difficult languages for English native speakers to learn (Chikamatsu, 2003), and its writing system is regarded as the most complex in the world (Sproat, 2000). Hence ICT might be expected to facilitate learning the three different sets of symbols used in combination to write Japanese, but it is not commonly used by secondary students for this. In this study, the aim was to document and analyse the achievements of beginner level school learners of Japanese when ICT was introduced for learning basic Japanese using mainly the phonetic Hiragana syllabary. Following methods created by Chikamatsu (2003), the effectiveness of using ICT was determined by comparing the speed and accuracy of students' answers in vocabulary tests, and interviewing them about their learning processes using ICT. The results show that, while the use of ICT motivated students' learning and assisted the weaker students to speed up their writing and to write more correctly, the excessive use of ICT had a negative influence on students' handwriting skills, an ability required in final year examinations as well as in real life. Thus students in the experimental group who used only the computer produced more errors when transferring to writing Japanese by hand. Findings therefore suggest that computers should only be used as a supplementary tool in class to stimulate students' learning.